John Everard :: Nude, from “Adam’s Fifth Rib”. A Collection of Photographic Studies of the Nude by John Everard. Vandyke gravure, ca. 1935. | src liveauctioneers
John Everard :: Nude from Adam’s Fifth Rib. A Collection of Photographic Studies of the Nude by John Everard, Chapman and Hall Ltd., London, 1935. | src dyndns.org
N. Vlas’evsky :: Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926. | src Nicoletta Misler’s“The Russian Art of Movement 1920-1930”
Atelier d’Ora – Benda :: Die Tänzerin R. R. (stehender weiblicher Akt), 1926. | src MK&G originally posted on and censored by tumblr, bet they will ‘perpetrate’ it again and again
Vom Aktmodell bis zur Unsterblichkeit mit Aufnahmen von Blumberger & Scholz. From the nude model to immortality with photos by Blumberger & Scholz. II) Canova: Paulina Buonaparte (Museo Borghese) Die Bühne 1929, Heft 217, Seite 42. | src ÖNB
Vom Aktmodell bis zur Unsterblichkeit mit Aufnahmen von Blumberger & Scholz. From the nude model to immortality with photos by Blumberger & Scholz. I) Rubens: Toilette der Venus. Die Bühne 1929, Heft 217, Seite 43. | src ÖNB
Juda Berisch Zimbler:: Die Quelle. Eine künstleriche Photostudie. | The source. An artistic photo study. | Die Bühne 1929, Heft 218, Seite 5. | src and hi-res ÖNB
Photoatelier Feldscharek :: Die Tänzerin Ossi Rhondje. Die Bühne 1929, Heft 235, Seite 39. | From the photo studio Feldscharek. The dancer Ossi Rhondje. Die Bühne (The Stage) 1929, issue 235, page 39. | src ÖNB
Dr. Tibor de Csorgeo :: The South Wind. Photograms of the Year. The annual review of the world’s pictorial photographic work, 1937 issue (plate XXXVII). Edited by F. J. Mortimer. | src issuu
Atelier Manassé :: Ratschläge fürs Anziehen und Ausziehen. Die Dame Nackt. | Advice on getting dressed and undressed. The lady naked. Die Bühne 1933. Heft 343, Seite 35. | src ÖNB
George-Louis Arlaud :: Unknown title, hand signed gravure. From «Vingt Études de Nu en Plein Air», Éditions Horos, Paris, 1920. | src and hi-res liveauctioneers
Artur Grimm :: Schönste Sommerfreude: aus dem Wasser in die Sonne. | Beautiful summer joy: from the water to the sun. Published in UHU magazine, August 1934 issue (Heft 8). | src Illustrierte Presse ~ ÖNB
George Edward Stanhope Molyneux Herbert, 5th Earl of Carnarvon :: The Frieze. Photograms of the Year. The annual review of the world’s pictorial photographic work, 1917-1918 issue (plate III). Edited by F. J. Mortimer. | src archive.org
Walter Benington :: Miss Margaret Morris as “Le Poisson d’Or”. Photograms of the Year. The annual review of the world’s pictorial photographic work, 1917-1918 issue (plate LI). Edited by F. J. Mortimer. | src archive.org
Rosalia Chladek im Vorraum zum Festsaal der Schule Hellerau für Rhythmus, Musik und Körperbildung, Dresden, 1925. | Rosalia Chladek in the anteroom to the festival hall of the Hellerau School for Rhythm, Music and Physical Education, Dresden, 1925. | src and hi-res Theatermuseum, Wien
Man Ray :: Érotique Voilée (Veiled Eroticism), 1933, gelatin silver print. Inscribed ‘Meret Oppenheim dans l’atelier de Marcoussis, 15 rue Hégesippe-Moreau’ in ink (on the verso). | src Christie’s | originally posted on and censored by tumblr
Mary Wigman. Tanzfolgen nach russischen Liedern (Dance sequences based on Russian songs). From Rudolf Bach’s The Mary Wigman work. With contributions by Mary Wigman and 80 illustrations. Published in Dresden, Carl Reissner, 1933. | src Encyklopedia Szczecin
Charlotte Rudolph :: Die Zeremonielle Gestalt 3. From: Die Verwandlungen der Mary Wigman (The Metamorphoses of Mary Wigman) by Kurt Linder, 1929. | src Zvab
Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Franz Xaver Setzer :: Toni Birkmeyer als “Prinz Karneval” Phot. Setzer, Wien. “Schöne Kostüme”. Das Leben, Heft 9, März 1927. | src Universitätsbibliothek Heidelberg
Junon et Pallas. Danseuses Yvonne Franck (à gauche, Pallas) et Yvonne Daunt (à droite, Junon), dans “Ascanio” à l’Opéra de Paris. Chorégraphie de Léo Staats. Novembre 1921. Négatif sur verre. | src Agence photographique Rol