Daisies · Sedmikrásky · 1966

Daisies (Czech: Sedmikrásky, 1966) · First scene

Daisies (Czech: Sedmikrásky) is a 1966 Czechoslovakian Surrealist dramatic comedy written and directed by Věra Chytilová regarded as a milestone of the Czechoslovak New Wave movement.

Originally planned as a satire of bourgeois decadence, the movie targets those attached to rules and was referred to by Chytilová as “a necrologue about a negative way of life”. Daisies also inverts the stereotypical ideas of women and redraws them to the heroines’ advantage. The film is considered critical of authoritarianism, communism and patriarchy, and it was banned from theaters or export in the Czechoslovak Socialist Republic. [quoted from Wikipedia entry]

These film stills are the first scene; those show Marie I and Marie II sitting in bathing suits. Creaking sounds accompany their movements and their conversation is robotic. They decide that, since the whole world is spoiled (or bad), they will be spoiled as well. [quoted from wikipedia]

Ivana Karbanová (Marie II, the blonde) and Jitka Cerhová (Marie I, the brunette) in Daisies / Sedmikrásky [Věra Chytilová, 1966]

Sunbathing at an outdoor pool, Marie I (brunette) and Marie II (blonde) come to the conclusion that the world is spoiled. It’s a short leap to deciding they are spoiled too, but “so what?”. From that moment on, they run riot. | src Berlinale 2023

“Everything’s gone bad in this world… so…” (Marie 1) “we’re going… bad… as well” (Marie 2)

This first scene can be watched in Youtube with English subtitles

A trailer of the film can be watched at IMdB

Other sites with information or analysis on this film are listed below:

Deutsche Kinemathek (x)

The Criterion collection (1) and (2)

European East Film Bulletin : EEFB-1 and eefb-2

Filmovy Prehled

Film Inquiry

Desire and Eroticism in Dictatorial Times (link to pdf)

Milča Mayerová, ca. 1926

Dancer Milča Mayerová, ca. 1926. From : Pestrý Týden (Colorful Week) / Prague, Wednesday, December 29, 1926
Dancer Milča Mayerová, ca. 1926. From : Colorful Week / Prague, Wednesday, December 29, 1926
Tanečnice Milča Mayerová ca. 1926 ~ Pestrý Týden / V Praze ve středu dne 29. prosince 1926 | src Moravská zemská knihovna v Brně
Dancer Milča Mayerová, ca. 1926. From : Pestrý Týden (Colorful Week) / Prague, Wednesday, December 29, 1926
Tanečnice Milča Mayerová ca. 1926 ~ Pestrý Týden / V Praze ve středu dne 29. prosince 1926 | src Moravská zemská knihovna v Brně

Abeceda by Karel Teige (1926)

A page for Abeceda [The Alphabet], 1926
Poetry by Vitezslav Nezval (Czech, 1900–1958)
Design, typography, and photomontage by Karel Teige (Czech, 1900–1951)
Choreography by Milča Mayerová (Czech, 1901–1977)
src Listování. Moderní knižní kultura ze sbírek Muzea umění Olomouc | Západočeská galerie v Plzni
O page for Abeceda [The Alphabet], 1926

« In Nezval’s Abeceda, a cycle of rhymes based on the shapes of letters, I tried to create a ‹ typofoto › of a purely abstract and poetic nature, setting into graphic poetry what Nezval set into verbal poetry in his verse, both being poems evoking the magic signs of the alphabet. » –Karel Teige, quoted from Abeceda – Index Grafik

H page for Abeceda [The Alphabet], 1926

In 1926 the Czech dancer Milca Mayerová choreographed the alphabet as a photo-ballet. Each move in the dance is made to the visual counterpoint of Karel Teige’s typographic music. Teige was a constructivist and a surrealist, a poet, collagist, photographer, typographer and architectural theorist, and his 1926 photomontage designs for the alphabet are a uniquely elegant and witty invention, and one of the enduring masterpieces of Czech modernism. –Quoted from The Guardian

Reclining Nude, 1926

Anton Josef Trčka :: Reclining Nude, 1926. | src MFAH ~ The Museum of Fine Arts, Houston
Anton Josef Trčka :: Reclining Nude, 1926. | src MFAH ~ The Museum of Fine Arts, Houston
Anton Josef Trčka :: Dame mit von Trčka entworfenem Stoff, 1926. | Lady with fabric designed by Trcka, 1926. Vintage bromide print. | src MutualArt
Anton Josef Trčka :: Dame mit von Trčka entworfenem Stoff, 1926. | Lady with fabric designed by Trcka, 1926. Vintage bromide print. | src MutualArt

Femme à la marguerite

Alphonse Mucha :: Femme à la marguerite, 1899-1900. 3 tissus imprimés: impression au cylindre sur velours de coton, polychrome. | src Bibliothèque Forney

Nymphette on a Rock

Alphonse Mucha :: Nymphette on a Rock, from Documents Decoratifs par A.M.Mucha published by Librairie Centrale des Beaux Arts. Paris, France, 1902-03. | src V&A Museum

Woman with a Snake ~ Kobliha

František Kobliha (1877 – 1962) ~ Woman with a Snake ~ Salambo (“Frauen meiner Träume” (Women of My Dreams), 1909–1918, Lithographie, Papier). From “Unbekannte Moderne”. Landesmuseum Niederösterreich. | src Patrik Šimon Sammlung
František Kobliha (1877 – 1962) ~ From the Cycle Women of my Dreams. Wood engraving on handmade paper, mounted on paper, mark on the bottom left, signed bottom right in pencil: F. Kobliha. | src Arthouse Hejtmanek

Sculptress Hana Wichterlová

Josef Sudek :: Czech sculptress Hana Wichterlová (1903–1990). Photo kindly borrowed from the monograph Josef Sudek (ed. Kirschner Z.), Panorama, photography edition - personalities, 1958. | src Fler blog
Josef Sudek :: Czech sculptress Hana Wichterlová (1903–1990). Photo kindly borrowed from the monograph Josef Sudek (ed. Kirschner Z.), Panorama, photography edition – personalities, 1958. | src Fler blog
Josef Sudek :: Hana Wichterlová (sculptress), ca. 1953. From the series 'A walk in the garden of a lady sculptor' (aka A Walk in the Magic Garden), 1953–1959. | src Galerie Julian Sander
Josef Sudek :: Hana Wichterlová (sculptress), ca. 1953. From the series ‘A walk in the garden of a lady sculptor’ (aka A Walk in the Magic Garden), 1953–1959. | src Galerie Julian Sander
Josef Sudek :: Hana Wichterlová garden; Flowerpot | src Sudek Project archive
Josef Sudek (1896-1976) :: Hana Wichterlová garden; Flowerpot | src Sudek Project archive
Josef Sudek :: Hana Wichterlová garden; Flowerpot | src Sudek Project archive
Josef Sudek (1896-1976) :: Hana Wichterlová garden; Flowerpot | src Sudek Project archive
Josef Sudek :: Hana Wichterlová's Mrtvý pták (Dead Bird) (1931) | src Sudek Project archive
Josef Sudek (1896-1976) :: Hana Wichterlová’s Mrtvý pták (Dead Bird) (1931) | src Sudek Project archive
Josef Sudek :: Hana Wichterlová's Mrtvý pták (Dead Bird) (1931) | src Sudek Project archive
Josef Sudek (1896-1976) :: Hana Wichterlová’s Mrtvý pták (Dead Bird) (1931) | src Sudek Project archive
From: Wichterlová – Sudek / 2021 / Friendly dialogue of the original sculptures of the sculptor Hana Wichterlová with photographs by Josef Sudek