![Dorothy Wilding :: Harriet Cohen; cream-toned bromide print on paper mount, circa 1920s. | src NPG](https://live.staticflickr.com/65535/52540611948_459953723c_o.png)
![Dorothy Wilding :: Harriet Cohen; cream-toned bromide print on paper mount, circa 1920s. | src NPG](https://live.staticflickr.com/65535/52540029461_4f24f5dcb1_o.png)
![Dorothy Wilding :: Harriet Cohen; cream-toned bromide print on paper mount, circa 1920s. | src NPG](https://live.staticflickr.com/65535/52539568097_485b211ba2_o.png)
![Dorothy Wilding :: Harriet Cohen; cream-toned bromide print on paper mount, circa 1920s. | src NPG](https://live.staticflickr.com/65535/52539568127_62825f5ac9_o.png)
images that haunt us
This publisher’s proof depicts the Queen of the Night from “The Magic Flute” opera by Wolfgang Amadeus Mozart, with four attendants holding the hem of her elaborate gown against a black background, surrounded on the left, bottom, and right edges by a gold star border. Numbered, in chalk, lower left, signed “Erté”, in chalk, lower right. Merrill Chase, Chicago, IL, gallery label, en verso. Housed under glass in a giltwood frame with a black linen liner with a giltwood fillet. Property of Milligan University, Milligan, Tennessee. source: Case Antique / Case Auctions
Organized by Georg Kolbe museum, in the framework of “Die absoluten Tänzerinnen”, available on Spotify (Episode 7)
“Vera Skoronel, a true exceptional talent of modern expressive dance. She was confident, charismatic, her enthusiasm infectious. “Not-to-dance – does that even exist?” she once asked, purely rhetorically, of course.” quoted from source