Arthur F. Rice :: Bars of Illusion. Study of Nazimova.
Published in the magazine Shadowland, Sept. 1922 / src: Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division.
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Tag: 1922
J. Willett
:: Florence French, 1922. Published in the magazine Shadowland (Sept. 1922 issue) / source: Film Maker Magazine
The caption reads: ‘This charming interpretative dancer is returning to the stage, after an absence of several years, in a new musical show called “Oh, What’s the Use”.’
German dancer Anita Berber, 1922. Archiv Setzer-Tschiedel. source: Getty Images
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Monkeys photographers, 1922
Anita Berber as Bingha
Sisters Bronia and Tylia Perlmutter
“Bronia, the younger sister, demurely averts her eyes while elder sister Tylia stares almost insolently at the camera, holding a boudoir doll in her hand. […] The sisters were Polish Jews raised in the Netherlands who came to Paris in 1922 when Tylia was 18 and Bronia 16. They both found work modelling for various artists in Montparnasse. Bronia was particularly popular with Nils Dardel, Foujita, and Moïse Kisling (she would often act as hostess for Kisling at luncheons he hosted). She also modelled clothes for designers Paul Poiret and Nicole Grolt.” Quoted from source: tales of a mad cap heiress
Frédéric Boissonas :: The Western Portico of the Parthenon,
Ακρόπολη / Acropolis, Athens, Greece, 1922
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Ninette de Valois (centre back) as Cupidon in a series of divertissements entitled Fanatics of Pleasure with Lydia Lopokova and Léonide Massine (centre) at the Royal Opera House, Covent Garden 1922. Photographer unknown. / source: Royal Ballet School
un regard oblique 