Illustration nÂș 3 – The globe-fish, inflated, when danger threatens. From In Nature’s Workshop (1901). Grant Allen and Frederick Enock. | src internet archive
Trude Fleischmann :: Mila Cirul and Julian Algo: Dance poses, 1926. Catalogue of the fourth âArt of Movementâ exhibition, 1928, within Nos. 534-35. PKh (Collection of Pavel Khoroshilov, Moscow). | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Hedy Nils (Hedy Pfundmayr) und Toni Birkmeyer tanzen am 22.09.1920 – Konzerthaussaal Wien. Entwurf Ernst Dryden (Deutsch-Dryden), Ăsterreich 1920. | src Plakate 1880-2000
Otton Engelâs :: Pierrot, 1925. Crayons on paper. Signed and dated: âEngelâs 1925â. Catalogue of the first âArt of Movementâ exhibition, 1925, Nos. 208-09. OE (Otton Engelâs repository, Moscow. Formerly in the collection of Irina Malakhova.) | src Nicoletta Mislerâs The Russian Art of Movement 1920-1930
N. Vysheslavtsev :: Nude from behind, 1923. Ink on paper. Signed and dated: âTo dear Aleksei Sidorov, N. N. Vysheslavtsev, 1923â. GTG: Gosudarstvennaia Tretâiakovskaia galereia, State Tretiakov Gallery (formerly in the collection of Aleksei Sidorov). | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Otton Engelâs :: A. Rumnev in one of L. Lukinâs choreographies, 1923. Pencil on paper. Inscribed and dated: âChamber Theatre, Thursday, 7.30, 12/VI/1923â. Catalogue of the first âArt of Movementâ exhibition, 1925, NÂș 197. OE (Otton Engelâs repository, Moscow. Formerly in the collection of Irina Malakhova.) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930