Charlotte Perriand portraits

Charlotte Perriand in her studio on place Saint-Sulpice, Paris, 1928. The hands holding a plate halolike behind her head are Le Corbusier’s. Photo: Archives Charlotte Perriand | src Gagosian 
also here: Charlottte auréole mains de Corbu, 1928 © Archives Charlotte Perriand | l'œil de la photographie
Charlotte Perriand in her studio on place Saint-Sulpice, Paris, 1928. The hands holding a plate halolike behind her head are Le Corbusier’s. Photo: Archives Charlotte Perriand | src Gagosian
also here: Charlottte auréole mains de Corbu, 1928 © Archives Charlotte Perriand | l’œil de la photographie
Charlotte Perriand with Alfred Roth in Place Saint-Sulpice apartment-studio, Paris, 1928
Courtesy: © ADAGP, Paris and DACS, London 2021 / © AChP / src it art bag
Charlotte Perriand with Alfred Roth in Place Saint-Sulpice apartment-studio, Paris, 1928
Courtesy: © ADAGP, Paris and DACS, London 2021 / © AChP / src it art bag
Charlotte Perriand, probably in Japan, ca. 1954 / 1st Dibs
Charlotte Perriand © AChP. Photo / ndion
Charlotte Perriand, Yogoslavie, 1934 | Flickr
Charlotte Perriand (1903-1999) in Japan, 1954. Photo: Jacques Martin / AChP © Archives Charlotte Perriand / src W magazine

Colette Baltzakis · Hands

sequence
Colette Baltzakis (1926-2014) :: Hands # 1, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 1, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 2, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 2, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 3, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 3, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 4, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 4, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 5, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 5, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 6, Paris, 1952. | src Colette Baltzakis Collection at eye-eye
Colette Baltzakis (1926-2014) :: Hands # 6, Paris, 1952. | src Colette Baltzakis Collection at eye-eye

Jack Thwaites’ Tasmania

landscape, tasmania, 1930s
Geilston Bay. Denison Range - Christmas 1935-1936. From the Jack Thwaites Photographic Collections. Libraries Tasmania's online collection NS3195/2/2217
Denison Range – Christmas 1935-1936. From the Jack Thwaites Photographic Collections. Libraries Tasmania‘s online collection NS3195/2/2217
Hobart Walking Club on Mt Arthur, 1948. From the Jack Thwaites Photographic Collections. Libraries Tasmania's online collection | permalink
Hobart Walking Club on Mt Arthur, 1948. From the Jack Thwaites Photographic Collections. Libraries Tasmania‘s online collection | permalink
Rocking Stone boulder on granite base north of Deep Creek near Eddystone Point. 11 Aug 1960. From the Jack Thwaites Photographic Collections. Libraries Tasmania's online collection | permalink
Rocking Stone boulder on granite base north of Deep Creek near Eddystone Point. 11 Aug 1960. From the Jack Thwaites Photographic Collections. Libraries Tasmania‘s online collection | permalink

Carousels 1920s-2010s

Berenice Abbott :: Carrousel, 1923, printed 1956. | merry go round, tiovivo, amusement ride
Berenice Abbott :: Carrousel, 1923, printed 1956. | src The Met at internet archive
Berenice Abbott :: Carrousel, 1923, printed 1956. | src The Met at internet archive
Stefano De Luigi :: Zéro 2; From: Zéro : retour au point Zéro de l’impressionnisme. Courtesy Planches Contact - Festival de photographie de Deauville. | src l'œil de la photographie
Stefano De Luigi :: Zéro 2; From: Zéro : retour au point Zéro de l’impressionnisme. Courtesy Planches Contact – Festival de photographie de Deauville. | src l’œil de la photographie
Robert Doisneau, Le Manège de Monsieur Barré, 1955. Carrousel, merry go round, amusement ride, rainy weather, urban landscape, 1950s
Robert Doisneau :: Le Manège de Monsieur Barré, 1955. Gelatin silver print. | src MoMA

Nude, ca. 1956 — un regard oblique

André de Dienes :: Nude, ca. 1956. Photogravure from ‘The Nude’. | src liveauctioneers Detail from Nude at the beach (double exposure), ca. 1956 by André de Dienes André de Dienes :: Female… In “photography, photographie, fotografia, fotografía, Fotografie” Nude on Rock with Dog, 1960 In “1960s” André de Dienes :: Untitled,… In “photography, photographie, […]

Nude, ca. 1956 — un regard oblique

Nude by Iwase circa 1950

Yoshiyuki Iwase (1904-2001) :: Untitled (Nude), ca. 1950. Gelatin silver print.
Yoshiyuki Iwase (1904-2001) :: Untitled (Nude), ca. 1950. Gelatin silver print with the photographer's credit stamp on the verso. | src Bonhams
Yoshiyuki Iwase (1904-2001) :: Untitled (Nude), ca. 1950. Gelatin silver print with the photographer’s credit stamp on the verso. | src Bonhams

Nude among dunes by Iwase

Yoshiyuki Iwase, also Iwase Ioshiyouki :: Untitled, ca. 1955 | src Sotheby's
Yoshiyuki Iwase, also Iwase Ioshiyouki :: Untitled, ca. 1955 | src Sotheby’s

Ama divers by Iwase

Yoshiyuki Iwase, also Iwase Ioshiyouki :: Untitled (Ama Divers), ca. 1950. Gelatin silver print. | src Bonhams
Yoshiyuki Iwase, also Iwase Ioshiyouki :: Untitled (Ama Divers), ca. 1950. Gelatin silver print. | src Bonhams
Yoshiyuki Iwase, also Iwase Ioshiyouki :: Untitled (Ama Divers), ca. 1950. Gelatin silver print. | src Bonhams

White tree peonies by White

Minor White :: White tree peony (Jap.), mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Album photographs of tree peonies, published: 1968. Presented to the Massachusetts Horticultural Society in 1971 by William Gratwick.
Unsigned black-and-white photographs of black and white tree peonies by Nassos Daphnis, Minor White, and William Gratwick. The prints, which illustrate various species of tree peonies at different stages of their development, including embryo, bud, full flower, and seed pod, were probably made at the Gratwick nursery, Linwood Gardens, in Pavilion, New York, possibly in the mid-1950s and 1960s, and assembled by Gratwick ca. 1968. Gratwick had worked for Arthur P. Saunders, a chemistry professor at Hamilton College and the first significant breeder of peonies and tree peonies in America, who began hybridizing peonies in 1915; and when Saunders died in 1953, Gratwick inherited his stock of tree peonies. He moved them to his nursery in Pavilion, and continued his breeding work with a former New York artist, Nassos Daphnis, who had given up painting for botany in 1946.
Minor White :: White tree peony (Jap.), mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive

Album of photographs of tree peonies, published: 1968. Presented to the Massachusetts Horticultural Society in 1971 by William Gratwick.
Unsigned black-and-white photographs of black and white tree peonies by Nassos Daphnis, Minor White, and William Gratwick. The prints, which illustrate various species of tree peonies at different stages of their development, including embryo, bud, full flower, and seed pod, were probably made at the Gratwick nursery, Linwood Gardens, in Pavilion, New York, possibly in the mid-1950s and 1960s, and assembled by Gratwick ca. 1968. Gratwick had worked for Arthur P. Saunders, a chemistry professor at Hamilton College and the first significant breeder of peonies and tree peonies in America, who began hybridizing peonies in 1915; and when Saunders died in 1953, Gratwick inherited his stock of tree peonies. He moved them to his nursery in Pavilion, and continued his breeding work with a former New York artist, Nassos Daphnis, who had given up painting for botany in 1946.

quoted from Chicago Botanic Garden, Lenhardt Library at internet archive

Minor White :: White tree peony (Jap.), mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: White tree peony (Jap.), mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: White tree peony (Jap.), mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: White tree peony (Jap.), mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: Hira no yoki (white) and seedling, mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: Hira no yoki (white) and seedling, mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: Hira no yoki (white) and seedling, mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: Hira no yoki (white) and seedling, mid 1950s-1960s; published 1968. [Photographs of tree peonies] at internet archive
Minor White :: Flowers, ca. 1973. Courtesy of Swann Galleries (Auction, May 21, 2015, #2385, Lot 348). | src Luminous Lint (LL/59561)
Minor White :: Flowers, ca. 1973. Courtesy of Swann Galleries (Auction, May 21, 2015, #2385, Lot 348). | src Luminous Lint (LL/59561)

Our note: the last image is identical as the Hira no yoki photograph above, so datation by Swann Galleries should amended. Maybe the photo was printed ca. 1973 but was clearly shot before 1968 (date of publication of the Gratwick album).