Finis, 1912 by Anne Brigman

Anne Brigman :: Finis, 1912. Photogravure From Camera Work No. 38. | src KQED Arts and Artnet

more [+] by this photographer

Ghost Rock · Laura Gilpin · 1919

Laura Gilpin (1891-1979) ~ The Ghost Rock, 1919. Platinum print. | src Amon Carter Museum of American Art
Laura Gilpin (1891-1979) ~ The Ghost Rock. Garden of the Gods; Apr. 1919. Gelatin silver print. | src Amon Carter Museum of Art
Laura Gilpin ~ The Ghost Rock; Garden of the Gods; April 1919. Gelatin silver print, slightly toned. | src Amon Carter Museum

Two lady portraits by Käsebier

Gertrude Käsebier · Untitled (Portrait of a woman with cherry blossoms), ca. 1905. Platinum print. | src Christie's
Gertrude Käsebier :: Untitled (Portrait of a woman with cherry blossoms), ca. 1905. Platinum print. | src Christie’s
Gertrude Käsebier - Untitled (Portrait of a woman with cherry blossoms), ca. 1905. Platinum print. | src Christie's
Gertrude Käsebier :: Untitled (Portrait of a woman with cherry blossoms), ca. 1905. Platinum print. | src Christie’s
Gertrude Käsebier :: Portrait of a Lady, ca. 1898. Platinum print. The image was shown at The NY Photography Virtual Fair, sponsored by The Daguerreian Society | src Lunn Ltd. [one of the hosted Dealers]
Gertrude Käsebier :: Portrait of a Lady, ca. 1898. Platinum print. The image was shown at The NY Photography Virtual Fair, sponsored by The Daguerreian Society | src Lunn Ltd. [one of the hosted Dealers]
Gertrude Käsebier :: Portrait of a Lady, ca. 1898. Platinum print. The image was shown at The NY Photography Virtual Fair, sponsored by The Daguerreian Society [full size]
Gertrude Käsebier :: Portrait of a Lady, ca. 1898. Platinum print. The image was shown at The NY Photography Virtual Fair, sponsored by The Daguerreian Society [full size]

La Lanterne japonaise, 1909

Paul Haviland (1880 – 1950) :: La Lanterne japonaise, 1909. Cyanotype à partir d’un négatif au gélatino-bromure d’argent. Musée d’Orsay
Paul Haviland (1880 – 1950) :: La Lanterne japonaise,1912. Héliogravure. Musée d’Orsay
Paul Haviland (1880 – 1950) :: La Lanterne japonaise, 1909. Épreuve au platine. Musée d’Orsay
Paul Haviland (1880 – 1950) :: La Lanterne japonaise,1909. Négatif verre. Musée d’Orsay
Paul Burty Haviland :: The Japanese Lantern. Published in Camera Work: A Photographic Quarterly, issue n. 39, 1912

Rose Dolores, 1921

Baron Adolf de Meyer :: Dolores or Rose Dolores (born Kathleen Mary Rose Wilkinson) with a crystal ball wearing a wedding dress, 1921. Shot for Vogue Magazine. | src Fine Arts Museums of San Francisco

Rose Dolores, Vogue, 1919

Baron Adolph de Meyer ~ “Pearls and Tulle Spin Bridal Witcheries”, published in Vogue, April 15, 1919, p. 44. [Baron Adolph de Meyer, photographer and designer; Dolores (Kathleen Mary Rose), model] | src Vogue & ICP
Adolf de Meyer ~ Dolores (Kathleen Rose; in profile; with a crystal ball) wearing a wedding dress, ca. 1919 | src Sotheby’s (2011)

Nude in water by Nell Dorr

Nell Dorr (1893-1988) ~ [Nude girl standing in water], ca. 1929. Gelatin silver print | src Amon Carter Museum

 

Desha Delteil, ca. 1922

Nickolas Muray (1892–1965) :: [Desha Deltail **], portrait, ca. 1922. Gift of Mrs. Nickolas Muray. | src Eastman Museum 
** born Desha Eva Podgoršek in Ljubljana in 1899
Nickolas Muray (1892–1965) :: [Desha Delteil **], ca. 1922. Gift of Mrs. Nickolas Muray. | src Eastman Museum
** born Desha Eva Podgoršek in Ljubljana in 1899

Admiring a print, ca. 1910

Eva Watson-Schütze :: Woman Admiring a Print, ca. 1910. Bromoil print. | src V&A museum
Eva Watson-Schütze :: Woman Admiring a Print, ca. 1910. Bromoil print. | src V&A museum

The image shows a woman in full length, wearing a long dress and standing at a table in profile against a blank pale wall, holding the edges of a print which is resting on the table. Bright light from a window in the top left of the photograph lights the front of the woman and the tabletop.

This is an example of the bromoil process invented around 1907, in which a bleached image is re-developed with pigment applied with brushes. ‘Pictorialist’ photographers favoured its broad tonal effects and diffuse detail. The print being ‘admired’ in the image is likely to have been a finely crafted photograph much like this one. [Gallery 100, ‘History of photography’, 2012-2013]

quoted from V&A Museum

Zitkala-Sa, ca. 1898

Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src National Museum of American History
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src National Museum of American History
Gertrude Stanton Käsebier :: Zitkala Sa, Sioux Indian and activist, 1898, platinum print

In addition to photographing the Sioux performers sent by Buffalo Bill Cody to her studio, Käsebier was able to arrange a portrait session with Zitkala Sa, “Red Bird,” also known as Gertrude Simmons (1876-1938), a Yankton Sioux woman of Native American and white ancestry. She was born on the Pine Ridge Reservation in South Dakota, like many of the Sioux traveling with the Wild West show. She was well educated at reservation schools, the Carlisle Indian School, Earlham College in Indiana, and the Boston Conservatory of Music. Zitkala Sa became an accomplished author, musician, composer, and dedicated worker for the reform of United States Indian policies.

Käsebier photographed Zitkala Sa in tribal dress and western clothing, clearly identifying the two worlds in which this woman lived and worked. In many of the images, Zitkala Sa holds her violin or a book, further indicating her interests. Käsebier experimented with backdrops, including a Victorian floral print, and photographic printing. She used the painterly gum-bichromate process for several of these images, adding increased texture and softer tones to the photographs. (quoted from NMAH)

Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print.
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src National Museum of American History
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala Sa, Sioux Indian and activist, ca. 1898 | src NMAH
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print.
Gertrude Käsebier :: Zitkala-Sa (with violin), Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Gum bichromate print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Gum bichromate print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH
Gertrude Käsebier :: Zitkala-Sa, Sioux Indian and activist, ca. 1898. Platinum print. | src NMAH