Akt · 1973 · Oľga Bleyová

Oľga Bleyová :: Akt IV, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria, SNG — **Oľga Bleyová (1930 – 2019) ::** Akt IV, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG

Oľga Bleyová :: Akt III, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria, SNG — **Oľga Bleyová (1930 – 2019) ::** Akt III, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG

Oľga Bleyová :: Akt I, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG — **Oľga Bleyová (1930 – 2019) ::** Akt I, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG

Oľga Bleyová (1930 – 2019) :: Akt V, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG — **Oľga Bleyová (1930 – 2019) ::** Akt V, 1973. Red toned gelatin silver print. From: Akt I-V, 1973. | src Slovenská národná galéria ~ SNG

Oľga Bleyová (1930 – 2019) belongs to the generation of Slovak photographers that emerged on the art scene betweenthe 1960s and 1970s, and was open to experimenting in photography. She brought to photography her sense of imagination and poeticism, and conveyed her female view into a thoroughly articulated message. Her nudes can, without any doubt, be considered among her most distinctive work.

Cramérbaletten costume design

Kostymskiss till Husmodern. Häxan i Vindarnas Kulle, Cramérbaletten. Av Torkel Edenborg.
Costume sketch for Husmodern. The Witch in the Hill of the Winds, Cramér ballet. By Torkel Edenborg. | src Dansmuseet

Korp. Mask till en av fyra korpar från uppsättningen "Domardansen". Av Torkel Edenborg.
Raven. Mask for one of the four ravens from the "Judge's Dance" set. | src Dansmuseet — Korp. Mask till en av fyra korpar från uppsättningen “Domardansen”. Av Torkel Edenborg.
Raven. Mask for one of four ravens from the “Judge’s Dance” set. | src Dansmuseet

Mask till "Drängen" från uppsättningen "Vindarnas kulle", Cramérbaletten. Av Torkel Edenborg.
Farmer. Mask for "Drängen / Farmer" from the set "The Hill of the Winds", Cramér ballet. | src Dansmuseet — Mask till “Drängen” från uppsättningen “Vindarnas kulle”, Cramérbaletten. Av Torkel Edenborg.
Farmer. Mask for “Drängen / Farmer” from the set “The Hill of the Winds”, Cramér ballet. | src Dansmuseet

'Cramer Baletten, Svenska Riksteatern', a poster designed by Bjorn Wiimblad, 1980 (?). | src Sworders — ‘Cramer Baletten, Svenska Riksteatern’, a poster designed by Bjorn Wiimblad, 1980 (?). | src Sworders

Friedensreich Hundertwasser

HUNDERTWASSER, FRIEDENSREICH Die Mauer, 1979 — **Friedensreich Hundertwasser ::** Die Mauer, 1979 | src Dobiaschofsky Auktionen

Bending over backwards

Ron Bull :: Cindy Shatto dips her head into a downturn in the final of Olympic platform diving. Canada, July 25th, 1976. | src Getty Images — **Ron Bull ::** Cindy Shatto dips her head into a downturn in the final of Olympic platform diving. Canada, July 25th, 1976. | src Getty Images

Bending over backwards: Cindy Shatto of Toronto dips her head into a downturn last night in the final of Olympic platform diving. Miss Shatto was in second place after three dives; but fell back to fifth at the end; one rank ahead of teammate Teri York of Vancouver. Elena Vaytsekhovskaia of the Soviet Union; who said she took to diving because swimming is dull; was gold medalist. Canada. July 25th, 1976 (Ron Dull for Toronto Star)