Sten Didrik Bellander (1921-2001) :: “KvartsĀ·glas”, Ibiza, ca. 1960. Stamp on the back, gelatin silver photograph mounted on cardboard. | src Stockholms AuktionsverketSten Didrik Bellander (1921-2001) :: “Quartz glass”, ca. 1960. Stamp on the back, gelatin silver photograph. | src Stockholms Auktionsverk
Jan de Meyere (1879-1950) :: “Black and White”. Art Deco study, 1922 (?). Halftone print from The Amateur Photographer & Cinematographer, July 18th 1934. | src eBayJan de Meyere (1879-1950) :: “Black and White”. Art Deco study, 1922 (?). Halftone print from The Amateur Photographer & Cinematographer, July 18th 1934. [full page] | src eBay
Henry Christopher Newton (1906-1969) :: “Play”, 1950. Halftone print. From Photograms of the Year 1950. | src eBayHenry Christopher Newton (1906-1969) :: “Play”, 1950. Halftone print. From Photograms of the Year 1950. (full page) | src eBay
Ismay Taylor :: “Just Another Day”, 1936. Plate II. Halftone print from Photograms of the Year 1936. | src eBayIsmay Taylor :: “Just Another Day”, 1936. Plate II. Halftone print from Photograms of the Year 1936. [full page] | src eBay
Forman Hanna :: Sun Bath, 1940. Halftone print from Photograms of the Year 1940, the annual publication of pictorial photography. | src eBayForman Hanna :: “Sun Bath”, 1940. Halftone print from Photograms of the Year 1940, the annual publication of pictorial photography. Plate XL, full page. | src eBay
Forman Hanna :: Nude study titled ‘The Shadow of the Sand’, 1935. The Amateur Photographer & Cinematographer. | src eBayForman Hanna was internationally known for his pictorial-style photography. His photographs were exhibited nationally and internationally including exhibits in New York, Washington D.C., London, Glasgow and Paris. Raised in a small Texas town, Hanna had his first encounters with photography and most of his art training through camera-club magazines. Emulating the Pictorialist style, he used his western surroundings as subject matter. While working as a pharmacist in Globe, Arizona, Hanna made frequent trips to nearby canyons and Pueblo villages to photograph what the believed was a lost way of life. Recognized for his Arizona landscapes, he often exhibited in the juried shows of camera clubs. Hannaās choice of subject matter reflected his lifelong residence in Arizona. He frequently turned his camera on the Native Americans of the Southwest, idealizing the lifestyle of the Apache, Navajo, and Hopi tribes. He was also accomplished at picturing female nudes, which he classically posed in the areaās natural surrounding [quoted from source]
Forman Hanna :: The Moon Maiden, 1933, halftone print from Photograms of the Year 1933, the annual publication of pictorial photography. | src eBayForman Hanna :: The Moon Maiden, 1933, halftone print from Photograms of the Year 1933, the annual publication of pictorial photography. Full page. | src eBay
Forman Hanna :: Canyon Nymph, ca. 1920. Vintage gelatin silver print. Signed and titled in pencil on recto. | src Heritage AuctionsForman Hanna (American pictorialist, 1882-1950) :: Canyon Nymph, ca. 1920. Vintage gelatin silver print. Signed and titled in pencil on recto. Dry-mounted. | src Heritage Auctions