Akt · 1973 · Oľga Bleyová

Oľga Bleyová :: Akt IV, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria, SNG
Oľga Bleyová (1930 – 2019) :: Akt IV, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG
Oľga Bleyová :: Akt III, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria, SNG
Oľga Bleyová (1930 – 2019) :: Akt III, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG
Oľga Bleyová :: Akt I, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG
Oľga Bleyová (1930 – 2019) :: Akt I, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG
Oľga Bleyová (1930 – 2019) :: Akt V, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG
Oľga Bleyová (1930 – 2019) :: Akt V, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG

Oľga Bleyová (1930 – 2019) belongs to the generation of Slovak photographers that emerged on the art scene betweenthe 1960s and 1970s, and was open to experimenting in photography. She brought to photography her sense of imagination and poeticism, and conveyed her female view into a thoroughly articulated message. Her nudes can, without any doubt, be considered among her most distinctive work.

Cramérbaletten costume design

costume design, dance costume
Kostymskiss till Husmodern. Häxan i Vindarnas Kulle, Cramérbaletten. Av Torkel Edenborg.
Costume sketch for Husmodern. The Witch in the Hill of the Winds, Cramér ballet. By Torkel Edenborg. | src Dansmuseet
Kostymskiss till Husmodern. Häxan i Vindarnas Kulle, Cramérbaletten. Av Torkel Edenborg.
Costume sketch for Husmodern. The Witch in the Hill of the Winds, Cramér ballet. By Torkel Edenborg. | src Dansmuseet
Korp. Mask till en av fyra korpar från uppsättningen "Domardansen". Av Torkel Edenborg.
Raven. Mask for one of the four ravens from the "Judge's Dance" set. | src Dansmuseet
Korp. Mask till en av fyra korpar från uppsättningen “Domardansen”. Av Torkel Edenborg.
Raven. Mask for one of four ravens from the “Judge’s Dance” set. | src Dansmuseet
Mask till "Drängen" från uppsättningen "Vindarnas kulle", Cramérbaletten. Av Torkel Edenborg. 
Farmer. Mask for "Drängen / Farmer" from the set "The Hill of the Winds", Cramér ballet. | src Dansmuseet
Mask till “Drängen” från uppsättningen “Vindarnas kulle”, Cramérbaletten. Av Torkel Edenborg.
Farmer. Mask for “Drängen / Farmer” from the set “The Hill of the Winds”, Cramér ballet. | src Dansmuseet
'Cramer Baletten, Svenska Riksteatern', a poster designed by Bjorn Wiimblad, 1980 (?). | src Sworders
‘Cramer Baletten, Svenska Riksteatern’, a poster designed by Bjorn Wiimblad, 1980 (?). | src Sworders
Korp. Mask till en av fyra korpar från uppsättningen "Domardansen". Av Torkel Edenborg.
Raven. Mask for one of the four ravens from the "Judge's Dance" set. | src Dansmuseet
Korp. Mask till en av fyra korpar från uppsättningen “Domardansen”. Av Torkel Edenborg.
Raven. Mask for one of the four ravens from the “Judge’s Dance” set. | src Dansmuseet

Friedensreich Hundertwasser

Friedensreich Hundertwasser :: Das vollständige druckgrafische Werk 1951-1986 (cover) | src Dobiaschofsky Auktionen
Friedensreich Hundertwasser :: Das vollständige druckgrafische Werk 1951-1986 (cover) | src Dobiaschofsky Auktionen
HUNDERTWASSER, FRIEDENSREICH Die Mauer, 1979
Friedensreich Hundertwasser :: Die Mauer, 1979 | src Dobiaschofsky Auktionen

Bending over backwards

bending over backwards, bending back, diver, diving
Ron Bull :: Cindy Shatto dips her head into a downturn in the final of Olympic platform diving. Canada, July 25th, 1976. | src Getty Images
Ron Bull :: Cindy Shatto dips her head into a downturn in the final of Olympic platform diving. Canada, July 25th, 1976. | src Getty Images

Bending over backwards: Cindy Shatto of Toronto dips her head into a downturn last night in the final of Olympic platform diving. Miss Shatto was in second place after three dives; but fell back to fifth at the end; one rank ahead of teammate Teri York of Vancouver. Elena Vaytsekhovskaia of the Soviet Union; who said she took to diving because swimming is dull; was gold medalist. Canada. July 25th, 1976 (Ron Dull for Toronto Star)

A Woman. A Mirror…, 1975-76

Francesca Woodman :: Untitled, Providence, Rhode Island, Relating to the series, A Woman. A Mirror. A Woman Is a Mirror for a Man, 1975-76.
Francesca Woodman :: Untitled, Providence, Rhode Island. Series ‘A Woman. A Mirror. A Woman is a mirror for a man’, 1975-1976
Francesca Woodman :: Untitled, Providence, Rhode Island. Series ‘A Woman. A Mirror. A Woman is a mirror for a man’, 1975-1976
Francesca Woodman :: Untitled, Providence, Rhode Island, Relating to the series, A Woman. A Mirror. A Woman Is a Mirror for a Man, 1975-76. | src Sotheby's
Francesca Woodman :: Untitled, Providence, Rhode Island, Relating to the series, A Woman. A Mirror. A Woman Is a Mirror for a Man, 1975-76. | src Sotheby’s

three kinds of melon by Woodman

Francesca Woodman :: "From the three kinds of melon in four kinds of light series", 1975-1977. | Victoria Miro Gallery
Francesca Woodman :: "From the three kinds of melon in four kinds of light series", 1975-1977. | Victoria Miro Gallery
Francesca Woodman :: “From the three kinds of melon in four kinds of light series”, 1975-1977. | Victoria Miro Gallery
Francesca Woodman :: "From the three kinds of melon in four kinds of light series", 1975-1977. | The Paris Review
F. Woodman :: from the three kinds of melon in four kinds of light series, 1975-77. | The Paris Review

Nude Francesca, 1972-1980

Francesca Woodman :: Untitled, 1972-1980. Gelatin silver print signed in pencil by George and Betty Woodman. | Bukowski's
Francesca Woodman :: Untitled (Nude), 1972-1980. Gelatin silver print signed in pencil by George and Betty Woodman. | Bukowski's
Francesca Woodman :: Untitled, 1972-1980. Gelatin silver print signed in pencil by George and Betty Woodman. | Bukowski’s

Francesca in color

Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW562] | Victoria Miro Gallery – Venice 2020
Francesca Woodman - Untitled, New York, 1979 [FW748] Victoria Miro Gallery
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW748] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979-1980 [FW191] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW750] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979-1980 [FW191] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979-1980 [FW191] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW562] | Victoria Miro Gallery – Venice 2020
Francesca Woodman (1958-1981) :: Untitled, New York, 1979 [FW749] | Victoria Miro Gallery – Venice 2020

Francesca’s nude self-portraits

Francesca Woodman :: Untitled, Providence, Rhode Island, 1976 (Self-portrait, nude with glass) | Kode museer
Francesca Woodman :: Untitled, Providence, Rhode Island, 1975-1978. Christen Sveaas’ Kunststiftelse. | Private Eyes @ Kode museer
Francesca Woodman :: Untitled, Providence, Rhode Island, 1976 (Self-portrait, nude with glass) | src Sotheby’s
Francesca Woodman :: Untitled, Providence, Rhode Island. Relating to Portrait of a Reputation, 1975-76. | src Sotheby's
Francesca Woodman :: Untitled, Providence, Rhode Island. Relating to Portrait of a Reputation, 1975-76. | src Sotheby’s

Self nude by Francesca Woodman

Francesca Woodman :: Untitled (nude and seashell), Providence, Rhode Island, 1975-1978. | Victoria Miro Gallery
Francesca Woodman :: Untitled (nude w/ seashell), Providence, Rhode Island, 1975-1978. | Victoria Miro Gallery
Francesca Woodman :: Untitled (nude and seashell), Providence, Rhode Island, 1975-1978. | Victoria Miro Gallery
Francesca Woodman :: Untitled (nude with seashell), Providence, Rhode Island, 1975-1978. | cvltnation