Woodland Voices, 1920s

Harry Richardson Cremer :: “Woodland Voices”, vintage moody nude flapper, ca. 1920s-1930s. This photograph is part of a collection of vintage silver gelatin images from a recent auction held in Pennsylvania from the estate of Harry Richardson Cremer. | src eBay
Harry Richardson Cremer :: “Woodland Voices”, vintage moody nude flapper, ca. 1920s-1930s. This photograph is part of a collection of vintage silver gelatin images from a recent auction held in Pennsylvania from the estate of Harry Richardson Cremer. | src eBay

Female nude, 1920s

Harry Richardson Cremer :: Art Deco 1920’s Sepia Nude. | src eBay
Harry Richardson Cremer :: Art Deco 1920’s Sepia Nude. | src eBay

‘The Woman’ by H.R. Cremer

Harry Richardson Cremer :: ‘The Woman’, printed from glass negative on Hahnemühle Photo Rag®. | src eye·eye

Nude beneath veil, ca. 1920

Harry Richardson Cremer :: Nude beneath veil, ca. 1920. Vintage gelatin silver print. | src Keith de Lellis Gallery via liveauctioneers
Harry Richardson Cremer :: Nude beneath veil, ca. 1920. Vintage gelatin silver print. | src Keith de Lellis Gallery via liveauctioneers

Nude torso, ca. 1920

Harry Richardson Cremer :: Nude torso, ca. 1920. Vintage gelatin silver print. | src Keith de Lellis Gallery via liveauctioneers
Harry Richardson Cremer :: Nude torso, ca. 1920. Vintage gelatin silver print. | src Keith de Lellis Gallery via liveauctioneers

Nude against rock, ca. 1920

Harry Richardson Cremer :: Nude against rock, ca. 1920. Vintage gelatin silver print. | src Keith de Lellis Gallery via liveauctioneers
Harry Richardson Cremer :: Nude against rock, ca. 1920. Vintage gelatin silver print. | src Keith de Lellis Gallery via liveauctioneers

Lili Madzsar, 1920s

Madzsar Lili tornamutatvány közben, az 1920-as évek elején. Magántulajdon. Digitális példánya az MTA BTK Művészettörténeti Intézetben | Lili Madzsar, daughter of Alice Madzsar, during a gymnastic exercise on the podium in the early 1920s. Private collection. Digital copy at the Institute of Art History of the Hungarian Academy of Sciences. | src papageno.hu

In 1926, Madzsar wrote the book New Ways of Women’s Body Culture, which proved extremely popular. The new 1929 edition was expanded with movement art chapters. Madzsar also plays an important role in Hungarian dance history: she created several public movement art performances with the school’s students and other participants, mostly from a working-class background. The image above was published in: Dr. Madzsarné Jászi Alice: A női testkultúra új útjai, 1926

Alíz Madzsar dancers, 1920s

Táncosnők, Madzsar Alíz (Madzsar Józsefné Jászi Alice) hagyatékából, 1920-as évek | Dancers from the legacy of Alice Madzsar (Alice Jászi), 1920s | src Kassák Múzeum Budapest
Táncosnők, Madzsar Alíz (Madzsar Józsefné Jászi Alice) hagyatékából, 1920-as évek | Dancers from the legacy of Alice Madzsar (Alice Jászi), 1920s | src Kassák Múzeum Budapest | further information on Madzsar’s work here