A Woman’s Lips, ca. 1929

Martin Munkácsi :: A Woman’s Lips, ca. 1929. Gelatin silver print. | src The Metropolitan Museum of Art

When Martin Munkacsi arrived in Berlin in 1927, he found a metropolis bursting with artistic innovation. Photography was particularly fertile ground for the principles of Surrealism, the New Vision, and the New Objectivity, all of which had captured the imaginations of many avant-garde photographers. Munkacsi was introduced to these ideas through his employer Kurt Safranski, the managing editor of the Ullstein publications, and began to conduct his own experiments in the late 1920s. This image was likely one such enterprise; it features the close-up view favored by avant-garde photographers, and the unusual cropping is characteristic of Surrealism, in which disembodied lips regularly materialized as erotic symbols. [quoted from The Met]

One thought on “A Woman’s Lips, ca. 1929

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s