
Nieves Mingueza :: from ‘Here I Am’ series / source: nieves mingueza
images that haunt us

Nieves Mingueza :: from ‘Here I Am’ series / source: nieves mingueza

Milton Gendel :: Park of Palazzo Orsini, Bomarzo, Italy, unknown date / source: miltongendel.com
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Herbert List :: Park of the Palazzo Orsini, Bomarzo, near Rome, Italy, 1952 / source: Magnum Photos
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Fini’s owl mask originates with the New Year’s Eve party called the Bal des Oiseaux given at the Palais Rose on the avenue Foch, Paris, by Vicomte Charles Benoist d’Azy at the end of 1948. Webb writes, “she wore an owl mask of white feathers with headdress and gown of black-and-green-striped feathers. A series of dramatic photographs of her in this costume, as well as in the costumes for other balls of 1947 and 1948, were taken by Andre Ostier and widely published in newspapers and magazines, and Pauline Reage used the same mask in the final scene of her erotic novel Histoire d’O (Story of O), which was later illustrated by Leonor.”
Quotation from Peter Webb’s biography: Sphinx – The Life and Art of Leonor Fini
Retrieved from Story of O

W. Eugene Smith :: ‘A peasant woman moistens the fibers of locally grown flax and wraps it’ / Spinner, from ‘Spanish Village’: Smith’s landmark photo essay
originally published in the April 9, 1951, issue of Life magazine. / sources: Life and Swann Galleries


