Weiblicher Akte, 1931

Oskar Schlemmer :: Stehender Akt in Blau, 1931 (Feder in Blau; Pinsel in Blau; Aquarell on Schreibpapier) | src Staatsgalerie Stuttgart
Oskar Schlemmer :: Stehender Akt in Blau, 1931 (Feder in Blau; Pinsel in Blau; Aquarell on Schreibpapier) | src Staatsgalerie Stuttgart
Oskar Schlemmer :: Emporgereckter weiblicher Akt, 1931 (Feder in Braun; Feder in Blau; Pinsel in Braun; Pinsel in Blau; Lavierung (bräunlich) on Schreibpapier). | src Staatsgalerie Stuttgart

Frau Akt von Gertrude Fehr

Gertrude Fehr :: Akt, Frau, Rumpf, Silbergelatineabzug, Paris, 1930s (solarization). | src Fotostiftung Schweiz: Sammlung online
Gertrude Fehr :: Akt, Frau, Rumpf, Silbergelatineabzug, Paris, 1930s (solarization). | src Fotostiftung Schweiz: Sammlung online
Gertrude Fehr :: Akt (negative Solarisation), Paris 1936. | src Fotostiftung Schweiz: Sammlung online
Gertrude Fehr :: Akt, Frau, Rumpf, Netz, Hemd, Silbergelatineabzug, Paris, 1930s. | src Fotostiftung Schweiz: Sammlung online
Gertrude Fehr :: Akt beim Hemdausziehen (Nude while taking off shirt), Paris 1936. | src Fotostiftung Schweiz: Sammlung online
Gertrude Fehr :: Akt, Frau, Silbergelatineabzug, Paris, 1930s (solarization). | src Fotostiftung Schweiz: Sammlung online
Gertrude Fehr :: Halbakt, Solarisation, 1936 (?) | src Fotostiftung Schweiz: Sammlung online

Estella Reed by Paul Citroen

Paul Citroen :: Portret van danseres Estella Reed, 1931 © Paul Citroen / Nederlands Fotomuseum Rotterdam | From Gallery of Honour of Dutch Photography
Paul Citroen :: Portret van danseres Estella Reed, 1931 © Paul Citroen / Nederlands Fotomuseum Rotterdam | From Gallery of Honour of Dutch Photography

Carlotta Corpron’s blossoms

Carlotta Corpron (1901-1988) :: [Tree blossoms]; ca. 1930s-1940s; Gelatin silver print. | Amon Carter Museum of American Art
Carlotta Corpron (1901-1988) :: [Tree blossoms]; ca. 1930s-1940s; Gelatin silver print. | Amon Carter Museum of American Art
Carlotta Corpron (1901-1988); [Lotus blossoms]; ca. 1930-1940's; Gelatin silver print; Amon Carter Museum of American Art; Fort Worth, Texas; P1988.16.91
Carlotta Corpron (1901-1988) :: [Lotus blossoms]; ca. 1930-1940s; Gelatin silver print. | Amon Carter Museum of American Art
Carlotta M. Corpron (1901-1988); [Lotus blossom]; ca. 1940s; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, Texas, Bequest of the artist; P1988.16.54
Carlotta Corpron (1901-1988) :: [Lotus blossom]; ca. 1940s; Gelatin silver print. | Amon Carter Museum of American Art
Carlotta Corpron (1901-1988); [Magnolia blossoms]; ca. 1930-1940; Gelatin silver print; Amon Carter Museum of American Art; Fort Worth, Texas; P1988.16.52
Carlotta Corpron (1901-1988) :: [Magnolia blossoms]; ca. 1930-1940; Gelatin silver print. | Amon Carter Museum of American Art
Carlotta Corpron (1901-1988); [Magnolia blossoms]; ca. 1930-1940; Gelatin silver print; Amon Carter Museum of American Art; Fort Worth, Texas; P1988.16.53
Carlotta Corpron (1901-1988) :: [Magnolia blossom]; ca. 1930-1940; Gelatin silver print. | Amon Carter Museum of American Art
Carlotta Corpron (1901-1988); [Tree blossoms]; ca. 1930's-1940's; Gelatin silver print; Amon Carter Museum of American Art; Fort Worth, Texas; P1988.16.142
Carlotta Corpron (1901-1988) :: [Tree blossoms]; ca. 1940s; Gelatin silver print. | Amon Carter Museum of American Art

Photographer Carlotta Corpron had a brief but important career as an artist and a decades-long impact as a professor at Texas State College for Women (now Texas Woman’s University). In the 1930s and ‘40s she experimented with light, influenced by the ideals of the Bauhaus and the Institute of Design as brought to Denton, Texas, by László Moholy-Nagy and György Kepes. Her early photographs investigated how light transforms natural objects, but in later projects she took light itself as her subject, capturing its reflection and refraction in abstract compositions that sometimes involved cropping or combining multiple negatives. Corpron bequeathed her archive to the museum, which holds 138 prints, over 800 negatives, and the Carlotta Corpron Papers. [quoted from Amon Carter Museum]

Aufsberg recommends for Sunday

Lala Aufsberg :: Käthchen. Junge Frau im Badeabzug, auf einem Sprungbrett sitzend, 1934. | Deutsche Fotothek
Lala Aufsberg :: Käthchen. Junge Frau im Badeabzug, auf einem Sprungbrett sitzend, 1934. | Deutsche Fotothek
Lala Aufsberg :: Pegnitztal near Nuremberg-Behringersdorf. River landscape with a young woman in a bathing suit and with a fishing rod. Series: Käthchen, 1933 | Deutsche Fotothek
Lala Aufsberg :: Sonnenbad, 1933 | src Deutsche Fotothek

Just a perfect day

Mexico (1931) by Sipprell

Clara Sipprell (1885-1975); The Sea at Mazatlan, Mexico; ca. 1931;  Amon Carter Museum of American Art, Fort Worth, Texas, Purchase through gift of The Dorothea Leonhardt Fund of the Communities Foundation of Texas, Inc.; P1984.1.278
Clara E. Sipprell (1885-1975) :: The Sea at Mazatlan, Mexico, ca. 1931. Gelatin silver print. | Amon Carter Museum
Clara Sipprell (1885-1975); Lake Chapala, Mexico; ca. 1931; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, Texas, Purchase through gift of The Dorothea Leonhardt Fund of the Communities Foundation of Texas, Inc.; P1984.1.281
Clara E. Sipprell (1885-1975) :: Lake Chapala, Mexico, ca. 1931; Gelatin silver print. | Amon Carter Museum