The woman pictured is Betty Katz (later Brandner, 1895-1982), who was introduced to Weston by his colleague Margrethe Mather (1886-1952). Weston and Katz engaged in a brief affair in October 1920, when he made several other images of her in her attic and this image—out on a balcony. This particular photograph is Pictorialist in its soft focus and compositional arrangement. However, the prominent attention given the repeating cut forms of the balustrade, the post’s round finial, and the varied angles that frame the image point to Weston’s growing interest in the formal concerns in Modernism.
Category: photosecessionism, photosecession
Dancer by Edward Weston
Undulating Sand by Weston
Alinari monograph on Weston
Black cat autochrome by Steichen
The Larsen dancers · C.H. White
Toodles by Alvin L. Coburn
Coburn was given his first camera at the age of eight and was introduced to photography by his cousin Fred Holland Day. As early as 1902 he became a member of the New York Photo-Secession initiated by Alfred Stieglitz, and two years later his first pictures appeared in Stieglitz’s magazine “Camera Work”. A vintage print of this beautiful motif is hold at The Museum of Fine Arts, Houston (MFAH), there titled and dated. Coburn also made autochromes of the same model, showing the red colour of her kimono.