Ann Murdock with Buzzer by Genthe

**Arnold Genthe** (1862-1949) ~ Ann Murdock with Buzzer IV, 1914. Autochrome | src Library of Congress

Detail from Ann Murdock with Buzzer the cat, 1914. Autochrome by Arnold Genthe

Adriaan Boer · some portraits

Adriaan Boer (1875–1940) ~ Studio portrait -in profile- of a young woman, seated in a chair, Bloemendaal, 1912-1922 | src Spaarnestad Photo

**Adriaan Boer** (1875–1940) ~ Portrait of Madeleine Veth sitting on a stool, ca. 1912 | src Spaarnestad Photo

**Adriaan Boer** (1875–1940) ~ Studio portrait of a girl in a dark suit with a sailor collar, 1897-1912 | src Spaarnestad Photo

**Adriaan Boer** (1875–1940) ~ Studio portrait of a young woman with long dark hair and a straw hat, 1897-1922

**Adriaan Boer** (1875–1940) ~ ‘Mevrouw Z.-R.’ portret van een Indische dame, ca. 1910 | src Spaarnestad Photo

Children games by Adriaan Boer

**Adriaan Boer** (1875–1940) ~ A boy and a girl playing at a table [likely the siblings Hans and Toes Waller], Bloemendaal, ca. 1914
src Spaarnestad Photo

**Adriaan Boer** (1875–1940) ~ A boy and a girl play at a table [likely Hans Toes and his sister Toes], Bloemendaal, ca. 1914

Boy with goat by Adriaan Boer

**Adriaan Boer** (1875–1940) ~ Portrait of a little boy with a goat on a sawn-off tree trunk, Netherlands, 1912-1922 | src Spaarnestad

A Duncan dancer by Genthe

**Arnold Genthe** (1869-1942) ~ Isadora Duncan dancer, nude (with veil), between 1915 and 1923 | src alamy

**Arnold Genthe** (1869-1942) ~ Isadora Duncan dancer, nude, between 1915 and 1923 | src alamy

**Arnold Genthe** (1869-1942) ~ Portraits of a Isadora Duncan (1877-1927) dancer; between 1915-1923 | src alamy

The Gargoyle by Käsebier

**Gertrude Käsebier** (1852-1934) ~ Gargouille / Gargoyle, Paris, France, 1901. Platinum print | src Alamy

**Gertrude Käsebier** (1852-1934) ~ The Gargoyle, 1901. Gum bichromate print | src Princeton university art museum

**Gertrude Käsebier** (1852-1934) ~ The Gargoyle, ca. 1900, platinum photograph | src NGV (National gallery of Victoria)

Adolf de Meyer · Japan 1900

**Adolf de Meyer** (1868–1946) ~ [Kofukuji Temple, Nara, Japan], 1900. Gelatin silver print | src The Met

**Adolf de Meyer** (1868–1946) ~ Cherry Blossoms, Small Bridge over Creek, Japan, 1900. Gelatin silver print | src The Met

**Adolf de Meyer** (1868–1946) ~ [Cherry Trees Along a Canal], 1900. Carbon print | src The Met

**Adolf de Meyer** (1868–1946) ~ [Horikiri Iris Garden, Tokyo, Japan], 1900. Gelatin silver print | src The Met

**Adolf de Meyer** (1868–1946) ~ [View Through the Window of a Garden, Japan], 1900. Platinum print | src The Met

**Adolf de Meyer** (1868–1946) ~ [Shinkyo Bridge, Nikkō, Japan], 1900. Gelatin silver print | src The Met

**Adolf de Meyer** (1868–1946) ~ [Fushimi Inari Taisha, Kyoto, Japan], 1900. Platinum print | src The Met

**Adolf de Meyer** (1868–1946) ~ Torii Gate at Lakeside, Japan, 1900. Gelatin silver print | src The Met

**Adolf de Meyer** (1868–1946) ~ [Golden Pavilion, Kyoto, Japan], 1900. Gelatin silver print | src The Met

Swedish woman by Goodwin

**Henry Buergel Goodwin ~** Aktstudie. Schwedische Frau, from Natur und Kultur das Weiss, Berlin 1925 | src eBay

She strongly resembles Goodwin’s model Carin B.

**Henry Buergel Goodwin ~** Swedish woman (nude study), from Natur und Kultur das Weiss, Berlin 1925 | src eBay

Girl in meadow by Sarra

**Valentino Sarra** (Italian, 1903-1982) ~ Girl in Meadow, 1930. Gelatin silver print | src heritage auctions

**Valentino Sarra** (Italian-American, 1903-1982) ~ Girl in Meadow, 1930. Gelatin silver print | src heritage auctions

Barbara Hoyer by Artur Nikodem

**Artur Nikodem** (1870–1940) ~ Barbara (Hoyer) with an orange, Innsbruck, Austria, 1928 | src OstLicht Auktionen

Trained in Munich by Defregger and Kaulbach, the Innsbruck artist enjoyed international success as a landscape painter from 1920 until his career ended with the Nazi takeover. He did not use photography for templates, but as a medium in its own right and experimented in many photographic genres and pictorial languages in his mostly very small-format prints; yet his astonishing photographic oeuvre did not receive attention until the 1980s. This photo features the artist’s second wife Barbara Hoyer (1907–1970), who posed for many of his staged photographs.