postcard of a woman reading 1915

Woman reading, Rome, Georgia, circa 1915 (tinted real photo postcard) (detail) | src flickr
Woman reading, Rome, Georgia, circa 1915 (tinted real photo postcard) | src flickr

Irina Khrabroff by Sipprell

Clara E. Sipprell (1885-1975) :: Irena [Irina] Khrabroff Sewing, 1920. Gelatin silver print. | src Amon Carter Museum of American Art
Clara Sipprell (1885-1975) :: [Irina Khrabroff], ca. 1925 – 1933. Gelatin silver print on tissue. | src Amon Carter Museum of American Art
Clara Sipprell (1885-1975) :: Irena [Irina] Khrabroff in Russian Costume, 1925. Gelatin silver print. | src Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: Irina Khrabroff, ca. 1930s. Gelatin silver print. | src Amon Carter Museum of American Art

Sipprell was born on Halloween, 1885, in Tillsonburg, Ontario, Canada. In 1895 (after her father’s death), she and her mother moved from Canada to Buffalo. In the early 1900s, Buffalo was a center of the pictorialism. Sipprell became one of the foremost practitioners of pictorial photography in the United States. She produced autochromes and platinum, bromoil, gum, and carbon prints; won awards in exhibitions; and had her work published in magazines in the United States and Europe.

As a portrait photographer, Sipprell sought to convey a sense of the whole person and what made each unique. […] In 1915, Sipprell, then thirty, moved to New York City with Jessica E. Beers, with whom she lived until 1923. She opened a photographic studio in Greenwich Village and eventually became a contract photographer for the Ethical Culture School, where Beers was a principal.

A Russian immigrant, Irina Khrabroff, was first her student and later her traveling companion, close friend, and business manager. As a student, Khrabroff spent her winters living with Sipprell and Beers in New York City. In 1923, when Khrabroff married, Beers moved out of the apartment, but Sipprell continued living there with Khrabroff and her husband until 1933.

[…] It is not clear whether or not Sipprell’s relationships were sexual or even romantic, yet their length and stability, and the evidence of the memorial marker, indicate an extraordinary level of commitment. [Quoted from lgbtq encyclopedia: Sipprell, Clara Estelle (1885-1975) by Tee A. Corinne]

Women reading, dancing, strolling

Clara Sipprell (1885-1975) :: [Woman in white dress, dancing outdoors]; 1960. Gelatin silver print. Amon Carter Museum
Clara Sipprell (1885-1975) :: [Woman in white dress, dancing outdoors]; 1960. Gelatin silver print. Amon Carter Museum
Clara Sipprell (1885-1975) :: [Woman among trees], 1930-1960. Amon Carter Museum of American Art
Clara E. Sipprell (1885-1975) :: [Woman reading outdoors], 1930-1960. Amon Carter Museum

Femme au jardin en fleurs, 1911

Julien Gérardin :: Femme au jardin en fleurs, 31-07-1911. Autochrome. | src Collection Julien Gérardin à l’ENSAD
Julien Gérardin :: Femme au jardin en fleurs, 31-07-1911. Autochrome. | src Collection Julien Gérardin à l’ENSAD
Julien Gérardin :: Femme au jardin en fleurs, 31-07-1911. Autochrome. | src Collection Julien Gérardin à l’ENSAD
Julien Gérardin :: Femme au jardin en fleurs, 31-07-1911. Autochrome. | src Collection Julien Gérardin à l’ENSAD

Cabaret artist Marion Forde, 1925

Marion Forde, from the Forde sisters, Cabaret artist from the USA, posing half naked for Reville fashion house. Photographer: Reville. Published in ‘Querschnitt’ 9/1925. | src Getty Images

Between the baths, Aug. 1908

Lady Ottoline Morrell (‘Between the baths’), possibly by Philip Edward Morrell, vintage snapshot print, August 1908. | src NPG

The Book of Bookplates, 1900

J. W. Simpson :: The Book of Bookplates (1900). From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive