White tree peonies by White

Minor White :: White tree peony (Jap.), mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Album photographs of tree peonies, published: 1968. Presented to the Massachusetts Horticultural Society in 1971 by William Gratwick.
Unsigned black-and-white photographs of black and white tree peonies by Nassos Daphnis, Minor White, and William Gratwick. The prints, which illustrate various species of tree peonies at different stages of their development, including embryo, bud, full flower, and seed pod, were probably made at the Gratwick nursery, Linwood Gardens, in Pavilion, New York, possibly in the mid-1950s and 1960s, and assembled by Gratwick ca. 1968. Gratwick had worked for Arthur P. Saunders, a chemistry professor at Hamilton College and the first significant breeder of peonies and tree peonies in America, who began hybridizing peonies in 1915; and when Saunders died in 1953, Gratwick inherited his stock of tree peonies. He moved them to his nursery in Pavilion, and continued his breeding work with a former New York artist, Nassos Daphnis, who had given up painting for botany in 1946.
Minor White :: White tree peony (Jap.), mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive

Album of photographs of tree peonies, published: 1968. Presented to the Massachusetts Horticultural Society in 1971 by William Gratwick.
Unsigned black-and-white photographs of black and white tree peonies by Nassos Daphnis, Minor White, and William Gratwick. The prints, which illustrate various species of tree peonies at different stages of their development, including embryo, bud, full flower, and seed pod, were probably made at the Gratwick nursery, Linwood Gardens, in Pavilion, New York, possibly in the mid-1950s and 1960s, and assembled by Gratwick ca. 1968. Gratwick had worked for Arthur P. Saunders, a chemistry professor at Hamilton College and the first significant breeder of peonies and tree peonies in America, who began hybridizing peonies in 1915; and when Saunders died in 1953, Gratwick inherited his stock of tree peonies. He moved them to his nursery in Pavilion, and continued his breeding work with a former New York artist, Nassos Daphnis, who had given up painting for botany in 1946.

quoted from Chicago Botanic Garden, Lenhardt Library at internet archive

Minor White :: White tree peony (Jap.), mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: White tree peony (Jap.), mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: White tree peony (Jap.), mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: White tree peony (Jap.), mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: Hira no yoki (white) and seedling, mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: Hira no yoki (white) and seedling, mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: Hira no yoki (white) and seedling, mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: Hira no yoki (white) and seedling, mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: Flowers, ca. 1973. Courtesy of Swann Galleries (Auction, May 21, 2015, #2385, Lot 348). | src Luminous Lint (LL/59561)
Minor White :: Flowers, ca. 1973. Courtesy of Swann Galleries (Auction, May 21, 2015, #2385, Lot 348). | src Luminous Lint (LL/59561)

Our note: the last image is identical as the Hira no yoki photograph above, so datation by Swann Galleries should amended. Maybe the photo was printed ca. 1973 but was clearly shot before 1968 (date of publication of the Gratwick album).

Women’s portraits by Sipprell

Clara E. Sipprell (1885-1975) :: [Woman in profile], 1930-1960. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman in profile], 1930-1960. Amon Carter Museum of American Art
Clara Sipprell (1885-1975); Dorothea Perkins; ca. 1940's - 1950's; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, Texas, Purchase through gift of The Dorothea Leonhardt Fund of the Communities Foundation of Texas, Inc.; P1984.1.260
Clara E. Sipprell (1885-1975) :: Dorothea Perkins; ca. 1940s-1950s. Gelatin silver print. Amon Carter Museum of American Art
Clara Sipprell (1885-1975); Dorothea Perkins; ca. 1940's - 1950's; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, Texas, Purchase through gift of The Dorothea Leonhardt Fund of the Communities Foundation of Texas, Inc.; P1984.1.260
Clara E. Sipprell (1885-1975) :: Dorothea Perkins; ca. 1940s-1950s. Gelatin silver print. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman in ruffled blouse],  ca. 1930-1960. Gelatin silver print. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman in ruffled blouse], ca. 1930-1960. Gelatin silver print. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman in long scarf],  ca. 1930-1960. Gelatin silver print. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman in long scarf], ca. 1930-1960. Gelatin silver print. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman by window],  ca. 1930-1960. Gelatin silver print. Amon Carter Museum
Clara E. Sipprell (1885-1975) :: [Woman by window], ca. 1930-1960. Gelatin silver print. Amon Carter Museum

Juliet on sunny Sundays

Man Ray (Emmanuel Radnitzky, dit) :: Juliet vers 1945. Centre Pompidou
Man Ray (Emmanuel Radnitzky, dit) :: Juliet vers 1945. Centre Pompidou
Man Ray (Emmanuel Radnitzky, dit) :: Juliet, 1946. Centre Pompidou
Man Ray (Emmanuel Radnitzky, dit) :: Juliet, 1946. Centre Pompidou
Man Ray (Emmanuel Radnitzky) :: Juliet vers 1945. Centre Pompidou
Man Ray (Emmanuel Radnitzky) :: Juliet vers 1945. Centre Pompidou
Man Ray (Emmanuel Radnitzky) :: Juliet vers 1945. Centre Pompidou
Man Ray (Emmanuel Radnitzky) :: Juliet vers 1945. Centre Pompidou
Man Ray (Emmanuel Radnitzky, dit) :: Juliet vers 1950. Centre Pompidou
Man Ray (Emmanuel Radnitzky, dit) :: Juliet vers 1950. Centre Pompidou
Man Ray (Emmanuel Radnitzky, dit) :: Juliet vers 1960. Centre Pompidou
Man Ray (Emmanuel Radnitzky, dit) :: Juliet vers 1960. Centre Pompidou

Pomés, sobretot ‘de revés’

Leopoldo Pomés :: Imagen blanca, 1959. | src Fotocolectania
Leopoldo Pomés :: Imagen blanca, 1959. | src Fotocolectania
Leopoldo Pomés :: Sense títol. Portada per a la revista ‘Grua’ (1957) | src Quadern: Les obsessions de Leopoldo Pomés
Leopoldo Pomés :: Imagen blanca, 1959. | src photographic social vision
Leopoldo Pomés :: Imagen blanca, 1959. | src photographic social vision
Leopoldo Pomés :: Sense títol, 1975 [per a un anunci de ciment]. | src Ara Andorra
Leopoldo Pomés :: Sense títol, 1975 [pel calendari de ciments Freixa]. | src Ara Andorra

Six nudes by Fritz Henle, 1950s

Fritz Henle* (Germany, 1909 – 1993) :: Female nude study, early 1950s. Vintage sheet fed photogravure / héliogravure. | src eBay
(*) German-born American photographer, known as “Mr. Rollei” for his use of the Rolleiflex camera.
Fritz Henle (Germany, 1909 - 1993) :: Female nude, ca. 1954. Vintage photogravure. | src liveauctioneers
Fritz Henle (Germany, 1909 – 1993) :: Female nude, ca. 1954. Vintage photogravure. | src liveauctioneers
Fritz Henle* (Germany, 1909 – 1993) :: Female nude study at the beach, ca. 1951. Vintage sheet fed photogravure. | src eBay
Fritz Henle* (Germany, 1909 – 1993) :: Female nude study of legs, early 1950s. Vintage sheet fed photogravure. | src eBay
Fritz Henle* (Germany, 1909 – 1993) :: Female nude study lying down in the surf, early 1950s. Vintage sheet fed photogravure / héliogravure. | src eBay
Fritz Henle* (Germany, 1909 - 1993) :: Female nude study, ca. 1948 Vintage sheet fed photogravure / héliogravure. | src eBay
Fritz Henle* (Germany, 1909 – 1993) :: Female nude study, ca. 1948 Vintage sheet fed photogravure / héliogravure. | src eBay

Yoshiyuki Iwase’s divers, 1950s

Yoshiyuki Iwase :: Untitled. (Diver). Vintage gelatin silver print, 1950s. | src Sotheby’s
Yoshiyuki Iwase :: Untitled. (Divers). Vintage gelatin silver print, 1950s. | src Sotheby’s

The Fifty faces of Juliet

Man Ray :: The Fifty faces of Juliet, 1941-1954. | src WO | MAN RAY. Le seduzioni della fotografia
Man Ray :: The Fifty faces of Juliet, 1941-1954. | src WO | MAN RAY. Le seduzioni della fotografia
Man Ray :: The Fifty faces of Juliet, 1941-1954. | src WO | MAN RAY. Le seduzioni della fotografia
Man Ray :: The Fifty faces of Juliet, 1941-1954. | src WO | MAN RAY. Le seduzioni della fotografia
Man Ray :: The Fifty faces of Juliet, 1941-1954. | src WO | MAN RAY. Le seduzioni della fotografia
Man Ray :: Juliet Browner, vers 1945. Négatif au gélatino bromure d’argent sur support souple. | src Centre Pompidou
Man Ray (Emmanuel Radnitzky) :: Juliet, vers 1950. Négatif gélatino-argentique sur support souple. | src Centre Pompidou

Callas and Lilies by Clara Sipprell

Clara Sipprell (1885-1975) :: Auratum Lilies, 1950. Gelatin silver print. | src Amon Carter Museum of American Art
Clara Sipprell (1885-1975) :: Auratum Lilies, 1950. Gelatin silver print. | src Amon Carter Museum of American Art
Clara Sipprell (1885-1975) :: Calla Lilies, ca. 1925. Gelatin silver print on tissue. | src Amon Carter Museum of American Art
Clara Sipprell (1885-1975) :: Calla Lilies, ca. 1925, printed ca. 1926. | src Amon Carter Museum of American Art

Le Masque et l’Humain, 1959

Thérèse Le Prat :: La danseuse Françoise Joachim Pérez (ballet d’Amérique latine), 1957. | src Ministère de la Culture
Thérèse Le Prat :: Silvia Monfort (actrice) Lady Godiva dans Lady Godiva de Jean Canolle, 1958. | src Ministère de la Culture
de la série Masques et Destins, 1955 ou Le Masque et l’Humain, 1959
Référence de publication de l’image: L’Avant-Scène, n°177, 1er juillet 1958
Référence de publication de l’image: Le Masque et l’Humain, éd. La Colombe, Paris, 1959, p. 22