Mariën and Marton · 1950s

Marcel Mariën :: Lettre à Jane Graverol, ca. 1954
Marcel Mariën :: Lettre à Jane Graverol, ca. 1954
Erwin Marton :: Nude, ca. 1950
Erwin Marton :: Nude, ca. 1950

Alvin L. Coburn · 1911-2011

Fannie E. Coburn (1848–1928) :: Alvin Langdon Coburn at the Grand Canyon, 1911. Platinum print, printed by Alvin Langdon Coburn. | src George Eastman Museum
Fannie E. Coburn (1848–1928) :: Alvin Langdon Coburn at the Grand Canyon, 1911. Platinum print, printed by Alvin Langdon Coburn. | src George Eastman Museum
Mark C. Klett + Byron Wolfe  :: Woman on head and photographer with camera; unknown dancer and Alvin Langdon Coburn at Grand View Point, 2009. Inkjet print, printed 2011.  From the series Reconstructing the View Grand Canyon Photographs.   | src George Eastman Museum
Mark C. Klett and Byron Wolfe  :: Woman on head and photographer with camera; unknown dancer and Alvin Langdon Coburn at Grand View Point, 2009. Inkjet print, printed 2011. From the series Reconstructing the View Grand Canyon Photographs. | src George Eastman Museum

Jiri Kolar · Schmetterlinge

papillons, butterflies, papallones, mariposas, schmetterling
Jiri Kolar :: Butterflies, 1967. Collage of color offset prints fully mounted on cardboard. | src Jeschke van Vliet
Jiri Kolar :: Schmetterlinge, 1967. Collage von Farboffsetdrucken voll aufgezogen auf Karton. | src Jeschke van Vliet
Jiri Kolar :: Butterflies, 1967. Collage of color offset prints fully mounted on cardboard. | src Jeschke van Vliet
Jiri Kolar :: Butterflies, 1967. Collage of color offset prints fully mounted on cardboard. | src Jeschke van Vliet
Jiri Kolar :: Butterflies, 1967. Collage of color offset prints fully mounted on cardboard. | Detail
Jiri Kolar :: Butterflies, 1967. [Detail]

le ciel et la mer par Steiner

André Steiner :: Photomontage, Une nuée d'avion s'élève dans le ciel illuminé par les projecteurs, 1933.
André Steiner :: Photomontage, Une nuée d’avion s’élève dans le ciel illuminé par les projecteurs, 1933. | src Giquello et Associés
André Steiner (Andor Steiner) :: Vue aérienne, Maroc, 1933, tirage argentique.
André Steiner (Andor Steiner) :: Vue aérienne, Maroc, 1933, tirage argentique. | src Giquello et Associés

Binia Bill photomontage

photomontage, photocomposite, photocollage
Binia Bill :: Ohne titel (Blume, Blüte, Augen, Frau, Gesicht, Nase, Raster, Fotomontage), 1930s. | src Fotostiftung Schweiz
Binia Bill :: Ohne titel (Blume, Blüte, Augen, Frau, Gesicht, Nase, Raster, Fotomontage), 1930s. | src Fotostiftung Schweiz
Binia Bill :: Ohne titel (Blume, Blüte, Augen, Frau, Gesicht, Nase, Raster, Fotomontage), 1930s. | src Fotostiftung Schweiz
Binia Bill :: Untitled (Detail), 1930s. | src Fotostiftung Schweiz

Pavlowa (MPW March 1916)

Pavlowa The Incomparable in "The Dumb Girl of Portici". The Moving Picture World, March 1916 [detail]
Pavlowa The Incomparable in “The Dumb Girl of Portici”. The Moving Picture World, March 1916 [detail]
Pavlowa The Incomparable in "The Dumb Girl of Portici". The Moving Picture World, March 1916
Pavlowa The Incomparable in “The Dumb Girl of Portici”. Published in The Moving Picture World, March 1916

Abeceda by Karel Teige (1926)

A page for Abeceda [The Alphabet], 1926
Poetry by Vitezslav Nezval (Czech, 1900–1958)
Design, typography, and photomontage by Karel Teige (Czech, 1900–1951)
Choreography by Milča Mayerová (Czech, 1901–1977)
src Listování. Moderní knižní kultura ze sbírek Muzea umění Olomouc | Západočeská galerie v Plzni
O page for Abeceda [The Alphabet], 1926

« In Nezval’s Abeceda, a cycle of rhymes based on the shapes of letters, I tried to create a ‹ typofoto › of a purely abstract and poetic nature, setting into graphic poetry what Nezval set into verbal poetry in his verse, both being poems evoking the magic signs of the alphabet. » –Karel Teige, quoted from Abeceda – Index Grafik

H page for Abeceda [The Alphabet], 1926

In 1926 the Czech dancer Milca Mayerová choreographed the alphabet as a photo-ballet. Each move in the dance is made to the visual counterpoint of Karel Teige’s typographic music. Teige was a constructivist and a surrealist, a poet, collagist, photographer, typographer and architectural theorist, and his 1926 photomontage designs for the alphabet are a uniquely elegant and witty invention, and one of the enduring masterpieces of Czech modernism. –Quoted from The Guardian

Collage 247 by Karel Teige

Karel Teige :: Collage # 247 (fictional landscapes), 1942. | src Encyclopedia design & Kulturní Magazín
Karel Teige :: Collage # 247 (fictional landscapes), 1942. | src Encyclopedia design & Kulturní Magazín
Karel Teige :: Collage # 247 (fictional landscapes), 1942. | src Encyclopedia design & Kulturní Magazín

Patrick Morales-Lee’s portraits

Patrick Morales-Lee :: Veneration nº 3. Orange, from the exhibition «Folllowing» at Galerie Heimat
portrait
photocomposite
mixed media
Patrick Morales-Lee :: Veneration nº 3. Orange, from the exhibition «Folllowing» at Galerie Heimat
Patrick Morales-Lee :: Blanquet, from the exhibition «Folllowing» at Galerie Heimat
Patrick Morales-Lee :: Blanquet, from the exhibition «Folllowing» at Galerie Heimat
Patrick Morales-Lee :: unknown title, from the exhibition «Folllowing» at Galerie Heimat | src l'œil de la photographie
Patrick Morales-Lee :: unknown title, from the exhibition «Folllowing» at Galerie Heimat | src l’œil de la photographie
Patrick Morales-Lee :: Crowning, from the exhibition «Folllowing» at Galerie Heimat | src l'œil de la photographie
Patrick Morales-Lee :: Crowning, from the exhibition «Folllowing» at Galerie Heimat | src l’œil de la photographie
Patrick Morales-Lee :: Cloak, from the exhibition «Folllowing» at Galerie Heimat
Patrick Morales-Lee :: Cloak, from the exhibition «Folllowing» at Galerie Heimat
Patrick Morales-Lee :: Covenant, from the exhibition «Folllowing» at Galerie Heimat | src l'œil de la photographie
Patrick Morales-Lee :: Covenant, from the exhibition «Folllowing» at Galerie Heimat | src l’œil de la photographie

Dialogues: Mary Wigman Hands

Albert Renger-Patzsch :: Hands Study, dancer and choreographer Mary Wigman, 1920s | src Flickr
Ronit Porat :: Untitled, 2015 from Kinesphere. | src Ronit Porat • IG