Tag: wig

Baker by Hoyningen-Huene

George Hoyningen-Huene ~ Josephine Baker for Vogue Studio, 10 November 1927 | src Yale university library
George Hoyningen-Huene ~ Josephine Baker [in a wig by Antoine de Paris] for Vogue Studio, 10th November 1927 [detail]
George Hoyningen-Huene ~ Josephine Baker for Vogue Studio, November 1927 (full size) | src Yale university library
George Hoyningen-Huene ~ Josephine Baker for Vogue Studio, November 1927 | src Yale university library

Die Troerinnen · foto Strelow

Liselotte Strelow ~ Ida Ehre als Hekuba in "Die Troerinnen", 1947. LVR-Landesmuseum via Deutsche Fotothek Label: T Asta B / Ida Ehre als Hekuba in Euripides / Werfels "Troerinnen". Kostüm aus Sackleinen. Kammerspiele, Hamburg / 7407/2a
Liselotte Strelow ~ Ida Ehre als Hekuba in “Die Troerinnen”, 1947. LVR-Landesmuseum via Deutsche Fotothek
Label: T Asta B / Ida Ehre als Hekuba in Euripides / Werfels “Troerinnen”. Kostüm aus Sackleinen. Kammerspiele, Hamburg / 7407/2a
Liselotte Strelow ~ Gisela Mattishent in “Die Troerinnen” als Andromache. Porträt einer Frau in dem Stück “Die Troerinnen” trägt ein Kostüm aus Sackleinen; Strelow Nr. 7407.

Rokoko by Ferdinand Flodin

Ferdinand Flodin (1863-1935) :: Titel saknas, u.å. | Untitled, nd | src Moderna Museet
Ferdinand Flodin (1863-1935) :: Titel saknas, u.å. | Untitled, nd | src Moderna Museet ~ Helmer Bäckströms fotografisamling
Ferdinand Flodin (1863-1935) :: Titel saknas, u.å. | Untitled, nd | src Moderna Museet ~ Helmer Bäckströms fotografisamling
Ferdinand Flodin (1863-1935) :: Rokoko, 1922. Pigment print mounted on board. | src Moderna Museet ~ Helmer Bäckströms fotografisamling
Ferdinand Flodin (1863-1935) :: Rokoko, 1922. Pigment print mounted on board. | src Moderna Museet ~ Helmer Bäckströms fotografisamling
Ferdinand Flodin (1863-1935) :: Titel saknas, u.å. | Untitled, nd | src Moderna Museet ~ Helmer Bäckströms fotografisamling
Ferdinand Flodin (1863-1935) :: Titel saknas, u.å. | Untitled, nd | src Moderna Museet ~ Helmer Bäckströms fotografisamling

Skoronel by Hänse Herrmann

Vera Skoronel, Foto: Hänse Herrmann © Universitätsbibliothek Leipzig | src Georg Kolbe Museum

Organized by Georg Kolbe museum, in the framework of “Die absoluten Tänzerinnen”, available on Spotify (Episode 7)
“Vera Skoronel, a true exceptional talent of modern expressive dance. She was confident, charismatic, her enthusiasm infectious. “Not-to-dance – does that even exist?” she once asked, purely rhetorically, of course.” quoted from source

Hänse Herrmann :: Portät von die Tänzerin und Choreographin Vera Skoronel (1906-1932; eigentlich Vera Laemmel, Vera Lämmel) um 1928. Aufnahme: Hänse Herrmann. Originalaufnahme im Archiv von Ullstein Bild. | src Getty Images

Von der Laute bis zum Banjo

Zerline Balten, in “From the Lute to the Banjo” (“Von der Laute bis zum Banjo”), Published in Elegante Welt 14:16 (August 12, 1925): 18. Kunstbibliothek, Staatliche Museen zu Berlin. From Marking Modern Movement: Dance and Gender in the Visual Imagery of the Weimar Republic | src University of Michigan

Molly Wessely by atelier Walten

Atelier Mac Walten (Max Gruenthal) ~ Molly Wessely (K. 2805), published by Photochemie (Berlin), late 1910s | src NPG

De fåvitska jungfrurna, 1920s

On Christmas Day 1920, the newly started performing arts company Svenska Baletten was visiting London and the classic Christmas song was included in the music for the ballet De fåvitska jungfrurna. The ballet is based on the biblical story of the wise and unwise (ignorant) virgins. The ignorant maidens became a real audience favorite and was danced 375 times. Jenny Hasselquist i De fåvitska jungfrurna av Svenska Baletten, foto: Stage Photo Company, London, 1920. | src and more info at Dansmuseet on IG
On Christmas Day 1920, the newly started performing arts company Svenska Baletten was visiting London and the classic Christmas song was included in the music for the ballet De fåvitska jungfrurna. The ballet is based on the biblical story of the wise and unwise (ignorant) virgins. The ignorant maidens became a real audience favorite and was danced 375 times.
Jenny Hasselquist i De fåvitska jungfrurna av Svenska Baletten, foto: Stage Photo Company, London, 1920.
| src and more info at Dansmuseet on IG

Carina Ari in The Moonlight

Carina Ari i Månstrålen (in The Moonlight, aka Rayon de lune), Studio Granere, Paris, 1934. | src Dansmuseet on IG
Carina Ari i Månstrålen (Rayon de lune), 1928, foto: Studio Iris, Paris. | Carina Ari in The Moon Ray (Rayon de lune), 1928, photo: Studio Iris, Paris. | src dansmuseet on IG
Balletttänzerin Carina Ari (*), late1920s -early 1930s | src Nordicphotos on eBay
(*) Maria Karina Viktoria Jansson (Stockholm, 1897 – Buenos Aires, 1970)

Carina Ari i Rayon de lune

Balletttänzerin Carina Ari (*), late1920s -early 1930s | src Nordicphotos on eBay
(*) Maria Karina Viktoria Jansson (Stockholm, 1897 – Buenos Aires, 1970)
Carina Ari i Månstrålen (in The Moonlight, aka Rayon de lune), Studio Granere, Paris, 1934. | src Dansmuseet on IG
Carina Ari i Månstrålen (Rayon de lune), 1928, foto: Studio Iris, Paris. | Carina Ari in The Moon Ray (Rayon de lune), 1928, photo: Studio Iris, Paris. | src dansmuseet on IG
Balletttänzerin Carina Ari in Kostüm für Rayon de Lune (late 1920s – ealy 1930s)