
Tanaquil Le Clercq posing with George Balanchine in her costume
for “Metamorphoses,” choreographed by George Balanchine. Circa 1952. Source www.pbs.org
images that haunt us

Tanaquil Le Clercq posing with George Balanchine in her costume
for “Metamorphoses,” choreographed by George Balanchine. Circa 1952. Source www.pbs.org

Ryuji Taira :: Spray, 2008, platinum palladium print on Japanese Gampi tissue.
| src Vicissitudes exhibition at Galerie Clairefontaine

Man Ray :: Untitled, 1935-1936, Gelatin silver print. The J. Paul Getty Museum (Los Angeles) via kulturletter-koeln.de
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Fritz Goro :: A leaf-cutter ant carries away rose fragments, 1947. | src: Time & Life Pictures
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Caption reads: ‘A Moth Eleven Inches from Tip to Tip of Wings’. In and out of Central America
and other sketches and studies of travel. By Vincent, Frank, published in 1890. | src nemfrog

Paola Petrobelli :: Module A Small Clear with Mosquito, 2010. Glass. From
‘Module’ series / source: www.libbysellers.com

Greatly influenced by the modernism of photography and its protagonists such as Brassai and László Moholy-Nagy Kinszki was an important spokesman and a committed representative of the ‘Neues Sehen’ [New Vision] movement in Hungary during the 1920s. He was particularly interested in macro photography for which he developed a special camera, the ‘Kinsecta’. Despite good contacts to countrymen abroad Kinszki didn’t succeed in leaving the country and he fell a victim of the Nazi regime due to his Jewish origin. (cf. also Károly Kincses (ed.), Photographes. Made in Hungary, Milan 1998, pp. 167)
