Dancer (1922) by Erfurth
Kätzchen (1901) by Veritas
Liegender Akt VI, 1926
Tanzaufnahme von Franz Löwy
From «La Deésse Cypris»
The White Iris, 1921
Zenith view of restaurant, 1960
Yayoi Kusama at 10 (1939)
Claire Bauroff, ca. 1925
Dryads, 1913 by Anne Brigman
Virgin Mary by Charles Berg
Night by Charles Berg
Lagrimas Negras · Saudek · 1989
Jan Saudek · some nudes
Carte postale Degami
Medito la vendetta….
The Fondazione Alinari per la fotografia (Archivio Alinari) hosts four similar postcards, the captions are as follows:
- Tradimento fu il suo (AVQ-A-000047-0123)
- Medito la vendetta (AVQ-A-000047-0122)
- Abbandonata al mondo seduttore (AVQ-A-000047-0119)
- l’orgoglio del mio onore vincerà (AVQ-A-000047-0118)
La Cigale or Odalesque?
This has not been an involuntary mistake, the images had been credited as there were in their respective sources. But there is further to be noticed, as you can see, the image below look more like one of Farnsworth in style and motive.
(***) credits on source is as follows :
Charles I. Berg : Odalesque, 1899
series Title : American Pictorial Photography, Series I
Medium : photogravure in red mounted on green wove paper
Plate 16 : La Cigale …………….. by Emma J. Farnsworth
Plate 17 : Odalesque ………….. by Charles I. Berg
Bearing in mind the photographers’ styles and motives it is highly probable that the plates had been miscredited at the National Gallery of Art. We reckon the last but one image in this post is plate number 16 (La Cigale / Farnsworth); and the other images correspond to plate number 17 : ‘Odalesque’ by Charles Berg.
Anyway, we are not certain about it, but hope that you have enjoyed the images.
Frau von Heute · Fleischmann
Photographer’s stamp with address at “Wien I. Ebendorferstraße 3”, her copyright stamp and her re-order stamp with handwritten negative no. “1039/a” in ink, “Wiener Foto-Kurier” agency stamp, several numbers and handwritten annotated “Frl. Marianne Rosenberg” in pencil on the reverse. LITERATURE “Die junge Frau von Heute”, in: Die Bühne, no. 299, March 1931, Vienna, p. 5 (titled “Fräulein Maria Rosenberg”); Frauke Kreutler, Anton Holzer (eds.), Trude Fleischmann. Der selbstbewusste Blick, cat. Wien Museum, Vienna 2013, p. 127 (ill. from “Die Bühne”).