Boris Pasternak and Korney Chukovsky, 1934 Boris Ignatovich :: Boris Pasternak and Korney Chukovsky, Moscow, 1934. Gelatin silver print mounted on board.| src Nailya Alexander Gallery“The writers Boris Pasternak and Korney Chukovsky attend the First Inaugural Soviet Writer’s Congress. Established two years prior, the Writer’s Union abolished all independent literary organizations in the USSR. It also granted the two writers neighboring homes in the town of Peredelniko where Pasternak wrote Doctor Zhivago.” quoted from source
With a Board, 1929 Boris Ignatovich :: With a Board, 1929. Gelatin silver print mounted on board. Title and date in pencil in Russian on verso. | src Nailya Alexander Gallery“A worker skillfully balances on lumber while carrying another piece of wood over his shoulder. Leading avant-garde artist El Lissitzky incorporated ‘With a Board‘ into his preliminary designs for the 1929 series of books entitled Neus Bauen in Der Welt that represented the architectural fantasies of America, France and Russia.” quoted from source.
Monument to Ferdinand Lassalle Boris Ignatovich :: Monument to Ferdinand Lassalle at Nevsky Prospect, Leningrad (St. Petesburg), 1930. Gelatin silver print mounted on board. Title and date in Russian in pencil on verso. | src Nailya Alexander Gallery
Moscow, 1940 Boris Ignatovich :: Moscow, 1940. Vintage gelatin silver print mounted on board. | src Nailya Alexander Gallery
The Atlanteans at the Hermitage,1930s Boris Ignatovich :: The Atlanteans at the entrance of to the Hermitage. Leningrad (Russia) /St. Petersburg (USSR), 1931 | more [+] by this photographer
David, Pushkin Museum, 1955 Boris Ignatovich :: David, Pushkin Museum, Moscow, 1955. | src nailya-alexander-gallery | more [+] by this photographer
At the Hermitage,1930 Boris Ignatovich :: Near the Hermitage, [aka At the Hermitage], St. Petersburg | Leningrad, Russia (USSR), 1930 / source: Lumière Gallery “At the Hermitage is perhaps Ignatovich’s most iconic photograph, and demonstrates an exceptionally bold and complex spatial composition. The pictured foot is part ofa 5 meter tall atlas figure by artist Alexander Terebenev at the New Hermitage Museum in St. Petersburg. The atlas’s toes however appear truly titanic in comparison to the figures passing by, an illusion Ignatovich created by experimenting with perspective. Ignatovich further demonstrates his mastery of 3-dimensional space by including The Hermitage and St. Isaac’s in the same frame as the big foot. ” quoted from nailya alexander gallery | more [+] by this photographer
Shower, 1935 Boris Ignatovich :: Shower, 1935. Gelatin silver print, printed ca. 1960s | src nailya alexander gallery
Red Army Parade, 1927 Boris Ignatovich :: ‘Workers and Peasants’. Red Army parade on Red Square, Moscow, 1927 | src Europa, Europa