Itta Penzo in the role of Taiakh

1920s, dance, Tanz, danse, danza, dansa, tansii, dancer, Tänzerin, danseuse, danzatrice, bailarina, female nude, nu féminin, weiblicher Akt, nudo femminile, desnudo femenino, nu femení, N. Vlas’evsky, N. Vlasevsky, Vlasevsky, photography, photographie, fotografia, fotografía, Fotografie, portrait, Porträt, retrato, ritratto, portret, retrat, Bildnis 1 Minute
N. Vlas’evsky :: Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926. | src Nicoletta Misler's “The Russian Art of Movement 1920-1930”
N. Vlas’evsky ~ Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler’s “The Russian Art of Movement 1920-1930”
N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut
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