The White Iris, 1921

Edward Weston :: The White Iris [Tina Modotti, nude bust portrait leaning toward iris], 1921. Platinum or palladium print. | src Johan Hagemeyer Collection at CCP

Tina Modotti by Weston ca 1921

Edward Weston ~ Ritratto di Tina Modotti nella casa di Weston a Glendale, California, 1922. Courtesy Galerie Bilderwelt di Reinhard Schult via Artribune, also on Baltimore Museum of Art
Edward Weston ~ Tina Modotti, Glendale, California, 1922 | src Minneapolis Institute of Art (MIA)
Edward Weston ~ Girl in Canton Chair (Tina Modotti), 1921 [Image of a woman (Tina Modotti) sitting in a wicker chair. Three wicker side tables surround her] | src Nelson-Atkins museum

Arms and Back 1936 by Weston

Edward Henry Weston ~ Arms and Back, 1936. A nude woman lying on the ground on her stomach. Her hands are clasped behind her, at the small of her back. From Edward Weston Book of Nudes (1953) | src The J. Paul Getty Museum
Edward H. Weston ~ Nude, 1936. Collection of the Center for Creative Photography (CCCP), The University of Arizona © 1981. Arizona Board of Regents | src PhotoEspaña 2013 at l’œil de la photographie

Margrethe Mather, 1919

Edward Weston :: [Margrethe Mather], 1919. Palladium print. Arizona Board of Regents, Center for Creative Photography. | src The J. Paul Getty Trust
Edward Weston :: [Margrethe Mather], 1919. Palladium print. The J. Paul Getty Trust
Edward Weston :: [Margrethe Mather], 1919. Palladium print. Arizona Board of Regents, Center for Creative Photography. | src The J. Paul Getty Trust
Edward Weston :: [Margrethe Mather], 1919. Palladium print. Arizona Board of Regents, Center for Creative Photography. | src The J. Paul Getty Trust

Dream nº7: Who is this?

Grete Stern :: Dream nº 7: Who Will She Be? – Who Is This? 1949 | src MoMA and Museum Folkwang

This is photomontage number 7 of the series “Dreams”, which Grete Stern made as illustrations for the section: Psychoanalysis will help you for the Buenos Aires magazine “Idilio”, which invited readers to send their dreams with the promise of interpreting them. Grete Stern, as the illustrator, made the visual interpretations of one hundred and forty dreams between October 26, 1948 and July 24, 1951. Combining humor and surrealism, Stern manages to convey powerful messages that denounce the female situation in society at the time , through photomontages that the magazine presented under names such as dreams of imprisonment, dreams of confinement, dreams of silence, dreams of rebirths, dreams of the body, dreams of inescapable elections, dreams of splitting, dreams of identity, dreams of triumph and domination or dreams of inhibitions, among others.