Nude with apples by Drtikol

František Drtikol (1883-1961) :: Untitled (Nude with Apples) (Akt mit Äpfeln), ca. 1925. Gelatin silver print. | src Grisebach Auktion 263 (2016) & LL/70693

Still-lifes by Lumiere Brothers

Auguste-Marie-Louis-Nicolas Lumière and Louis-Jean Lumière ~ Tulips, 1896-1903. Trichromie. Transparency. | src Getty Images
Auguste et Louis Lumière ~ Nature morte, stéréo à la gomme bichromatée sur verre. 1899-1900
Auguste et Louis Lumière ~ Nature morte, stéréo à la gomme bichromatée sur verre. 1899-1900 (Full stereo view)
Auguste-Marie-Louis-Nicolas Lumière and Louis-Jean Lumière ~ Still Life of Flowers in a Stein, 1896-1903. Trichromie. Transparency. | src Getty Images

Narcissus by Laura Gilpin

LAURA GILPIN (1891–1979) Narcissus, 1926 platinum print, mounted on card signed and dated in pencil Christies
Laura Gilpin (1891–1979) :: Narcissus, 1926; platinum print, mounted on card signed and dated in pencil. | src Christie’s
Laura Gilpin (American, 1891-1979) :: Narcisus, 1928. Platinum print. | src Bonhams
Print, Verso: 
u.l. to c.r. in ink: Narcissus \ 1926 [sic] \ Exhibited \ Brooklyn Institute of Arts & Sciences \ Oct. 1922 [sic] \ Photographic Society of Philadelphia \ Chicago Camera Club. 1929 (Feb) \ Omaha Camera Club \ Photo Pictorialists of Milwauke [sic] 1929 \ California Camera Club May 1929 \ Camera Club of New York. Dec 1-15 1928 \ Hon. Mention 8th Annual Competition American Photography
Laura Gilpin (1891-1979) :: Narcissus; 1928. Platinum print. | src Amon Carter Museum of American Art

On verso of the Amon Carter Museum version (above this), there are a list of exhibitions and awards : Print, Verso:
u.l. to c.r. in ink: Narcissus \ 1926 [sic] \ Exhibited \ Brooklyn Institute of Arts & Sciences \ Oct. 1922 [sic] \ Photographic Society of Philadelphia \ Chicago Camera Club. 1929 (Feb) \ Omaha Camera Club \ Photo Pictorialists of Milwauke [sic] 1929 \ California Camera Club May 1929 \ Camera Club of New York. Dec 1-15 1928 \ Hon. Mention 8th Annual Competition American Photography

Also, this additional information: u.c. on paper label: [printed]: A PHOTOGRAPH BY \ LAURA GILPIN \ SANTA FE, NEW MEXICO \ [typed]: A PLATINUM PRINT \ NARCISSUS \ 1928

Charles Jones’ Beans

Charles Jones :: Beans in a Basket, ca. 1900. Vintage gold-toned gelatin silver print. | src Michael Hoppen Gallery
Charles Jones :: Bean Longpod, ca. 1900. Gold toned gelatin silver print. | src Howard Greenberg Gallery

Charles Jones was an English gardener and plantsman, who worked on private estates in the 1890s. As if they were carefully crafted objects, he diligently photographed the vegetables, fruit and flowers he grew. In the era of the supermarket, they appear as a eulogy to a lost time of intimacy between producer and product, the simplicity of the forms paralleling a seemingly less complex age. Although his work wasn’t discovered until 1984 (in Bermondsey market by Sean Sexton), his life’s work is now considered to be on a par with the spare, modernist photographs of Karl Blossfeldt’s flowers and Edward Weston’s vegetables. All his negatives would have been glass and each gold toned print would have taken many hours to complete, the prints are beautiful and unique and show an adept hand in what was a very complex ‘hobby’. His work is in public institutions worldwide. [quoted from Michael Hoppen Gallery]

Charles Jones :: Bean Runner, ca. 1900. Gold toned gelatin silver print. | src Howard Greenberg Gallery
Charles Jones :: Pea Rival, ca. 1900. Gold toned gelatin silver print. | src Howard Greenberg Gallery
Charles Jones :: Pea Quite Content, ca. 1900. Gold toned gelatin silver print. | src Howard Greenberg Gallery
Charles Jones :: Pea Early Giant, ca. 1900. Gold toned gelatin silver print. | src Howard Greenberg Gallery

Howard Greenberg Gallery is pleased to announce an exhibition of still life photographs by British born Charles Jones. Viewed as a proto-Modernist and outsider artist, Jones, a humble English gardener and photographer working at the turn of the 20th century, is one of art’s most mysterious and recent discoveries. Jones’ work came to light in 1981, when discovered in a trunk at an antiques market in London. The only clue to the identity of the photographer were the initials “C.J.” or sometimes the signature “Charles Jones” that was scrawled on the backs of the prints along with fastidious notations giving the precise name of each of the subjects. But the story of the photographer remained unknown until a woman, seeing the photographs on BBC television, identified them as the work of her grandfather, a gardener who worked at several private estates between the years 1894 and 1910. [quoted from HGG]

Charles Jones :: Dwarf Bean, Sutton’s Masterpiece, ca. 1900. Gold toned gelatin silver print. | src Howard Greenberg Gallery

Still-life by Geza Vandor

Geza Vandor (1898-1956) :: Sans titre, années 1940s. Tirage gélatino-argentique d'époque. | src Drouot
Geza Vandor (1898-1956) :: Sans titre, années 1940s. Tirage gélatino-argentique d’époque. | src Drouot (Detail)
Geza Vandor (1898-1956) :: Sans titre, années 1940s. Tirage gélatino-argentique d'époque. | src Drouot
Geza Vandor (1898-1956) :: Sans titre, années 1940s. Tirage gélatino-argentique d’époque. | src Drouot

Stillleben von Franz Kaiser

Autochrome
Stillleben mit Blumen, Birnen und Teetasse. Autochrom-Platte. Photographie vermutlich von Franz Kaiser, um 1908. Siehe auch 00621242
Still life with Flowers, pears and Tea cup. Autochrome Lumière. Photograph probably by Franz Kaiser. About 1908. See also image 00621242
(Archiv Setzer-Tschiedel) | src Getty images
Stillleben mit Blumen, Birnen und Teetasse. Autochrom-Platte. Photographie vermutlich von Franz Kaiser, um 1908. Siehe auch 00621242
Still life with Flowers, pears and Tea cup. Lumière Autochrome. Photograph probably by Franz Kaiser, ca. 1908. See also image 00621242
(Archiv Setzer-Tschiedel) | src Getty images

Still Life by Dellenbaugh ca 1910

Frederick S. Dellenbaugh (1853 - 1935) :: Still Life with Ornate Chinese Vase, about 1910. Autochrome. | src The J. Paul Getty Museum
Frederick S. Dellenbaugh (1853 – 1935) :: Still Life with Ornate Chinese Vase, about 1910. Autochrome. | src The J. Paul Getty Museum
Frederick S. Dellenbaugh (American, 1853 - 1935) :: Still Life with Ornate Chinese Vase, about 1910, Autochrome. | src Getty Images
Frederick S. Dellenbaugh (American, 1853 – 1935) :: Still Life with Ornate Chinese Vase, about 1910, Autochrome. | src Getty Images

Étude de fleurs par Albin-Guillot

Laure Albin-Guillot :: Étude de fleurs [with vase], ca. 1930. Vintage fresson print. | src Seagrave Gallery
Laure Albin-Guillot :: Étude de fleurs [with vase], ca. 1930. Vintage fresson print. | src Seagrave Gallery

Étude de marguerites ca. 1880

Étude de marguerites, ca. 1880. Tirage Albuminé. numeroté 551 dans l'image | src Millon
Étude de marguerites, ca. 1880. Tirage Albuminé. numeroté 551 dans l’image | src Millon

Gommans’ Flowers in Dutch Light

Stella Gommans :: All Delicate and Dreamy. From : "Flowers in Dutch Light" at Elliott Gallery
Stella Gommans :: All Delicate and Dreamy. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: In My Mind. Archival Pigment Print on Hahnemuhle Fine Art Paper. From : "A Declaration of Love. Flowers in Dutch Light"
Stella Gommans :: In My Mind. Archival Pigment Print on Hahnemuhle Fine Art Paper. From: “A Declaration of Love. Flowers in Dutch Light
Stella Gommans :: Head up Gorgeous. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: Head up Gorgeous. From : “Flowers in Dutch Light” at Elliott Gallery

All images: Archival Pigment Prints on Hahnemuhle Fine Art Paper