Category: animal, fauna, pets, wildlife, animals
Vivian Maier · on cats
Cat and Butterfly by Min Zhen
Min Zhen painted this album for his friend Dailili Shanren in exchange for a scholar’s stone.
Cat and butterfly [ 貓和蝴蝶 ] are homophones for the characters “mao die” 耄耋 (octogenarian), so this painting expresses hope that the artist’s friend will live a long life.
Cat and Butterfly by Fu Shan
Cat Watching a Spider
Grit Hegesa with her cats
Cat portraits by Edward Weston
The family of cats by Edward Weston
Of Platypus and other species
Harry J. Burrell developed an interest in natural history after he settled in Manilla, northern NSW with his wife Susan Emily Naegueli in 1901. As a naturalist, Burrell is most famous for being the first person to successfully keep platypuses in captivity. To do this he invented the ‘platypusary’, a storage tank which enabled him to both study and exhibit live platypuses. The platypusary was used for the first time in 1910 to show live platypuses at the Moore Park Zoo in Sydney. In 1922 he assisted Ellis Stanley Joseph with successfully transporting the first ever live platypus beyond Australian shores. The sole surviving platypus of the original 5 platypuses’ arduous journey died within a few weeks of being exhibited at the Bronx Zoo, New York.
Black cat by Hiroaki (1929)
Takahashi Hiroaki was the first print designer to collaborate with the publisher Watanabe Shôzaburô to revive the themes and techniques of 19th-century ukiyo-e prints. Between 1907 and 1923, when the Great Kantô Earthquake destroyed both prints and blocks, they produced over 500 designs. After the quake, Hiroaki began anew, sometimes creating modified versions of his earlier designs. This work, however, is from his output for a different publisher, Kaneko Fusui, who apparently allowed him to do more experimental designs. The swirling patterns in the background, done in soft yellow-orange, show the movement of the baren pad during the printing process. Takahashi worked with Kaneko for only four years, between 1929 and 1932, so prints from this publisher are relatively rare. (quoted from Portland Art Museum)