Yoshiyuki Iwase (1904-2001) :: Sans titre [femme recroquevillée (curled up woman)], 1955. Épreuve argentique d’époque. Tampon du photographe à l’encre rouge au verso. | src Ader
Rosalind Maingot (1894-1957) :: Nude study titled Grief, 1930s. Photograms of the Year 1940. | src eBayRosalind Maingot (b. Beddome) :: Nude study titled “Grief”, 1930s. Photograms of the Year 1940, the annual publication of pictorial photography. Plate XXXII, full page. | src eBay
Angus Basil :: The Casket. From: Photograms of the year 1915, plate XXIII. | src internet archiveAngus Basil :: The Casket. From: Photograms of the year 1915, plate XXIII. [Full page] | src internet archive
Ismay Taylor :: “Just Another Day”, 1936. Plate II. Halftone print from Photograms of the Year 1936. | src eBayIsmay Taylor :: “Just Another Day”, 1936. Plate II. Halftone print from Photograms of the Year 1936. [full page] | src eBay
Forman Hanna :: Sun Bath, 1940. Halftone print from Photograms of the Year 1940, the annual publication of pictorial photography. | src eBayForman Hanna :: “Sun Bath”, 1940. Halftone print from Photograms of the Year 1940, the annual publication of pictorial photography. Plate XL, full page. | src eBay
Forman Hanna :: Nude study titled ‘The Shadow of the Sand’, 1935. The Amateur Photographer & Cinematographer. | src eBayForman Hanna was internationally known for his pictorial-style photography. His photographs were exhibited nationally and internationally including exhibits in New York, Washington D.C., London, Glasgow and Paris. Raised in a small Texas town, Hanna had his first encounters with photography and most of his art training through camera-club magazines. Emulating the Pictorialist style, he used his western surroundings as subject matter. While working as a pharmacist in Globe, Arizona, Hanna made frequent trips to nearby canyons and Pueblo villages to photograph what the believed was a lost way of life. Recognized for his Arizona landscapes, he often exhibited in the juried shows of camera clubs. Hanna’s choice of subject matter reflected his lifelong residence in Arizona. He frequently turned his camera on the Native Americans of the Southwest, idealizing the lifestyle of the Apache, Navajo, and Hopi tribes. He was also accomplished at picturing female nudes, which he classically posed in the area’s natural surrounding [quoted from source]
Forman Hanna :: The Moon Maiden, 1933, halftone print from Photograms of the Year 1933, the annual publication of pictorial photography. | src eBayForman Hanna :: The Moon Maiden, 1933, halftone print from Photograms of the Year 1933, the annual publication of pictorial photography. Full page. | src eBay