Zitkala-Sa with violin, ca. 1898

Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH

In addition to photographing the Sioux performers sent by Buffalo Bill Cody to her studio, Käsebier was able to arrange a portrait session with Zitkala-Sa, “Red Bird,” also known as Gertrude Simmons (1876-1938), a Yankton Sioux woman of Native American and white ancestry. She was born on the Pine Ridge Reservation in South Dakota, like many of the Sioux traveling with the Wild West show. She was well educated at reservation schools, the Carlisle Indian School, Earlham College in Indiana, and the Boston Conservatory of Music. Zitkala Sa became an accomplished author, musician, composer, and dedicated worker for the reform of United States Indian policies.

Käsebier photographed Zitkala-Sa in tribal dress and western clothing, clearly identifying the two worlds in which this woman lived and worked. In many of the images, Zitkala Sa holds her violin or a book, further indicating her interests. Käsebier experimented with backdrops, including a Victorian floral print, and photographic printing. She used the painterly gum-bichromate process for several of these images, adding increased texture and softer tones to the photographs. (quoted from NMAH)

Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Gum bichromate print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Gum bichromate print. | src National Museum of American History, Smithsonian Institution

Nesbit by Käsebier: 5 renditions

Gertrude Käsebier :: Portrait of Evelyn Nesbit (Miss N.). Published in Camera Work, Nº 1, 1903. Portrait of Evelyn Nesbit [three-quarter length portrait, seated, wearing an off-the-shoulder dress], 1902. The Toledo Museum of Art | src NYTimes Lens Journal
Gertrude Käsebier :: Portrait (Miss N.). Published in Camera Work, Nº 1, 1903. Portrait of Evelyn Nesbit [three-quarter length portrait, seated, wearing an off-the-shoulder dress], 1902. © The Toledo Museum of Art | src NYTimes Lens Journal
Gertrude Käsebier (1852-1934) :: [Evelyn Nesbit about 1900 at a time when she was brought to the studio by Stanford White] Evelyn Nesbit, three-quarter length portrait, seated, wearing an off-the-shoulder dress. Glass negative. | src Library of Congress
Gertrude Käsebier (1852-1934) :: [Evelyn Nesbit about 1900 at a time when she was brought to the studio by Stanford White] Evelyn Nesbit, three-quarter length portrait, seated, wearing an off-the-shoulder dress. Glass negative. | src Library of Congress
Gertrude Käsebier (1852–1934) :: Evelyn Nesbit, 1902 [Carbon print?]. | src Princeton University Art Museum
Gertrude Käsebier (1852–1934) :: Evelyn Nesbit, 1902 [Carbon print?]. | src Princeton University Art Museum
Gertrude Käsebier  :: Portrait (Miss N.). Camera Work nº 1, January 1903. Photogravure. | src Brown University
Gertrude Käsebier :: Portrait (Miss N.). Camera Work nº 1, January 1903. Photogravure. | src Brown University
Gertrude Käsebier [Des Moines, Iowa, USA, 1852 - New York, USA, 1934] :: Portrait (Miss N.). From: Camera Work No. 1, January 1903. Date: 1898 (circa) / Printed circa 1903. Technique: Photogravure on Japanese paper. | src Museo de Arte Reina Sofía
Gertrude Käsebier [Des Moines, Iowa, USA, 1852 – New York, USA, 1934] :: Portrait (Miss N.). From: Camera Work No. 1, January 1903. Date: 1898 (circa) / Printed circa 1903. Technique: Photogravure on Japanese paper. | src Museo de Arte Reina Sofía

Two Lady portraits by Käsebier

Gertrude Käsebier · Untitled (Portrait of a woman with cherry blossoms), ca. 1905. Platinum print. | src Christie's
Gertrude Käsebier :: Untitled (Portrait of a woman with cherry blossoms), ca. 1905. Platinum print. | src Christie’s
Gertrude Käsebier - Untitled (Portrait of a woman with cherry blossoms), ca. 1905. Platinum print. | src Christie's
Gertrude Käsebier :: Untitled (Portrait of a woman with cherry blossoms), ca. 1905. Platinum print. | src Christie’s
Gertrude Käsebier :: Portrait of a Lady, ca. 1898. Platinum print. The image was shown at The NY Photography Virtual Fair, sponsored by The Daguerreian Society | src Lunn Ltd. [one of the hosted Dealers]
Gertrude Käsebier :: Portrait of a Lady, ca. 1898. Platinum print. The image was shown at The NY Photography Virtual Fair, sponsored by The Daguerreian Society | src Lunn Ltd. [one of the hosted Dealers]
Gertrude Käsebier :: Portrait of a Lady, ca. 1898. Platinum print. The image was shown at The NY Photography Virtual Fair, sponsored by The Daguerreian Society [full size]
Gertrude Käsebier :: Portrait of a Lady, ca. 1898. Platinum print. The image was shown at The NY Photography Virtual Fair, sponsored by The Daguerreian Society [full size]

Zitkala-Sa, ca. 1898

Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src National Museum of American History
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src National Museum of American History

In addition to photographing the Sioux performers sent by Buffalo Bill Cody to her studio, Käsebier was able to arrange a portrait session with Zitkala Sa, “Red Bird,” also known as Gertrude Simmons (1876-1938), a Yankton Sioux woman of Native American and white ancestry. She was born on the Pine Ridge Reservation in South Dakota, like many of the Sioux traveling with the Wild West show. She was well educated at reservation schools, the Carlisle Indian School, Earlham College in Indiana, and the Boston Conservatory of Music. Zitkala Sa became an accomplished author, musician, composer, and dedicated worker for the reform of United States Indian policies.

Käsebier photographed Zitkala Sa in tribal dress and western clothing, clearly identifying the two worlds in which this woman lived and worked. In many of the images, Zitkala Sa holds her violin or a book, further indicating her interests. Käsebier experimented with backdrops, including a Victorian floral print, and photographic printing. She used the painterly gum-bichromate process for several of these images, adding increased texture and softer tones to the photographs. (quoted from NMAH)

Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print.
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src National Museum of American History
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print.
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Gum bichromate print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Gum bichromate print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH