Sylvie par Henri Manuel · 1909

Henri Manuel (1874–1947) ~ Sylvie, aka Louise Sylvie. French postcard by Photo N.D., dated 1-11-1909 | src flickr

 Sylvie (1883–1970) was a French actress, who played supporting parts in French and Italian films from 1912 till 1965. In her last film, she finally played the leading role.

Zitkala-Sa, ca. 1898

Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src National Museum of American History
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src National Museum of American History
Gertrude Stanton Käsebier :: Zitkala Sa, Sioux Indian and activist, 1898, platinum print

In addition to photographing the Sioux performers sent by Buffalo Bill Cody to her studio, Käsebier was able to arrange a portrait session with Zitkala Sa, “Red Bird,” also known as Gertrude Simmons (1876-1938), a Yankton Sioux woman of Native American and white ancestry. She was born on the Pine Ridge Reservation in South Dakota, like many of the Sioux traveling with the Wild West show. She was well educated at reservation schools, the Carlisle Indian School, Earlham College in Indiana, and the Boston Conservatory of Music. Zitkala Sa became an accomplished author, musician, composer, and dedicated worker for the reform of United States Indian policies.

Käsebier photographed Zitkala Sa in tribal dress and western clothing, clearly identifying the two worlds in which this woman lived and worked. In many of the images, Zitkala Sa holds her violin or a book, further indicating her interests. Käsebier experimented with backdrops, including a Victorian floral print, and photographic printing. She used the painterly gum-bichromate process for several of these images, adding increased texture and softer tones to the photographs. (quoted from NMAH)

Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print.
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src National Museum of American History
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala Sa, Sioux Indian and activist, ca. 1898 | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print.
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Gum bichromate print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Gum bichromate print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH

Baker by Hoyningen-Huene

George Hoyningen-Huene ~ Josephine Baker for Vogue Studio, November 1927 | src Yale university library
George Hoyningen-Huene ~ Josephine Baker for Vogue Studio, 10 November 1927 | src Yale university library
George Hoyningen-Huene ~ Josephine Baker for Vogue Studio, November 1927 (full size) | src Yale university library

Viola Dana, 1920s

Eugene Robert Richee :: Paramount Pictures personality portrait of silent film actress Viola Dana. Dana poses as a vampy flapper with a scarf tied around her cropped locks and beaded costume jewellery that pops against her tantalizingly exposed décolletage, 1920′s (Paramount Pictures ink stamps on verso) | src eBay | originally posted on tumblr

Anna de Noailles, 1910s-1925

Laure Albin Guillot :: Écrivaine et poétesse Anna de Noailles (1876-1933), vers 1900-1910 | src Laure Albin Guillot. Artisan of Art of Photography
Laure Albin Guillot :: Écrivaine et poétesse Anna de Noailles (1876-1933), vers 1900-1910 | src Laure Albin Guillot. Artisan of Art of Photography
Laure Albin Guillot :: La comtesse Anna de Noailles (1876-1933), writer and poetess, Paris, ca. 1925. | src l'œil de la photographie
Laure Albin Guillot :: La comtesse Anna de Noailles (1876-1933), writer and poetess, Paris, ca. 1925. | src l’œil de la photographie

Sherman as Cahun (1975)

cindy sherman as claude cahun
Cindy Sherman :: Untitled, 1975. Chromogenic photograph. © Cindy Sherman | src Brooklyn Museum
Cindy Sherman :: Untitled, 1975. Chromogenic photograph. © Cindy Sherman | src Brooklyn Museum
Cindy Sherman :: Untitled, 1975. Chromogenic photograph. © Cindy Sherman | src Brooklyn Museum
Cindy Sherman :: Untitled, 1975. Chromogenic photograph. © Cindy Sherman | src Brooklyn Museum

This photograph from early in Cindy Sherman’s artistic career indicates a burgeoning interest in what has become a lifelong investigation into using herself as subject. Produced in 1975, during her time as an art student at the State University of New York, Buffalo, the work prefigures her famous Untitled Film Stills series by two years. In it, the artist references Claude Cahun, an early Surrealist photographer whose androgynous self-portraits inspired a later generation of feminist theorists to think about gender as a social role that is performed rather than innate—ideas that would become central to Sherman’s oeuvre from the mid-1970s onward.” (quoted from source)

Cindy Sherman :: Untitled, 1975. Silver print with Sherman's signature, dates, and edition notation in ink, on verso. Printed 2004. | src Classic & Contemporary Photographs · Swann Galleries
Cindy Sherman :: Untitled, 1975. Silver print with Sherman’s signature, dates, and edition notation in ink, on verso. Printed 2004. | src Classic & Contemporary Photographs · Swann Galleries