Ann Murdock with Buzzer by Genthe

**Arnold Genthe** (1862-1949) ~ Ann Murdock with Buzzer IV, 1914. Autochrome | src Library of Congress

Detail from Ann Murdock with Buzzer the cat, 1914. Autochrome by Arnold Genthe

Adriaan Boer · some portraits

Adriaan Boer (1875–1940) ~ Studio portrait -in profile- of a young woman, seated in a chair, Bloemendaal, 1912-1922 | src Spaarnestad Photo

**Adriaan Boer** (1875–1940) ~ Portrait of Madeleine Veth sitting on a stool, ca. 1912 | src Spaarnestad Photo

**Adriaan Boer** (1875–1940) ~ Studio portrait of a girl in a dark suit with a sailor collar, 1897-1912 | src Spaarnestad Photo

**Adriaan Boer** (1875–1940) ~ Studio portrait of a young woman with long dark hair and a straw hat, 1897-1922

**Adriaan Boer** (1875–1940) ~ ‘Mevrouw Z.-R.’ portret van een Indische dame, ca. 1910 | src Spaarnestad Photo

Children games by Adriaan Boer

**Adriaan Boer** (1875–1940) ~ A boy and a girl playing at a table [likely the siblings Hans and Toes Waller], Bloemendaal, ca. 1914
src Spaarnestad Photo

**Adriaan Boer** (1875–1940) ~ A boy and a girl play at a table [likely Hans Toes and his sister Toes], Bloemendaal, ca. 1914

Boy with goat by Adriaan Boer

**Adriaan Boer** (1875–1940) ~ Portrait of a little boy with a goat on a sawn-off tree trunk, Netherlands, 1912-1922 | src Spaarnestad

High (Fun) Fashion Stockings

The latest fashion in England is stockings for women, such as the Scottish Highlanders wear | src Fotocollectie Het Leven
Photo: Five ladies wearing long stockings are watched by a Scotsman in traditional costume as they pass by, 1927

A woman shows stockings (leg) with peacock feathers incorporated. The Roaring Twenties at its best, 1926. (Place and maker unknown) | src Fotocollectie Het Leven (1906-1941)

Stockings with separate toe pieces, 1932 | src Fotocollectie Het Leven (1906-1941)

Images of faces on stockings are the rage of the moment in Paris. A young lady wears the new stockings with an image of herself printed on the satin, Paris, France 1926 | src Fotocollectie Het Leven (1906-1941)

Embroidered stocking with black cat, 1914 | src Fotocollectie Het Leven (1906-1941)

Fur-trimmed garters, United States of America, 1926 | src Fotocollectie Het Leven (1906-1941)

A Duncan dancer by Genthe

**Arnold Genthe** (1869-1942) ~ Isadora Duncan dancer, nude (with veil), between 1915 and 1923 | src alamy

**Arnold Genthe** (1869-1942) ~ Isadora Duncan dancer, nude, between 1915 and 1923 | src alamy

**Arnold Genthe** (1869-1942) ~ Portraits of a Isadora Duncan (1877-1927) dancer; between 1915-1923 | src alamy

What fools these mortals be

**Tyree Studio ~** Meredith College students in costume all posing with props while sitting inside trunks, ca 1916. Glass negative

The photograph is titled “Senseless Souls: What fools these mortals be!” and it appears in the 1916 ‘Oak Leaves’ Meredith College yearbook. A poem accompanied the photo in the yearbook in which each stanza refers to the women pictured from left to right. | src State Archives of North Carolina on flickr

**Tyree Studio** (1905-1911) ~ Meredith College students in costume all posing with props while sitting inside trunks, ca 1916. Glass negative

The J. C. Knowles Photograph Collection consists in a collection of glass plate negatives dating from ca. 1900 through the late 1910s, attributed to Wharton & Tyree Studio and Tyree Studio of Raleigh, NC. Based on the age of the negatives, where they were found initially, and a notation on one of the plates, it is likely they were all created by Wharton’s Gallery, 1886-1905, Wharton & Tyree Studio, 1905-1912, and Tyree Studio, 1912-1916 of Raleigh, North Carolina.

Cyrus P. Wharton (1852-1929) operated one of the best-equipped and largest photography studios in North Carolina beginning with Wharton’s Gallery on Fayetteville Street in downtown Raleigh in 1886. In 1905 he partnered with Manly W. Tyree (1877-1916) and operated as the Wharton & Tyree Studio. Wharton appears to have retired in 1911, and Tyree continued on alone as the Tyree Studio until his death.

Negatives from J. C. Knowles collection attribution is as listed below:

1- Wharton’s gallery (1886- 1905)

2- Wharton & Tyree Studio (1905-1911)

3- Tyree Studio (1912-1916)

Käte Hoch · liegender weiblicher Akt

**Käte Hoch** (1873-1933) ~ Untitled (Reclining female nude), ca. 1910. Woodcut on thin Japan paper, with red coloring, probably added later. Inscribed “original woodcut” at the bottom left | src Nosbüsch & Stucke

**Käte Hoch** (1873-1933) ~ Ohne Titel (Liegender weiblicher Akt). Holzschnitt auf dünnem Japan, mit punktuellem, wohl später hinzugefügtem roten Kolorit, um 1910 | src Nosbüsch & Stucke

Die deutsche Malerin Käte Hoch (1873-1933) studierte von 1891-1894 an der Münchner Damenakademie. Ab 1906 betrieb sie eine eigene Mal- und Zeichenschule in München und nahm u.a. an Ausstellungen der Münchner Secession und des Kunstvereins München teil. 1933 stürmte ein SA-Trupp ihre Wohnung und ihr Atelier in Schwabing, wobei der Großteil ihrer Werke zerstört wurde.

The German painter Käte Hoch (1873-1933) studied at the Munich Women’s Academy from 1891-1894. From 1906 she ran her own painting and drawing school in Munich and took part in exhibitions at the Munich Secession and the Munich Art Association, among others. In 1933, an SA troop stormed her apartment and studio in Schwabing, destroying most of her work.