Green with violin and snake, 1918

Jacob Merkelbach :: Lily Green, danseres, met viool en slang, 1918. | src Het Stadsarchief Amsterdam - Collectie Atelier J. Merkelbach
Jacob Merkelbach :: Lily Green, danseres, met viool en slang, 1918. | src Het Stadsarchief Amsterdam ~ Collectie Atelier J. Merkelbach
Jacob Merkelbach (1877-1942) :: Lily Green, dancer, with violin and snake, 1918. | Collectie Atelier J. Merkelbach

La Sylphe · dancer suffrage

La Sylphe, b. Edith Lambelle Langerfeld (the Dancer Suffrage), 1910s | src NYPL
La Sylphe, b. Edith Lambelle Langerfeld (the Dancer Suffrage), 1910s | src NYPL
La Sylphe, b. Edith Lambelle Langerfeld (the Dancer Suffrage), 1910s | src NYPL
La Sylphe, b. Edith Lambelle Langerfeld (the Dancer Suffrage), 1910s | src NYPL

Vera Skoronel by Lotte Jacobi

Lotte Jacobi ~ Die Tänzerin Vera Skoronel in Tanzpose vor einem Spiegel, 1930. Fotografie: Atelier Jacobi. | src Getty Images
Lotte Jacobi ~ Die Tänzerin Vera Skoronel in Tanzpose vor einem Spiegel, 1930. Fotografie: Atelier Jacobi. | detail

Study of a dancer by Brassaï

Brassaï (Gyula Halász; 1899-1984) ~ Modernist study of a dancer reclining, 1930s. Silver print | src iphoto.central
Brassaï (Gyula Halász; 1899-1984) ~ Modernist study of a dancer lying down, 1930s | src cameralabs.org

Chaja Goldstein by Merkelbach

Atelier Jacob Merkelbach - Chaja Goldstein performing, 1930s
Atelier Jacob Merkelbach :: Danseres en zangeres, gespecialiseerd in het Jiddische lied en dans; scenefoto als Jeshiva student | Dancer and singer specialized in Yiddish song and dance; scene photo as Yeshiva student, 1937. | src Stadtsarchief Amsterdam
Atelier Jacob Merkelbach :: Danseres en zangeres, gespecialiseerd in het Jiddische lied en dans; scenefoto als Jeshiva student | Dancer and singer specialized in Yiddish song and dance; scene photo as Yeshiva student, 1937. | src Stadsarchief Amsterdam
Atelier Jacob Merkelbach :: Portrait of Chaja Rachul Goldstein (1908-1999), after 1933. | src Stadtsarchief · Collectie Atelier J. Merkelbach
Atelier Jacob Merkelbach :: Portrait of Chaja Rachul Goldstein (1908-1999), after 1933. | src Stadsarchief · Collectie Atelier J. Merkelbach

Chaja Goldstein was born in a Polish ghetto, in the town of Rypin in 1908. […] When she was ten years old, Chaja moved to Berlin with her Orthodox parents, brother Eli and baby sister Sally, fleeing the pogroms in Eastern Europe.

She made her debut in Berlin in 1931 as Hanna Goldstein with dances such as Der reiche und der arme Jude and the Hebräische Lied. The Berliner Tageblatt praised her performances. Shortly afterwards she also performed in the Kaftan, a small Jewish theater on Kurfürstendamm, where she sang Yiddish songs. Over the next few years Goldstein grew into a famous dancer and singer, connecting the Yiddish folk culture of her childhood with modern Western culture. She soon led a lavish life in Berlin’s artistic avant-garde circles. She lived with the Hungarian painter György Kepes (1906-2001) and had a love affair with the Dutch artist Wijnand Grays (1906-1995).

In 1933, Chaja Goldstein fled to the Netherlands as a result of the rise of the Nazi party. In April 1933 she appeared for the first time under the name ‘Chaja Goldstein’ on the stage of the Amsterdam Conservatory and the Rotterdam Studio 32, with her Yiddish dances and songs. [quoted from Huygens Instituut]

G. Hoffmann by Frank C. Bangs

Frank C. Bangs :: Gertrude Hoffmann, Salomé dance, nº 7, 1908. Vintage postcards. Publisher Theatre Magazine Co. | src NYPL
Frank C. Bangs :: Gertrude Hoffmann, Salomé dance, nº 1 & 2, 1908. Vintage postcards. Publisher Theatre Magazine Co. | src NYPL
Frank C. Bangs :: Gertrude Hoffmann, Salomé dance, nº 5, 1908. Vintage postcards. Publisher Theatre Magazine Co. | src NYPL

Valeska Gert, 1918

Atelier Leopold :: Valeska Gert, 1918. German card (Munich). Collection: Didier Hanson. | src Flickr
“Jewish cabaret artist Waleska Gert (1892-1978) and her dark, aquiline features became famous in Berlin with her radical modern dances. She was also active as an artists’ model and appeared in several classics of the Weimar cinema. After a comeback in Fellini’s Giulietta degli spiriti / Juliet of the Spirits (1965), she worked with the film makers of the New German Cinema of the 1970s.” (quoted from source)