Vera Fokina in Narcisse, 1914

Vera Fokine as a Young Béotienne in 'Narcisse', London, England, 1914
E.O. Hoppé :: Vera Fokine (Vera Fokina) in ‘Narcisse’, London, England, 1914 | src Hoppe/Ballets Russes

Lili Madzsar, 1920s

Madzsar Lili tornamutatvány közben, az 1920-as évek elején. Magántulajdon. Digitális példánya az MTA BTK Művészettörténeti Intézetben | Lili Madzsar, daughter of Alice Madzsar, during a gymnastic exercise on the podium in the early 1920s. Private collection. Digital copy at the Institute of Art History of the Hungarian Academy of Sciences. | src papageno.hu

In 1926, Madzsar wrote the book New Ways of Women’s Body Culture, which proved extremely popular. The new 1929 edition was expanded with movement art chapters. Madzsar also plays an important role in Hungarian dance history: she created several public movement art performances with the school’s students and other participants, mostly from a working-class background. The image above was published in: Dr. Madzsarné Jászi Alice: A női testkultúra új útjai, 1926

Alíz Madzsar dancers, 1920s

Táncosnők, Madzsar Alíz (Madzsar Józsefné Jászi Alice) hagyatékából, 1920-as évek | Dancers from the legacy of Alice Madzsar (Alice Jászi), 1920s | src Kassák Múzeum Budapest
Táncosnők, Madzsar Alíz (Madzsar Józsefné Jászi Alice) hagyatékából, 1920-as évek | Dancers from the legacy of Alice Madzsar (Alice Jászi), 1920s | src Kassák Múzeum Budapest | further information on Madzsar’s work here

Triangles, 1946

Ruth Bernhard (1905–2006) :: ‘Triangles’, 1946. Gelatin silver print, printed in the 1970s. Signed by the photographer in pencil on the mount lower right, signed and titled by her in pencil on the reverse. Provenance: Peter Fetterman Gallery, | src 16th Ostlicht (WestLicht) Photo Auction

Vine Dance “Andante”, 1920s

Harry Richardson Cremer :: Vine dance “Andante”. Gorgeous vintage nude Nymph, 1920-1930. The photograph is part of an amazing collection of vintage silver gelatin images from the estate of Harry Richardson Cremer. | src eBay
H.R. Cremer was a fixture of the international camera circuit from 1924-1936. His work was shown across the US & Overseas. Mr. Cremer was a charter member of the Photographic Society of America, participating in more than 100 photographic exhibits. His works are reminiscent of contemporaries like Alfred Cheney Johnston & Edwin Bower Hesser, shooting nudes & portraits alike. (quoted from source)
 
Harry Richardson Cremer :: Vine dance “Andante”. Gorgeous vintage nude Nymph, 1920-1930.

Hypnosetanz, ca. 1904

Hypnosetanz der Traumtänzerin Madeleine G. (le rêve danseuse Madeleine G.) in der Münchner Pyschologischen Gesellschaft, ca. 1904. Phot. Fréd. Boissonas (AS monogram: Atelier Boissonas). | src eBay
Madeleine G., born Marie Madeleine Joséphine Emma Guipet, née Archinard in Tiflis [Tbilis] in 1876.