George Rinhart :: Waneya, world-renowned acrobatic dancer, in a most difficult pose. One can almost understand how Waneyo gets into these queer positions, but how does she get out of them? Undated photograph, circa 1920. (original caption) | src Getty Images
George Rinhart :: Miss Afton McWilliams, member of the New York Art Colony, who has gained fame with her paintings of Hollywood movie stars, and creations in dance costumes, is shown in an Egyptian costume of her own design. (original caption) | src Getty Images
Stacia Napierkowska dans La “Nouvelle Antinéa” et Les “Bucoliques” à la Cigale. Photo RAHMA. Paris Plaisirs: revue mensuelle esthétique et humoristique. Nº 8, 1923. | src BnF ~ GallicaStacia Napierkowska dans La “Nouvelle Antinéa” et Les “Bucoliques” à la Cigale. Photo RAHMA. Paris Plaisirs: revue mensuelle esthétique et humoristique. Nº 8, 1923. [full size image] | src BnF ~ Gallica
C. Schulz photo studio :: Role portrait: Elmerice Parts in a dance pose with tambourine, 1921. [original: C. Schulzi fotoateljees Tartus. Rolliportree: Tamburiiniga Elmerice Parts tantsupoosis, 1921]. | src Eesti Teatri- ja Muusikamuuseum
Alexander Grinberg :: Dancer Silvija Chen (also Silvija Chen). A scenic study, Vera Maya Studio, Moscow, late 1920s. (Photo by Aleksandr Grinberg / FotoSoyuz) | src Getty Images
Mary Carlisle as ‘Little Bo Peep’ (uncredited), one of a group of dancers dressed as turbines or generators (costume probably designed by Adrian), for the ballet sequence entitled Ballet Mécanique, in a pseudo pagan ceremony dedicated to electricity starring Theodore Kosloff as ‘Electricity’ in Madam Satan (Cecil B. DeMille, 1930) | src irenebrination
Portrait of American dancer Gipsy Rhoumaje (also, Gypsy Rhouma-Jé) in a dancing act, 1928 (NY Times) | src getty imagesPortrait of dancer and Revue artist Gipsy Rhoumaje posing in an expressive dance in the ‘Scala’, Berlin, 1928 | src getty images