Castle by de Meyer · 1919

Adolf de Meyer :: Irene Foote Castle, 1919. Photogravure. | src National Portrait Gallery [Detail]
Adolf de Meyer :: Irene Foote Castle, 1919. Photogravure. | src National Portrait Gallery, Smithsonian Institution

Irina Khrabroff by Sipprell

Clara E. Sipprell (1885-1975) :: Irena [Irina] Khrabroff Sewing, 1920. Gelatin silver print. | src Amon Carter Museum of American Art
Clara Sipprell (1885-1975) :: [Irina Khrabroff], ca. 1925 – 1933. Gelatin silver print on tissue. | src Amon Carter Museum of American Art
Clara Sipprell (1885-1975) :: Irena [Irina] Khrabroff in Russian Costume, 1925. Gelatin silver print. | src Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: Irina Khrabroff, ca. 1930s. Gelatin silver print. | src Amon Carter Museum of American Art

Sipprell was born on Halloween, 1885, in Tillsonburg, Ontario, Canada. In 1895 (after her father’s death), she and her mother moved from Canada to Buffalo. In the early 1900s, Buffalo was a center of the pictorialism. Sipprell became one of the foremost practitioners of pictorial photography in the United States. She produced autochromes and platinum, bromoil, gum, and carbon prints; won awards in exhibitions; and had her work published in magazines in the United States and Europe.

As a portrait photographer, Sipprell sought to convey a sense of the whole person and what made each unique. […] In 1915, Sipprell, then thirty, moved to New York City with Jessica E. Beers, with whom she lived until 1923. She opened a photographic studio in Greenwich Village and eventually became a contract photographer for the Ethical Culture School, where Beers was a principal.

A Russian immigrant, Irina Khrabroff, was first her student and later her traveling companion, close friend, and business manager. As a student, Khrabroff spent her winters living with Sipprell and Beers in New York City. In 1923, when Khrabroff married, Beers moved out of the apartment, but Sipprell continued living there with Khrabroff and her husband until 1933.

[…] It is not clear whether or not Sipprell’s relationships were sexual or even romantic, yet their length and stability, and the evidence of the memorial marker, indicate an extraordinary level of commitment. [Quoted from lgbtq encyclopedia: Sipprell, Clara Estelle (1885-1975) by Tee A. Corinne]

The Sleeping Beauty by Crooke

William Crooke :: The Sleeping Beauty. The Amateur Photographer & Photographic News, vol. LII, 1352, p. 210, 1910. (The Royal Photographic Society's Annual Exhibition, London)
William Crooke :: The Sleeping Beauty. The Amateur Photographer & Photographic News, vol. LII, 1352, p. 210, 1910. (The Royal Photographic Society's Annual Exhibition, London) Musée Nicéphore Niépce
William Crooke :: The Sleeping Beauty. The Amateur Photographer & Photographic News, vol. LII, 1352, p. 210, 1910. (The Royal Photographic Society’s Annual Exhibition, London) | src Musée Nicéphore Niépce
William Crooke :: The Sleeping Beauty. The Amateur Photographer & Photographic News, vol. LII, 1352, p. 210, 1910. (The Royal Photographic Society's Annual Exhibition, London) | src Musée Niépce
William Crooke :: The Sleeping Beauty. The Amateur Photographer & Photographic News, vol. LII, 1352, p. 211, 1910. (The Royal Photographic Society’s Annual Exhibition, London) | src Musée Niépce

Betty Katz by Mather ca. 1916

Margrethe Mather (1885 - 1952) :: Betty Katz, Los Angeles, about 1916. Side profile of a woman wearing a hair comb and floral pattern shirt. There is a single rose beside her. Palladium print. | src The J. Paul Getty Museum
Margrethe Mather (1885 – 1952) ~ Betty Katz, Los Angeles, about 1916. Side profile of a woman wearing a hair comb and floral pattern shirt. There is a single rose beside her. Palladium print | src The J. Paul Getty Museum
Margrethe Mather (American, 1885 – 1952) ~ Betty Katz, Los Angeles, about 1916. Palladium print | src Getty museum

Women and Roses, 1900s-1910s

Emma Barton (Mrs. G.A. Barton) :: The Gardener’s Daughter, before or on 1911. (DETAIL)

Far up the porch there grew an Eastern rose,
Gown’d in pure white, that fitted to the shape,
Holding the bush, to fix it back, she stood,
A single steam of all her soft brown hair
Poured on one side. (Tennyson)

Emma Barton (Mrs. G.A. Barton) :: The Gardener’s Daughter. Published in The Amateur Photographer & Photographic News, vol. LIV, 1398, p. 66 (1911). From The Royal Photographic Society’s Annual Exhibition. | src Musée Nicéphore Niépce
Emma Barton (née Rayson) :: The Soul of the Rose, ca. 1905. Carbon print. The Royal Photographic Society at Science & Media Museum, now V&A

L´ été, ca. 1909 par C. Laguarde

pictorial portrait, harvest, summer
Céline Laguarde :: L´ Été, ca. 1909. The Amateur Photographer & Photographic News, vol. L, 1305, p. 330, October 5th, 1909. Céline Laguarde, Aix-en-Provence, Exposition (The Royal Photographic Society’s Annual Exhibition, London) | src Musée Nicéphore Niépce
Céline Laguarde :: L´ Été, ca. 1909. The Amateur Photographer & Photographic News, vol. L, 1305, p. 330, October 5th, 1909. Céline Laguarde, Aix-en-Provence, Exposition (The Royal Photographic Society's Annual Exhibition, London) | src Musée Nicéphore Niépc
Céline Laguarde :: L´ Été, ca. 1909. The Amateur Photographer & Photographic News, vol. L, 1305, p. 330, October 5th, 1909. Céline Laguarde, Aix-en-Provence, Exposition (The Royal Photographic Society’s Annual Exhibition, London) | src Musée Nicéphore Niépce

The Japanese Lantern, 1912

Paul B. Haviland :: The Japanese Lantern. Published in Camera Work: A Photographic Quarterly, nº 39, 1912. | Brown University
Paul B. Haviland :: The Japanese Lantern. Published in Camera Work: A Photographic Quarterly, nº 39, 1912. | Brown University
Paul B. Haviland :: The Japanese Lantern. Published in Camera Work: A Photographic Quarterly, Heft 39, 1912
Paul B. Haviland (1880-1950) :: The Japanese Lantern. Published in Camera Work, Heft 39, 1912 | Universitätsbibliothek Heidelberg

Portrait by Flodin, ca. 1926

Ferdinand Flodin :: Titel saknas, 1926. (No title, 1926). | src Moderna Museet
Ferdinand Flodin :: Titel saknas, u.å. (Untitled, no date). Pigment print. | src Moderna Museet
Ferdinand Flodin :: Titel saknas, u.å. (Untitled, no date). Pigment print. | src Moderna Museet
Ferdinand Flodin :: Titel saknas, 1926. (No title, 1926). Pigment print mounted on board. | src Moderna Museet
Ferdinand Flodin :: Titel saknas, 1926. (No title, 1926). Pigment print mounted on board. | src Moderna Museet
Ferdinand Flodin :: Titel saknas, u.å. (Untitled, no date). Gelatin silver print. | src Moderna Museet
Ferdinand Flodin :: Titel saknas, u.å. (Untitled, no date). Gelatin silver print. | src Moderna Museet
Ferdinand Flodin :: Titel saknas, u.å.. (No title, n.d.). Carbon print. | src Moderna Museet
Ferdinand Flodin :: Titel saknas, u.å.. (No title, n.d.). Carbon print. | src Moderna Museet

The White Iris, 1921

Edward Weston :: The White Iris [Tina Modotti, nude bust portrait leaning toward iris], 1921. Platinum or palladium print. | src Johan Hagemeyer Collection at CCP

Spring by Johnston (1903)

Frances Benjamin Johnston :: Spring (unknown model). Photogravure. From The Vollgros Collection of Masterpieces of American Photographs, Chicago, 1903. | src photoseed