Lilies · a Lilliput comparison

Dr. Bohumil Kröhn (1905-1992) ~ Dancer doing a one handed cartwheel, 1937

This image appeared in Lilliput Pocket Omnibus (aka Lilliput: The Pocket Magazine for Everyone) (1937-1938) which was a pocket-sized monthly magazine produced by Stefan Lorant, Hungarian photojournalist, author, and filmmaker who had served time in a Nazi prison. The magazine was known for Lorant’s juxtapositions of images for political or aesthetic effects. | source Flickr

Our Lily / Arum Lily ~ Dancer / Calla Lily. Photographs by Dr. Kröhn (Prague) and Felix Man | source Flickr
Dr. Bohumil Kröhn (1905-1992) ~ Dancer doing a one handed cartwheel, 1937 | src catawiki

Ira Lagenteels, ca. 1928

Atelier Robertson (1927–1933) :: Dancer Ira Langenteels. From a group of four dance studies (Niddy Impekoven, Ellinor Bahrdt, Trude Engelhart and Ira Langenteels), ca. 1928. Each with the photographer’s studio stamp and handwritten annotations in pencil on the reverse. | src Ostlicht (Westlich) Photo Auction nº 14 (June, 2016)

Niddy Impekoven, ca. 1928

Karl Schenker :: Niddy Impekoven. Photograph by Schenker from “Der künstlerische Tanz unserer Zeit” by Hermann and Marianne Aubel. Leipzig : K.R. Langewiesche, 1928. | src Crossett Library

Sent M’ahesa, 1928

Hanns Holdt :: Sent M’ahesa (Elsa von Carlberg). From Der Kunstlerische Tanz Unserer Zeit [The Artistic Dance of Our Time] by Hermann Aubel and Marianne Aubel. Leipzig, 1928. p. 10. | originally posted on tumblr | src Crossett Library
Ronit Porat :: Untitled, from Kinesphere | Tmuna Theater Gallery, Tel Aviv, 2015 | src Ronit Porat website

Schalk ~ Scoundrel, 1920s

Mario von Bucovich (Atelier Karl Schenker) :: Niddy Impekoven. “Schalk” (Scoundrel). In Der künstlerische Tanz unserer Zeit by Hermann and Marianne Aubel. Leipzig: K.R. Langewiesche, 1928. | src Crossett Library
Karl Schenker :: Niddy Impekoven. “Schalk”. Ross Verlag postcard, series 381/3. | src Photographies pour Tous
Karl Schenker :: Niddy Impekoven. “Schalk”. Ross Verlag postcard, series 381/2. | src Photographies pour Tous
Karl Schenker :: Niddy Impekoven as “Schalk”. Original photograph designed as a postcard, 1920′s. In the border: publisher: “Ross”, Berlin. Publisher’s series No. 381/2. | src Zvab

Anna Robenne in “Mot ljuset”

Russian dancer Anna Robenne in “Mot ljuset” [Towards the Light]. | image src Teaterhistoriska arkive | alternative rendition
Anna Robenne (Anna Ohman) in “Mot Ijuset” (Towards the Light), ca. 1920. Photo: Olsson & Hammarqvist (Olsson’s name has been deleted from one of the pictures in the series). [annotated on verso: Nr. 6. “Mot ljuset”] | image src Göteborgs stadsmuseum

Leni Riefenstahl by Emil Otto Hoppé

Der Heilige Berg – Leni Riefenstahl – UfA – nº 15 | src Wiener Werkstaette Postkarten
Emil Otto Hoppé :: Leni Riefenstahl, dancer, director and actress, 1928. | src Hoppé Estate Collection
SKÖN FILMANDE DANSÖS / BEAUTIFUL DANCE FILM | src Scenen (1927) at Projekt Runeberg

SKÖN FILMANDE DANSÖS
Den vackra bilden härinvid föreställer den tyska dansösen Leni Riefensthal såsom hon framträder i den stora Vfa-filmen Bergens hemlighet. Dansösen har här den icke så lätta uppgiften att framhäva sin egen skönhet bredvid den naturprakt, som scenerierna frän Alperna erbjuda i den märkliga filmen.
BEAUTIFUL DANCE FILM
The beautiful picture next depicts the German dancer Leni Riefensthal as she appears in the great VfA film Der Heilige Berg (The Holy Mountain). The dancer has the not so easy task of emphasizing her own beauty next to the natural splendor that the scenery from the Alps offer in the strange film. | src Scenen (1927) at Projekt Runeberg