Payne in Confetti (Nelson revue)

Nina Payne (holding a mask) in costume for the Nelson revue “Confetti”, by Studio Manassé (1910s) | src liveinternet.ru
Nina Payne In costume for the Nelson revue “Confetti”, by Hill, ca. 1916 | src HZG
Dancer Nina Payne with a dance mask in the Nelson revue “Confetti”, Nelson Theater Berlin, 1925. Photo: Atelier Binder 1925 (Photo by Atelier Binder) | src Getty Images
Tänzerin Nina Payne (USA) in einer interessanten Tanzmaske in der Nelson-Revue “Confetti”, Nelson Theater Berlinerschienen Nr. 42/1925. Foto: Atelier Binder | src Getty Images

The Falling (dancers), 1930s-1990s

Birgit Åkesson, foto: okänd. | src Dansmuseet on IG
Pierre Boucher :: Serge Lifar dans la Chute d’Icare, 1938. | src Centre Pompidou
Tiziana Luxardo :: La caduta dell’angelo, Teatro dell’Opera, 1996. Stampa digitale da pellicola. Firmata a penna bianca sull’immagine. | src Minerva Auctions

Clotilde von Derp by Watson

George Spencer Watson (1869-1934) :: Portrait of Clotilda [sic] von Derp (Frau Sakharoff), 1912. Signed, inscribed and dated ‘Clotilda [sic] von Derp / [Frau Sakharoff.] / Dancer 1912 / by George Spencer Watson R.A.’ (on the backboard). Oil on canvas laid down on board. | src Christie’s

Le Masque et l’Humain, 1959

Thérèse Le Prat :: La danseuse Françoise Joachim Pérez (ballet d’Amérique latine), 1957. | src Ministère de la Culture
Thérèse Le Prat :: Silvia Monfort (actrice) Lady Godiva dans Lady Godiva de Jean Canolle, 1958. | src Ministère de la Culture
de la série Masques et Destins, 1955 ou Le Masque et l’Humain, 1959
Référence de publication de l’image: L’Avant-Scène, n°177, 1er juillet 1958
Référence de publication de l’image: Le Masque et l’Humain, éd. La Colombe, Paris, 1959, p. 22

Dialogues: Mary Wigman Hands

Albert Renger-Patzsch :: Hands Study, dancer and choreographer Mary Wigman, 1920s | src Flickr
Ronit Porat :: Untitled, 2015 from Kinesphere. | src Ronit Porat • IG

Die Tänzerin Rea Egerváry

Atelier Manassé :: Flexible like a blade made of precious steel (Die Tänzerin Rea Egerváry). Scherl’s Magazin, Band 5, Heft 12, Dezember 1929
Atelier Manassé :: Biegsam wie eine Klinge aus edlem Stahl (Die Tänzerin Rea Egerváry). Scherl’s Magazin, Band 5, Heft 12, Dezember 1929 [full page]

German Opera House, 1937

Hedda Walther :: A girl doing dance exercises at a barre, 1937. From: German Opera House, Berlin (series). Vintage property of ullstein bild. | src Getty Images
Hedda Walther :: Ballet class. Young girls doing ballet exercises in the German Opera House, Berlin, 1937. Vintage property of ullstein bild. | src Getty Images