![Rosalind Hobley :: Dahlia flower. Cyanotype [detail], 2021. From Still life (Flora). | src Hobley website and IG](https://unregardoblique.com/wp-content/uploads/2022/09/rosalind-hobley-dahlia-flower.-cyanotype-detail.jpg)

images that haunt us
![Rosalind Hobley :: Dahlia flower. Cyanotype [detail], 2021. From Still life (Flora). | src Hobley website and IG](https://unregardoblique.com/wp-content/uploads/2022/09/rosalind-hobley-dahlia-flower.-cyanotype-detail.jpg)



![Margrethe Mather ~ Untitled [calla lilies], ca. 1926. Gelatin silver print | src CCP ~ University of Arizona](https://unregardoblique.com/wp-content/uploads/2022/08/img_0212.jpg)


![Jan Zdzisław Włodek :: Photograph of a bouquet of Turkish lilac (Syringa vulgaris flore pleno) in the greenhouse of the Włodków villa in Kraków, 1928. [detail] | Fundacja im. Zofii i Jana Włodków](https://unregardoblique.com/wp-content/uploads/2022/09/jan-wlodek-bez-turecki-pelny-1928-crp.jpg)





Bröyer, one of the pioneers of modern dance in Finland, created her own controversial style, bröyerism, or Bröyer-style in the 1920s and 1930s, in which dance was accompanied only by poetry recitation, an art form that, in it’s time, had a conflicted reception.
From: Poem – Vision – Flush: A dancedramatic series & Poem – Vision – Intoxication: A dance drama series in which poems used by Bröyer meet contemporary poetry and influences from her movement language are integrated into contemporary dance. Venues: Helsinki City Museum and Burgher’s House Museum



