Paul Outerbridge jr. (1896โ1958) ~ Nude with Mask and Hat, ca. 1936. Carbro print | src Bruce Silverstein galleryPaul Outerbridge~ Nude lying on a love seat, ca. 1936. Carbro colour print | src NGA~ National Gallery of AustraliaPaul Outerbridge jr. (1896โ1958) ~ Seated Nude with Red Shoes, 1936. Carbro print | src Bruce Silverstein galleryPaul Outerbridge~ Nude Sitting at Dressing Table, ca. 1936 ยฉ G. Ray Hawkins gallery | src British Journal of Photography
Italian singer, dancer and actress Anna Fougez (born Annina Pappacena, 1894 – 1966), ca. 1926 | src AlamyItalian singer, dancer and actress Anna Fougez (born Annina Pappacena, 1894 – 1966) in the show Vipera, 1920s | src AlamyPortrait of Italian silent film actress and singer Anna Fougez, 1920s | src alamyClose up of Italian silent era actress Anna Fougez. Vintage card S \ 1002 | src getty imagesPortrait of Italian silent film actress and singer Anna Fougez, 1920s | src alamy
Photograph of Nijinsky in the title role of the ballet Petrouchka (Petrushka), 1911. [Mishkin N.Y.] | src Library of CongressElliott & Fry :: Vaslav Nijinsky as the Rag Doll ‘Petrouchka’ (1911). Petrushka [French: Petrouchka] premiered June 13, 1911 at the Theatre du Chatelet in Paris with costume and scenery design by Alexandre Benois, music by Igor Stravinsky and choreography by Michel Fokine. | src Leo Boudreau, visit his site for more info about Petrouchka and links to the ballet’s videosPortrait of Vaslav Nijinsky in three-quarter profile, left fist clenched before him in the title role of Petrouchka (a rag doll), 1910-1911. Petrouchka (Choreographic work: Michel Fokine); uncredited photographer on source | src NYPLDover Street Studios (Photographer) :: Nijinsky, London, 1910-1911. | src NYPLVaslav Nijinsky in Petrushka (1911) | src San Francisco Symphony : Stravinsky Exhibition
Thรฉrรจse Le Prat :: La danseuse Franรงoise Joachim Pรฉrez (ballet d’Amรฉrique latine), 1957. | src Ministรจre de la CultureThรฉrรจse Le Prat :: Silvia Monfort (actrice) Lady Godiva dans Lady Godiva de Jean Canolle, 1958. | src Ministรจre de la Culture de la sรฉrie Masques et Destins, 1955 ou Le Masque et l’Humain, 1959 Rรฉfรฉrence de publication de l’image: L’Avant-Scรจne, nยฐ177, 1er juillet 1958 Rรฉfรฉrence de publication de l’image: Le Masque et l’Humain, รฉd. La Colombe, Paris, 1959, p. 22
Olga Irรฉn Frรถhlich. Studio photo, headshot of Olga Irรฉn Frรถhlich in frontal view, with both hands on her ears. She is heavily made up with dark lipstick and eye mascara. Handwritten in blue ink: “He[.]y Peter.”, ca. 1925 bis 1935. | src Jรผdisches Museum BerlinStudio photo, half-length portrait of Olga Irรฉn Frรถhlich in profile to the left, her head turned upwards. She is wearing a light blouse with a bow on. Her dark hair is tied back. The photo was probably originally taken by Curt Pfeiffer in Breslau and subsequently reproduced in the Steinberg studio in Berlin. Breslau, Berlin, 12-1932. | src Jรผdisches Museum Berlin
Hannes Krock bei einem Auftritt als mimischer Tรคnzer (mimische Tรคnze u. Clownerien), Amsterdam ca. 1934. [Hannes Krock performing as a mimic dancer (mimic dances u. clowneries)] | src Jรผdisches Museum Berlin
Jean Bรถrlin i Skating Rink, Svenska Baletten, foto: Studio Isabey, Paris, 1922. | src Dansmuseet on IGJean Bรถrlin i Fรฅgelhandlaren av Svenska Baletten, foto: Studio Isabey, Paris, 1923 | src Dansmuseet on IGJean Bรถrlin i Det sรคllsamma tornerspelet av Svenska Baletten (Bรถrlin in The Strange Tournament by the Swedish Ballet), foto: Studio Isabey, Paris, 1924 | src Dansmuseet โข IG