Dancer Asaf Messerer, 1927 N. Vlasjevskiij :: Portrait of the dancer Asaf Messerer, 1927. Matte gelatin silver print. Bassenge Auctions. | Luminous Lint LL/56143
Pan outdoors, 1924 Reconstruction of Pan outdoors, 1924 © N. Vlas’evsky & V. Zhivago | Collection of G. and M. Fedorovsky (Fond. Cherneckaja), Berlin. | src Space Embodied at Het Nieuwe Instituut
Bridge on demi-point, 1926 N. Vlas’evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930 N. Vlas’evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
Itta Penzo in the role of Taiakh N. Vlas’evsky :: Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926. | src Nicoletta Misler’s “The Russian Art of Movement 1920-1930” N. Vlas’evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
un regard oblique 