Ruth Bernhard ~ Classic Torso with Hands, 1952. | src Princeton Art Museum INV12612Ruth Bernhard ~ Classic Torso with Hands, 1952. | src Princeton Art Museum INV13053Ruth Bernhard ~ Classic Torso with Hands, 1952. | src Princeton Art Museum INV12636Ruth Bernhard ~ Classic Torso with Hands, 1952. | src Swann GalleriesRuth Bernhard ~ Classic Torso with Hands, 1952. | src Bonhams
Erna Lendvai-Dircksen :: Finnin · Finnish · Finlandaise, um 1925. Photogravure. Editiert und gedruckt 1925 von der Gesellschaft zur Verbreitung klassischer Kunst, Berlin | src eBayErna Lendvai-Dircksen :: Polish nude, photogravure, ca. 1925. Printed and published in 1925. | src vintageads on eBayErna Lendvai-Dircksen :: Polish nude, ca. 1925. Printed and edited in 1925. Vintage Photogravure from original Bromoil print | src eBayErna Lendvai-Dircksen :: German nude, photogravure, ca. 1925. Printed and edited in 1925, Society for Classical art, Berlin | src artografie on eBay
Forman Hanna :: Nude study titled ‘The Shadow of the Sand’, 1935. The Amateur Photographer & Cinematographer. | src eBayForman Hanna was internationally known for his pictorial-style photography. His photographs were exhibited nationally and internationally including exhibits in New York, Washington D.C., London, Glasgow and Paris. Raised in a small Texas town, Hanna had his first encounters with photography and most of his art training through camera-club magazines. Emulating the Pictorialist style, he used his western surroundings as subject matter. While working as a pharmacist in Globe, Arizona, Hanna made frequent trips to nearby canyons and Pueblo villages to photograph what the believed was a lost way of life. Recognized for his Arizona landscapes, he often exhibited in the juried shows of camera clubs. Hanna’s choice of subject matter reflected his lifelong residence in Arizona. He frequently turned his camera on the Native Americans of the Southwest, idealizing the lifestyle of the Apache, Navajo, and Hopi tribes. He was also accomplished at picturing female nudes, which he classically posed in the area’s natural surrounding [quoted from source]
Ruth Bernhard (1905–2006) :: ‘Triangles’, 1946. Gelatin silver print, printed in the 1970s. Signed by the photographer in pencil on the mount lower right, signed and titled by her in pencil on the reverse. Provenance: Peter Fetterman Gallery, | src 16th Ostlicht (WestLicht) Photo Auction