Lili Madzsar, 1920s

Madzsar Lili tornamutatvány közben, az 1920-as évek elején. Magántulajdon. Digitális példánya az MTA BTK Művészettörténeti Intézetben | Lili Madzsar, daughter of Alice Madzsar, during a gymnastic exercise on the podium in the early 1920s. Private collection. Digital copy at the Institute of Art History of the Hungarian Academy of Sciences. | src papageno.hu

In 1926, Madzsar wrote the book New Ways of Women’s Body Culture, which proved extremely popular. The new 1929 edition was expanded with movement art chapters. Madzsar also plays an important role in Hungarian dance history: she created several public movement art performances with the school’s students and other participants, mostly from a working-class background. The image above was published in: Dr. Madzsarné Jászi Alice: A női testkultúra új útjai, 1926

Lilliput comparisons, 1937-1939

(1) ‘Lilliput’ comparison (10) from ‘Pocket Omnibus’ (1937-38)
(2) ‘Lilliput’ comparison (7) from ‘Pocket Omnibus’ (1937-38)
(3) ‘Lilliput’ comparison (22) from ‘Pocket Omnibus’ (August 1939)
(4) ‘Lilliput’ comparison (24) from ‘Pocket Omnibus’ (October 1939)
Lilliput, a magazine by Stefan Lorant | src Flickr

Kvinnoporträtt, ca. 1925

Nicola Perscheid :: Dame mit japanischem Schirm (in MK&G). Damenbildnis | Female Portrait | Kvinnoporträtt, ca. 1925. Recto: signed in pencil on bottom right. Verso: belongs to John Hertzberg, gift of Perscheid 1929. | src Moderna Museet + MK&G

Untitled (portrait), ca. 1925

Nicola Perscheid :: Titel Saknas (No title), ca. 1925. Gelatinsilverfotografi, tonat. Fotografsignatur i blyerts fram på kartongen under fotografiet. | src Modernamuseet