Russischen Liedern

Mary Wigman. Tanzfolgen nach russischen Liedern (Dance sequences based on Russian songs). From Rudolf Bach’s The Mary Wigman Work. With contributions by Mary Wigman and 80 illustrations. Published in Dresden, Carl Reissner, 1933. | src Encyklopedia Szczecin

Russischen Liedern

Mary Wigman. Tanzfolgen nach russischen Liedern (Dance sequences based on Russian songs). From Rudolf Bach’s The Mary Wigman Work. With contributions by Mary Wigman and 80 illustrations. Published in Dresden, Carl Reissner, 1933. | src Encyklopedia Szczecin

Russischen Liedern

Mary Wigman. Tanzfolgen nach russischen Liedern (Dance sequences based on Russian songs). From Rudolf Bach’s The Mary Wigman work. With contributions by Mary Wigman and 80 illustrations. Published in Dresden, Carl Reissner, 1933. | src Encyklopedia Szczecin

Plastic pose and study, late 1920s

A. Grinberg (?) :: Ornamental plastic pose, mid-1920s. Artist’s photographic print. Catalogue of the third “Art of Movement”
exhibition, 1927, No. 277. OE | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
O. Engel’s, Plastic study, 1926. Pencil and ink on paper, 25 x 20 cm. Signed and dated: “Engel’s 1926”. OE | src Nicoletta Misler’s The Russian Art of Movement 1920-1930

Experiment in dramatization

A. Sidorov, Experiment in dramatization in the Egyptian Rooms of the Museum of Fine Arts, Moscow (now the State Pushkin Museum of Fine Arts). Reconstruction by V. Avdiev for the Cabinet of the Eastern Theatre of the Institute of the Peoples of the East Choreography by N. Leont’ev. Catalogue of the third “Art of Movement” exhibition, 1927,
within Nos. 102-24. Three photographic prints. Private collection | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
A. Sidorov, Experiment in dramatization in the Egyptian Rooms of the Museum of Fine Arts, Moscow (now the State Pushkin Museum of Fine Arts). Reconstruction by V. Avdiev for the Cabinet of the Eastern Theatre of the Institute of the Peoples of the East Choreography by N. Leont’ev. Catalogue of the third “Art of Movement” exhibition, 1927,
within Nos. 102-24.

Manual for artistic acrobatics

Photographer unknown, Stationary pose on the elbows, late 1920s. Manual for a course in artistic acrobatics. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs
V. Tsvetaeva, Stationary pose on elbows, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva) for the Department of Circus and Variety Theatre at MGTT. Pencil on paper, initialled: “V. Ts.”
src Nicoletta Misler’s The Russian Art of Movement 1920-1930

Artistic acrobatics, late 1920s

Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930