Dancer by Alexander Grinberg Alexander Danilovich Grinberg (1885–1979) ~ Senza Titolo (Danzatrice), anni 1920 | src Finarte ~ Asta fotografia Dancer Sylvia Chen, late 1920sAuthorun regard obliqueIn relation to1920sThe Dancer Sylvia Chen (1920s)Authorun regard obliqueIn relation to1920sScenic study, 1928Authorun regard obliqueIn relation to1920s
Dancer Asaf Messerer, 1927 N. Vlasjevskiij :: Portrait of the dancer Asaf Messerer, 1927. Matte gelatin silver print. Bassenge Auctions. | Luminous Lint LL/56143 Related
Plastic pose and study, late 1920s A. Grinberg (?) :: Ornamental plastic pose, mid-1920s. Artist’s photographic print. Catalogue of the third “Art of Movement”exhibition, 1927, No. 277. OE | src Nicoletta Misler’s The Russian Art of Movement 1920-1930 O. Engel’s, Plastic study, 1926. Pencil and ink on paper, 25 x 20 cm. Signed and dated: “Engel’s 1926”. OE | src Nicoletta Misler’s The Russian Art of Movement 1920-1930 Related
Oriental dance, 1920s Otton Engel’s Oriental dance, mid-1920s. Collage and coloured paper on paper. Catalogue of the third “Art of Movement” exhibition, 1927, Nº 543. OE | src Nicoletta Misler’s The Russian Art of Movement 1920-1930 Related
Egyptian prayer, 1920s Nikolai Ivanovich Svishtov aka Nikolai Svishtov-Paola :: Egyptian prayer (A. Shapovalova), early 1920s. Original photographic print. Catalogue of the second “Art of Movement” exhibition, 1926, nº 299. RGALI. | src Nicoletta Misler’s The Russian Art of Movement Related
Role of Gesture in a Pose, 1920s Photographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of Movement Photographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of Movement Photographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of Movement Related
Itta Penzo · Bridge on demi-point N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926 © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler : The Russian Art of Movement 1920-1930 N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926 © Collection Otton Engel’s repository, Moscow | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut Itta Penzo in the role of TaiakhAuthorun regard obliqueIn relation to1920sNude bent back by VetrovskyAuthorun regard obliqueIn relation to1920sDancer Asaf Messerer, 1927Authorun regard obliqueIn relation to1920s
Itta Penzo in the role of Taiakh N. Vlas’evsky ~ Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler’s “The Russian Art of Movement 1920-1930” N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut Itta Penzo · Bridge on demi-pointAuthorun regard obliqueIn relation to1920sDancer Asaf Messerer, 1927Authorun regard obliqueIn relation to1920sPan outdoors, 1924Authorun regard obliqueIn relation to1920s
Mila Cirul by K. Kolliner K. Kolliner :: Mira (Mila) Cirul in Polshinelle Tänze. Gisa Geert Group. Collection of Pavel Khoroshilov, Moscow. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930 Related
Mila Cirul, 1920s K. Kolliner :: Mila Cirul in a solo. Music by S. Prokofiev and costumes by G. Kirsta. Original print. Collection of Pavel Khoroshilov, Moscow. | src Nicoletta Misel: The Russian Art of Movement 1920-1930 Related