Fête des fleurs par G. Gain

Gustave Gain ~ “Fête des fleurs”, Coutainville (Agon-Coutainville, Manche), 1924 | half stereo (left)
Gustave Gain ~ “Fête des fleurs”, Coutainville (Agon-Coutainville, Manche), 1924 | src Archives de la Manche
Gustave Gain ~ “Fête des fleurs”, Coutainville (Agon-Coutainville, Manche), 1924 | half stereo (right)

Blossoming cactus 1930s

Hans Grendahl (1877-1962) ~ Cactus flowers. Close-up, June, 1937. Autochrome. Stereo. | src Preus museum
Hans Grendahl (1877-1962) ~ Kaktusblomster. Nærbilde, June, 1937. Autochrome. Stereo. | src Preus museum
Hans Grendahl (1877-1962) ~ Blossoming cactus, July, 1934. Autochrome. Stereo photograph. | src Preus museum
Hans Grendahl (1877-1962) ~ Blomstrende kaktus, July, 1934. Autochrome. Stereo photograph. | src Preus museum
Hans Grendahl (1877-1962) ~ Blossoming cactus, July, 1937. Autochrome. Stereo photograph. | src Preus museum
Hans Grendahl (1877-1962) ~ Blomstrende kaktus, July, 1937. Autochrome. Stereo photograph. | src Preus museum

About Hans Grendahl (1877 – 1962)

Born in Rennebu. Son of farmer Ole Knudsen Grendahl and Ane Hansdatter, born Aas. He graduated in architecture with architect Solberg, Trondheim, in 1902, after which he went to Germany and studied architecture at the university in Karlsruhe. After completing his education, Grendahl was employed, among others in the company Jacob Digre in Ålesund, later he became an assistant teacher in building subjects, construction and freehand drawing at Trondhjem’s technical training institute. In 1916 he was employed as a teacher at NTH. In the 1920s and 30s took a number of photographs in color (Autochromes), i.a. interiors and exteriors of churches in Trøndelag, Gudbrandsdalen, Østerdalen, Møre and Romsdal and Telemark, as well as pictures from the Trøndelag exhibition in 1930 and the Drammen exhibition in the same year. The oldest color photo taken in his collection is from 1922. Grendahl left a unique archive of stereo images, about half of which are in colour, to his daughter Adelheide (Ada) Grue, in Stjørdal. The picture collection was bought by the Preus Fotomuseum in 1989 and digitalized in December 2021. It consists of 1017 photographs on glass plates in the format 90×140 mm. With a few exceptions, the images are stereo images.

quoted from Preus Fotomuseum

Hans Grendahl (1877-1957) ~ White cactus, July, 1935. Autochrome. Stereo photograph. | src Preus museum
Hans Grendahl (1877-1957) ~ Hvit kaktus, July, 1935. Autochrome. Stereo photograph. | src Preus museum

Butterflies in stereo-view 1870s

Kilburn Brothers, No. 89. Moths and Butterflies; no date (half of stereo-card) | courtesy Alan Griffiths : Luminous-Lint (LL/37775-6)
Right side of stereographic card nº 89 (Kilburn Brothers)

The Kilburn Brothers

A partnership between Benjamin West Kilburn and his brother Edward Kilburn of Littleton, New Hampshire (USA). One of the most significant of the American photographers and publishers of stereo cards in the nineteenth century. In 1879 they patented the “warped” or “curved” stereocard which enhanced the 3D effect. In 1908 James M, Davis obtained the Kilburn negatives and later resold them to Keystone. / quoted from Luminous-lint

Kilburn Brothers :: No. 89. Moths and Butterflies; n.d. Stereoview, hand-painted 
Private collection of Michael McEachern. Courtesy Alan Griffiths / Luminous-lint

Stereo views of landscapes

Etienne Descargues :: [Femme cueillant des fleurs dans une prairie], 1892-1914. Vue stéréoscopique. | BnF ~ Gallica
Etienne Descargues :: [Femme cueillant des fleurs dans une prairie], 1892-1914. Vue stéréoscopique. | BnF ~ Gallica
Etienne Descargues :: [Femme cueillant des fleurs dans une prairie], 1892-1914. Vue stéréoscopique. (half view) | BnF ~ Gallica
Etienne Descargues :: [Femme cueillant des fleurs dans une prairie], 1892-1914. Vue stéréoscopique. | BnF ~ Gallica
Etienne Descargues :: [Femme cueillant des fleurs dans une prairie], 1892-1914. Vue stéréoscopique. | BnF ~ Gallica
Etienne Descargues :: [Femme cueillant des fleurs dans une prairie], 1892-1914. Vue stéréoscopique. (Detail) | BnF ~ Gallica
Etienne Descargues :: [Plan d’eau la nuit], 1892-1914. Vue stéréoscopique. | BnF ~ Gallica
Etienne Descargues :: [Arbres au printemps, prairie, maisons rurales], 1890-1914. Vue stéréoscopique. | BnF ~ Gallica
Etienne Descargues :: [Arbres au printemps, prairie, maisons rurales], 1892-1914. Vue stéréoscopique. | BnF ~ Gallica
Etienne Descargues :: [Arbres au printemps, prairie, maisons rurales], 1890-1914. Vue stéréoscopique. | BnF ~ Gallica
Etienne Descargues :: [Arbres au printemps, prairie, maisons rurales], 1892-1914. Vue stéréoscopique. | BnF ~ Gallica

“The Roof of the World” 1920s

"The Roof of the World" - The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. First half of the stereo card | src Amon Carter Museum
“The Roof of the World” – The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. First half of the stereo card | src Amon Carter Museum
"The Roof of the World" - The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. Stereographic card. Published by Keystone View Company. | src Amon Carter Museum
“The Roof of the World” – The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. Stereographic card. Published by Keystone View Company. | src Amon Carter Museum
"The Roof of the World" - The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. Second half of the stereo card | src Amon Carter Museum
“The Roof of the World” – The Majestic Himalayas Raising in Matchless Splendor Above the Sea of Clouds to Greet the Morning Sun, Northern India; ca. 1920. Second half of the stereo card | src Amon Carter Museum

Comet Morehouse, 1908

Edward Emerson Barnard :: Comet Morehouse, 3 stereo cards, UK, 1908. | src anamorfose
Edward Emerson Barnard :: Comet Morehouse, 3 stereo cards, UK, 1908. | src anamorfose
16645 – Morehouse’s Comet. Photographed at Yerkes Observatory, 1908. Keystone View Company. Half of original stereo card. | src MOPA ~ Museum of Photographic Arts (Chicago, USA)

Rives du lac d’Annecy, vers 1920

Stéréoscopique photographie: Rives du lac d’Annecy, vers 1920. Plaque stéréoscopique. | src eBay