Tag: porträt

(self) portrait by André Steiner

André Steiner :: Contre-plongée, Roscoff, 1933 tirage argentique
André Steiner :: Contre-plongée, Roscoff, 1933; tirage argentique. | Ce qu’on n’a pas fini d’aimer @ Musée Nicéphore Niépce
André Steiner [Andor Steiner] :: Sans titre, Roscoff, 1933. Tirage argentique.
André Steiner [Andor Steiner] :: Sans titre, Roscoff, 1933. Tirage argentique. | src Binoche et Giquello

Lily, seen by André Steiner

André Steiner (Andor Steiner) :: La pente [The Slope], Lily, Roscoff, 1933. | L'amour et la photographie · Musée Nicéphore Niépce
André Steiner (Andor Steiner) :: La pente [The Slope], Lily, Roscoff, 1933. | L’amour et la photographie · Musée Nicéphore Niépce
André Steiner (Andor Steiner) :: Lily, Hongrie, 1934. | L'amour et la photographie · Musée Nicéphore Niépce
André Steiner (Andor Steiner) :: L’Ivresse du Mouvement, Hongrie, 1934. | L’amour et la photographie · Musée Nicéphore Niépce
Andor Steiner, L'Ivresse du Mouvement, Lac Balaton, Hongrie, 1935 + Sans titre, Lac Balaton, Hongrie, 1935
André Steiner :: L’Ivresse du Mouvement & Sans titre, Lac Balaton, Hongrie, 1935. | src Binoche et Giquello
André Steiner (Andor Steiner) :: Lily, 1936. | L'amour et la photographie · Musée Nicéphore Niépce
André Steiner (Andor Steiner) :: Lily, 1936 (aka Composition). | L’amour et la photographie · Musée Nicéphore Niépce
André Steiner :: Composition, Hongrie, 1935; tirage argentique. | src Binoche et Giquello
André Steiner (Andor Steiner) :: Lily, 1935. | L'amour et la photographie · Musée Nicéphore Niépce
André Steiner (Andor Steiner) :: Lily, 1935. © Nicole Steiner-Bajolet | L’amour et la photographie · Musée Nicéphore Niépce
André Steiner (Andor Steiner) :: Lily, 1936. | L'amour et la photographie · Musée Nicéphore Niépce
André Steiner (Andor Steiner) :: Lily, 1936. © Nicole Steiner-Bajolet | L’amour et la photographie · Musée Nicéphore Niépce

Maud Cronhielm (in 1920s)

Maria Sundström :: Maud Cronhielm fotograferad inför kostymbal i Karlskrona (Porträtt), 1920s. | src Sörmlands museums samlingar
Maria Sundström :: Maud Cronhielm fotograferad inför kostymbal i Karlskrona (Porträtt), 1920s. | src Sörmlands museums samlingar
Maria Sundström :: Maud Cronhielm fotograferad inför kostymbal i Karlskrona (Porträtt), 1920s. | src Sörmlands museums samlingar
Hugo Fredrik Cederin :: Maud Cronhielm (Porträtt), 1920s. | src Sörmlands museums samlingar
Hugo Fredrik Cederin :: Maud Cronhielm (Porträtt), 1920s. | src Sörmlands museums samlingar
Hugo Fredrik Cederin :: Maud Cronhielm (Porträtt), 1920s. Visitkort. | src Sörmlands museums samlingar
Hugo Fredrik Cederin :: Maud Cronhielm (Porträtt), 1920s. Visitkort. | src Sörmlands museums samlingar

Leni Riefensthal by Lotte Jacobi

Atelier Jacobi :: Kleine Sphinx. Leni Riefensthal showed strong dramatic qualities in The White Hell of Pitz Palu (1929). Scherl's Magazin, Band 6, Heft 2, Februar 1930
Atelier Jacobi :: Kleine Sphinx. Leni Riefensthal showed strong dramatic qualities in The White Hell of Pitz Palu (1929). Scherl’s Magazin, Band 6, Heft 2, Februar 1930
Kleine Sphinx. Die schöne Filmschauspielerin Leni Riefenstahl, die in dem Hochigebirgsfilm „Die weiße Hölle vom Piz Palü” starke darstellerische Kraft verriet. Phot. Atelier Jacobi, Berlin. Scherl's Magazin, Band 6, Heft 2, Februar 1930
Kleine Sphinx. Die schöne Filmschauspielerin Leni Riefenstahl, die in dem Hochigebirgsfilm „Die weiße Hölle vom Piz Palü” starke darstellerische Kraft verriet. Phot. Atelier Jacobi, Berlin. Scherl’s Magazin, Band 6, Heft 2, Februar 1930

Eyes of Youth by Rosalind Maingot

Rosalind Maingot (née Rosalind Beddome, 1894-1957) :: Eyes of Youth, ca. 1945. Halftone print. From: Photograms of the Year 1945. | src eBay
Rosalind Maingot :: Eyes of Youth, ca. 1945. Halftone print. | src eBay
Rosalind Beddome was born 1894 in Brisbane, Australia.  After a successful career as an actress she studied at the London School of Photography and married surgeon Rodney Maingot. The influences of her previous career can be seen in her theatrically posed, expressive photographs of portraits, figure studies and flowers. In 1932 she was made a fellow of the Royal Photographic Society and in 1933 had a one woman show at the Camera Club. Her work was published in the Sketch between 1933 and 1946. Later she worked alongside her husband as a medical photographer and helped set up the Royal Photographic Society’s Medical group. In 1947 she went on a lecture tour in America where she socialized with American photographers including Mildred Hatry her account of which was published in the RPS Journal Feb. 1948 “A woman photographer visits America”. She died in 1957 in London. quoted from source

Betty Katz by Mather ca. 1916

Margrethe Mather (1885 - 1952) :: Betty Katz, Los Angeles, about 1916. Side profile of a woman wearing a hair comb and floral pattern shirt. There is a single rose beside her. Palladium print. | src The J. Paul Getty Museum
Margrethe Mather (1885 – 1952) ~ Betty Katz, Los Angeles, about 1916. Side profile of a woman wearing a hair comb and floral pattern shirt. There is a single rose beside her. Palladium print | src The J. Paul Getty Museum
Margrethe Mather (American, 1885 – 1952) ~ Betty Katz, Los Angeles, about 1916. Palladium print | src Getty museum

Christina O’Gorman, 1912-1913

Mervyn O’Gorman :: Portrait of Christina wearing a red cloak, 1913. Lumière Autochrome. | src The Dawn of Colour: Science and Media Museum
Mervyn O’Gorman :: Christina on the Beach, July 13th, 1913. An evocative portrait taken on the beach at Lulworth Cove. Christina’s choice of swimming costume was a fortuitous one since red was a colour which the autochrome process captured particularly well. | src Science and Media Museum Blog
A red beach dress. Dreamlike snaps of a young woman in red posing at Lulworth Cove, Dorset, in 1913 have now been revealed as some of the earliest surviving colour photographs. Autochrome. | src CNN
Mervyn O’Gorman :: Christina on the Beach, 1913. The comparatively long exposure time has given the sea a glassy quality and the large aperture setting and narrow depth of field has put Durdle Door, in the background, into soft focus. | src Science and Media Museum Blog
Mervyn O’Gorman :: Christina in a red beach dress at Lulworth Cove, Dorset, in 1913. Autochrome. | src CNN via Flickr
Mervyn O’Gorman :: Christina in a garden surrounded by foliage and flowers, April 17th, 1912. The location for this photograph is not known but may possibly be the gardens of Rempstone Hall near Corfe Castle in Dorset. Lumière Autochrome. | src Flickr
Mervyn O’Gorman :: A portrait of Christina, gazing thoughtfully into an ornamental pond. The location for this photograph is not known but may possibly be the gardens of Rempstone Hall near Corfe Castle in Dorset. Lumière Autochrome. | src Flickr
Mervyn O’Gorman :: Christina O’Gorman with Chinese Wisteria, ca. 1912. Autochrome. (detail of the photograph below) | src CNN
Mervyn O’Gorman :: Christina O’Gorman (standing) in the garden leaning on wall with what seems to be a Chinese Wisteria, ca. 1912. Lumière Autochrome. | src Flickr
Mervyn O’Gorman :: Christina O’Gorman in the garden leaning on wall with what seems to be a Wisteria sinensis, ca. 1912. Lumière Autochrome. | src Flickr