Eastern Beauty, ca. 1933

Violet Keene Perinchief (1893-1967) :: Eastern Beauty. A portrait of a Chinese Lady, silver gelatin print mounted on exhibition board, Toronto, ca. 1933. [Original photograph signed lower left in pencil: Violet Keene] | src Bonhams
Violet Keene Perinchief (1893-1967) :: Eastern Beauty. A portrait of a Chinese Lady, silver gelatin print mounted on exhibition board, Toronto, ca. 1933. [Original photograph signed lower left in pencil: Violet Keene] | src Bonhams
Violet Keene Perinchief (1893-1967) :: Eastern Beauty. A portrait of a Chinese Lady, silver gelatin print mounted on exhibition board, Toronto, ca. 1933. [Original photograph signed lower left in pencil: Violet Keene] | src Bonhams
Violet Keene Perinchief (1893-1967) :: Eastern Beauty. A portrait of a Chinese Lady, silver gelatin print mounted on exhibition board, Toronto, ca. 1933. [Original photograph signed lower left in pencil: Violet Keene] | src Bonhams

This portrait is an example of one of the many that Violet Keene became famous for. She established and ran a studio in Toronto for her mother’s work from 1933, and later a studio for her own photography. She studied photography under her mother’s guidance from an early age, and this portrait has many of the classic Minna Keene attributes of her portraits taken in Cape Town around 1910, notably the floral background and position of the face looking away from the camera. Violet exhibited her work around the world and had a loyal following. [quoted from source]

Amelia Earhart, Toronto, 1932

Violet Keene Perinchief :: Amelia Earhart, Toronto, 1932. Gelatin silver print. | src The Ryerson Image Centre
Violet Keene Perinchief :: Amelia Earhart, Toronto, 1932. Gelatin silver negative digitally reversed. | src Ryerson Image Centre
Violet Keene Perinchief :: Amelia Earhart, Toronto, 1932. Gelatin silver negative (left) and gelatin silver negative digitally reversed (right). | src Ryerson Image Centre
Violet Keene Perinchief :: Amelia Earhart, Toronto, 1932. Gelatin silver negative (left) and gelatin silver negative digitally reversed (right). | src Ryerson Image Centre

African Appeal, ca. 1935

Violet Keene Perinchief :: African Appeal, circa 1935. Phyllis Marshall. Gelatin silver print with hand retouching. | src Ryerson Image Centre
Violet Keene Perinchief :: African Appeal, circa 1935. Phyllis Marshall. Gelatin silver print with hand retouching. | src Ryerson Image Centre
Violet Keene Perinchief :: African Appeal, circa 1935. Phyllis Marshall. Signed, in pencil, au print recto. | src Stephen Bulger Gallery
Violet Keene Perinchief :: African Appeal, circa 1935. Phyllis Marshall. Signed, in pencil, au print recto. | src Stephen Bulger Gallery