
Refugee girl and her parrot, France, ca. 1940 / src: Lumière des Roses
images that haunt us

Refugee girl and her parrot, France, ca. 1940 / src: Lumière des Roses

Anonymous photographer :: Explosion of a mine, 1943. Vintage gelatin silver print. / source: Lumière des Roses

Zofia
Chomętowska
:: unknown title or date
/ source: UN-POSED

Zdeněk Tmej (1920-2004) :: From the cycle ‘Forced Labor’, 1942. Vintage ferrotyped gelatin silver print. Signed and dated by the photographer on verso. Another variant of this photograph has a description by the photographer which says in Czech: “A Czech woman, who had a choice of either a concentration camp or a brothel.” / source: the saleroom

Arthur Tanner
:: Servicewomen look at a design of artificial silk-plated stocking, called
731, specially designed for servicewomen at a fashion show at Kennards
of Croydon, 22nd September 1943. (Fox Photo / Getty Images) / src of image: Imgur / src of text: Getty Images

Jane and Louise Wilson :: from the series ‘Sealander’, 2006.
This series features bunkers erected by Hitler along the European Atlantic coast during World War II. Once symbols of strength and defense, the fortifications have long been abandoned. / source: The Getty Museum

Bodenwieser’s Mother Earth, 1934 in Vienna (Austria). On the left Emmy Taussig (life-time assistant of the Jewish choreographer) with Evelyn Ippen and Lisa Allen.
more [+] Gertrude Bodenwieser’s posts in madivinecomedie

Eileen Kramer and Jean Raymond in Gertrud Bodenwieser’s Waterlilies, probably in Sydney (where the Jewish choreographer fled
After Hitler’s annexation of Austria in 1938), 1940 / src: ma.divine.comedie