“The Roof of the World” 1920s

"The Roof of the World" - The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. First half of the stereo card | src Amon Carter Museum
“The Roof of the World” – The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. First half of the stereo card | src Amon Carter Museum
"The Roof of the World" - The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. Stereographic card. Published by Keystone View Company. | src Amon Carter Museum
“The Roof of the World” – The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. Stereographic card. Published by Keystone View Company. | src Amon Carter Museum
"The Roof of the World" - The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. Second half of the stereo card | src Amon Carter Museum
“The Roof of the World” – The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. Second half of the stereo card | src Amon Carter Museum

La photographie érotique

Female Nude. Attributed to Félix Jacques Moulin (French, 1802 - 1875); 1856; Albumen silver print. From «Reconsidérer la photographie érotique» | src l'œil de la photographie
Female Nude. Attributed to Félix Jacques Moulin (French, 1802 – 1875); 1856; Albumen silver print. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie
Anonyme, Académie, vers 1845, daguerréotype. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l'œil de la photographie
Anonyme, Académie, vers 1845, daguerréotype. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie
Anonyme, Nu, vers 1848, daguerréotype (stereo). From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l'œil de la photograp
Anonyme, Nu, vers 1848, daguerréotype (stereo). From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie
Two Women Embracing. Unknown French maker; about 1848; Daguerreotype, hand-colored. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l'œil de la photographie
Two Women Embracing. Unknown French maker; about 1848; Daguerreotype, hand-colored. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie

The title is intriguing: «Reconsidérer la photographie érotique». (“Reconsidering erotic photography”).
The text itself is brilliant and of great intelligence.

In this 1987 essay, historian Abigail Solomon-Godeau traces avenues for exploring a history of erotic and pornographic photographic production, a history hitherto repressed and absent from narratives. Thus opening the door to a feminist and revised history of the photographic medium, she shows how much this imagery has been abundant and present almost from the origins of photography. In “Reconsidering erotic photography”, Abigail Solomon-Godeau analyzes the ways in which naked bodies are presented in several photographic images from the 1840s-1850s, whether academic nudes or images intended for other types of visual consumption, and questions the specificity of photographic representation as opposed to other mediums. Supporting feminist theories, she raises the question of how these images are viewed, and the ambiguity of their designation, between eroticism and pornography. At the heart of this pioneering essay in the history of photography, she defends the need to write the history of these often set aside productions.

Reconsidérer la photographie érotique.
Notes pour un projet de sauvetage historique

Abigail Solomon-Godeau
Éléonore Challine (éd. et trad.),
Éditions de la Sorbonne, 2022
quoted from l’œil de la photographie

Comet Morehouse, 1908

Edward Emerson Barnard :: Comet Morehouse, 3 stereo cards, UK, 1908. | src anamorfose
Edward Emerson Barnard :: Comet Morehouse, 3 stereo cards, UK, 1908. | src anamorfose
16645 – Morehouse’s Comet. Photographed at Yerkes Observatory, 1908. Keystone View Company. Half of original stereo card. | src MOPA ~ Museum of Photographic Arts (Chicago, USA)

Rives du lac d’Annecy, vers 1920

Stéréoscopique photographie: Rives du lac d’Annecy, vers 1920. Plaque stéréoscopique. | src eBay