Nils Dardels fondskiss till Dårhuset av Svenska Baletten, 1920, foto: Torkel Edenborg. | Nils Dardel’s background sketch for Madhouse by the Swedish Ballet, 1920 • src Dansmuseet on IGDårhuset av Svenska Baletten, ca. 1920 | Madhouse (also, Nut-house) by the Swedish Ballet, ca. 1920 “Om ni inte gillar det kan ni dra åt helvete” | “If you do not like it, you can go to hell” – Ballets Suédois 1920–1925 • src Dansmuseet
Maurice Goldberg :: Jean Börlin i Harlekin, ca. 1920. | src Dansmuseet on IGJean Börlin in Harlequin (1920), with costume by Nils Dardel. | src Dansmuseet on IG
Jean Börlin and Ebon Strandin in Pierrot and Pierrette, photo: Atelier Moderne, Copenhagen, 1918. [original: Jean Börlin och Ebon Strandin i Pierrot och Pierrette, foto: Atelier Moderne, Köpenhamn, 1918.] | src Dansmuseet on IG
The Swedish choreographer and dancer Jean Börlin excels with his dramatically charged body language in one of his early solo dances, probably ‘Doomed’ from 1918. | src Dansmuseet on FB