Karl Struss (1886-1981) :: [Female nude]; ca. 1917. Hess-Ives print. Printed on mat board: [trimmed] THE [trimmed] Corpora [trimmed] \ 1201 Race [St.] \ Philadelphia. | src Amon Carter Museum of American ArtKarl Struss (1886-1981) :: The Female Nude, ca. 1917. Dye imbibition print. Rotogravure. [stamp]: Original Photograph by Karl Struss \ From “The Female Figure.” \ First Series. Plate No. [in ink]: 16 \ [stamp]: Published & Copyrighted by F. Kotausek \ New York City. | src Amon Carter Museum of American ArtKarl Struss (1886-1981) :: [Female nude], ca. 1917. Hess-Ives printt. | src Amon Carter Museum of American Art
Karl Struss (1886-1981) :: The Female Nude, ca. 1917. Dye imbibition print. Rotogravure. Verso: [stamp] Original Photograph by Karl Struss \ FROM “THE FEMALE FIGURE.” \ First Series. Plate Nº. [in ink]: 16. | src Amon Carter Museum of American ArtKarl Struss (1886-1981) :: The Female Figure, ca. 1917. Hess-Ives print. Rotogravure. Verso: [stamp] Original Photograph by Karl Struss \ FROM “THE FEMALE FIGURE.” \ First Series. Plate Nº. [in graphite]: 32. | src Amon Carter Museum of American Art
Karl Struss (1886-1981) :: Bebe Daniels in elaborate robe, 1921 [production still from the movie “Affairs of Anatol”], 1921. Gelatin silver print. | src Amon Carter Museum of American Art, Fort Worth, TX
Karl Struss (1886-1981) :: Still Life with Pewter Vase, New York, ca. 1910. Platinum print. | src Amon Carter Museum of American ArtKarl Struss :: Still Life with Pewter Vase, New York, circa 1910. Dye transfer print printed from Struss’ autochrome. | src Swann Galleries
Joyzelle Joyner as Ancaria in The Sign of the Cross (Cecil B. DeMille, 1932). Probably photographed by Karl Struss (credited as cinematographer) | src IMdB