Irma Calson och Jean Börlin i Chopin av Svenska Baletten, foto: okänd. | src Dansmuseet on IGIrma Calson och Jean Börlin i Chopin, Svenska Baletten, foto: Studio V. Henry, Paris, 1920. | src Dansmuseet’s IG
Maurice Goldberg :: Jean Börlin i Harlekin, ca. 1920. | src Dansmuseet on IGJean Börlin in Harlequin (1920), with costume by Nils Dardel. | src Dansmuseet on IG
Jean Börlin and Ebon Strandin in Pierrot and Pierrette, photo: Atelier Moderne, Copenhagen, 1918. [original: Jean Börlin och Ebon Strandin i Pierrot och Pierrette, foto: Atelier Moderne, Köpenhamn, 1918.] | src Dansmuseet on IG
The Swedish choreographer and dancer Jean Börlin excels with his dramatically charged body language in one of his early solo dances, probably ‘Doomed’ from 1918. | src Dansmuseet on FB
Jean Börlin i Skating Rink, Svenska Baletten, foto: Studio Isabey, Paris, 1922. | src Dansmuseet on IGJean Börlin i Fågelhandlaren av Svenska Baletten, foto: Studio Isabey, Paris, 1923 | src Dansmuseet on IGJean Börlin i Det sällsamma tornerspelet av Svenska Baletten (Börlin in The Strange Tournament by the Swedish Ballet), foto: Studio Isabey, Paris, 1924 | src Dansmuseet • IG
Entr’acte. An “instantaneous” film. Rolf de Maré’s Ballets Suédois have just produced the film Entr’acte which will be screened during the ballet Relâche by Francis Picabia, music by Erik Satie and choreography by Jean Börlin, at the Théâtre des Champs-Elysées. The script of the film is by Francis Picabia, the technical production of René Clair. The performance brings together the names of Jean Börlin and Inge Frïss from the Swedish Ballets, Marcel Duchamp and Man-Ray. Le Théâtre et Comœdia illustré, November 1924. Entr’acte. Un film “instantanéiste”. Les Ballets Suédois de Rolf de Maré viennent de produire un film Entr’acte qui sera projeté au cours du ballet Relâche de Francis Picabia, musique d’Erik Satie et chorégraphie de Jean Börlin, au Théâtre des Champs-Elysées. Le scénario du film est de Francis Picabia, la réalisation technique de René Clair. L’interprétation réunit les noms de Jean Börlin et de Inge Frïss des Ballets Suédois, de Marcel Duchamp, Man-Ray. Le Théâtre et Comœdia illustré, Nov. 1924. | src BnF ~ GallicaLa danseuse (Entr’acte), René Clair, 1924. | src Centre Pompidou – Musée national d’art moderne – RMN
Le danseur Jean Börlin in ‘Maison de fous’ (as the Prince), 1920. Ballets Suédois. Photo Isabey. | src BnF, Bibliothèque-musée de l’Opéra via res musicaJean Börlin som Prinsen och Jolanda Figoni som Den kloka flickan i Dårhuset 1920 Jean Börlin as the Prince and Jolanda Figoni as The Wise Maiden in Dårhuset, 1920. | Dansmuseet on IG