The Sleeping Beauty by Crooke

William Crooke :: The Sleeping Beauty. The Amateur Photographer & Photographic News, vol. LII, 1352, p. 210, 1910. (The Royal Photographic Society's Annual Exhibition, London)

William Crooke :: The Sleeping Beauty. The Amateur Photographer & Photographic News, vol. LII, 1352, p. 210, 1910. (The Royal Photographic Society's Annual Exhibition, London) Musée Nicéphore Niépce — William Crooke :: The Sleeping Beauty. The Amateur Photographer & Photographic News, vol. LII, 1352, p. 210, 1910. (The Royal Photographic Society’s Annual Exhibition, London) | src Musée Nicéphore Niépce

William Crooke :: The Sleeping Beauty. The Amateur Photographer & Photographic News, vol. LII, 1352, p. 210, 1910. (The Royal Photographic Society's Annual Exhibition, London) | src Musée Niépce — William Crooke :: The Sleeping Beauty. The Amateur Photographer & Photographic News, vol. LII, 1352, p. 211, 1910. (The Royal Photographic Society’s Annual Exhibition, London) | src Musée Niépce

Black and White, 1934

Jan de Meyere (1879-1950) :: “Black and White”. Art Deco study, 1922 (?). Halftone print from The Amateur Photographer & Cinematographer, July 18th 1934. | src eBay

Jan de Meyere (1879-1950) :: “Black and White”. Art Deco study, 1922 (?). Halftone print from The Amateur Photographer & Cinematographer, July 18th 1934. [full page] | src eBay

The Shadow of the Sand, 1935

Forman Hanna :: Nude study titled ‘The Shadow of the Sand’, 1935. The Amateur Photographer & Cinematographer. | src eBay

Forman Hanna was internationally known for his pictorial-style photography. His photographs were exhibited nationally and internationally including exhibits in New York, Washington D.C., London, Glasgow and Paris. Raised in a small Texas town, Hanna had his first encounters with photography and most of his art training through camera-club magazines. Emulating the Pictorialist style, he used his western surroundings as subject matter.
While working as a pharmacist in Globe, Arizona, Hanna made frequent trips to nearby canyons and Pueblo villages to photograph what the believed was a lost way of life. Recognized for his Arizona landscapes, he often exhibited in the juried shows of camera clubs. Hanna’s choice of subject matter reflected his lifelong residence in Arizona. He frequently turned his camera on the Native Americans of the Southwest, idealizing the lifestyle of the Apache, Navajo, and Hopi tribes. He was also accomplished at picturing female nudes, which he classically posed in the area’s natural surrounding [quoted from source]

Chrysalis (1933) by R. Maingot

Rosalind Maingot :: ‘Chrysalis’, Art Deco nude study, 1933. From: The Amateur Photographer, November 1933. | src eBay

Rosalind Maingot :: ‘Chrysalis’, Art Deco nude study, 1933. From the London Salon of Photography. Published in The Amateur Photographer & Photographic News, November 1933. | src eBay

Hist! Said Kate the Queen

Emma Barton :: «Hist! Said Kate the Queen». Published in The Amateur Photographer & Photographic News, vol. LIV, 1417, p. 531 (November 27th, 1911). | src Musée Nicéphore Niépce

Emma Barton :: «Hist!» Said Kate the Queen.─ «Pippa Passes», Browning. From the London Salon of Photography.
Published in The Amateur Photographer & Photographic News, vol. LIV, 1417, p. 531 (November 27th, 1911). | Musée Nicéphore Niépce

The Boy at the Window, 1908

Emma Barton :: The Boy at the Window. The Amateur Photographer & Photographic News, vol. XLVVII, 1234, p. 544, Mrs. G.A. (Emma) Barton (1872-1938), Birmingham (West Midlands), England, Illustration of the article «Window Photography». May 26th, 1908. | src Musée Nicéphore Niépce [detail]

Emma Barton :: The Boy at the Window. Illustration of the article «Window Photography». May 26th, 1908. | src Musée Nicéphore Niépce

Women and Roses, 1900s-1910s

Emma Barton (Mrs. G.A. Barton) :: The Gardener’s Daughter, before or on 1911. (DETAIL)

Far up the porch there grew an Eastern rose,
Gown’d in pure white, that fitted to the shape,
Holding the bush, to fix it back, she stood,
A single steam of all her soft brown hair
Poured on one side. (Tennyson)

Emma Barton (Mrs. G.A. Barton) :: The Gardener’s Daughter. Published in The Amateur Photographer & Photographic News, vol. LIV, 1398, p. 66 (1911). From The Royal Photographic Society’s Annual Exhibition. | src Musée Nicéphore Niépce

Emma Barton (née Rayson) :: The Soul of the Rose, ca. 1905. Carbon print. The Royal Photographic Society at Science & Media Museum, now V&A

Miss Jessie King, p. 1913

James Craig Annan :: Miss Jessie King. Published in The Amateur Photographer & Photographic News, vol. LVII, 1481, p. 156 (1913). James Craig Annan (1864-1946), Glasgow, Scotland, One-Man Show («The A.P.» Little Gallery, London) | src Musée Nicéphore Niépce

L´ été, ca. 1909 par C. Laguarde

pictorial portrait, harvest, summer — Céline Laguarde :: L´ Été, ca. 1909. The Amateur Photographer & Photographic News, vol. L, 1305, p. 330, October 5th, 1909. Céline Laguarde, Aix-en-Provence, Exposition (The Royal Photographic Society’s Annual Exhibition, London) | src Musée Nicéphore Niépce

Céline Laguarde :: L´ Été, ca. 1909. The Amateur Photographer & Photographic News, vol. L, 1305, p. 330, October 5th, 1909. Céline Laguarde, Aix-en-Provence, Exposition (The Royal Photographic Society's Annual Exhibition, London) | src Musée Nicéphore Niépc — Céline Laguarde :: L´ Été, ca. 1909. The Amateur Photographer & Photographic News, vol. L, 1305, p. 330, October 5th, 1909. Céline Laguarde, Aix-en-Provence, Exposition (The Royal Photographic Society’s Annual Exhibition, London) | src Musée Nicéphore Niépce

Enigmatic portrait, “Roda”, 1934

Jehangir N. Unwalla :: Enigmatic portrait, “Roda”, 1934 by Indian photographer J.N. Unwalla. Published in The Amateur Photographer Mach 21st 1934. | src eBay

J.N. Unwalla was a Mumbai (Bombay) based fashion and advertising photographer. He was a member of the Royal Photographic Society and the Camera Pictorialists of Los Angeles and exhibited internationally from 1922 until 1960. | src eBay